Roberto Cross

In his debut Appassionata collection in 1996, Italian designer Roberto Coin (b. 1944) made the ruby a core element of his designs. Inspired by ancient Egyptian and Burmese traditions of wearing a ruby against the skin as a talisman of love, joy and protection, Coin set a small ruby on the inside of his necklaces, rings and bracelets. The hidden ruby became Coin’s signature as he launched his brand as a groundbreaking innovator in quality Italian craftsmanship.

Coin’s talent lies in working with precious metals and creating unexpected designs by combining white, rose and yellow gold. Coin was initially a successful hotelier before leaving that career to pursue his passion for jewelry. Although he was born in Venice, Coin chose to set up his studio in Vicenza, Italy. Known as the “City of Gold,” Vicenza is the heart of the Italian gold and jewelry industry, boasting over 700 years of goldsmithing heritage.

Coin was interested in bringing new technology into Italian jewelry manufacturing, such as using machines originally intended to weave metal for car exhaust pipes to spin the gold wires for his jewelry. Coin’s brand produces hundreds of unique and limited-edition jewelry pieces every year and draws inspiration from the great Italian craft traditions as well as art, history and mythology.

Along with the signature ruby, the Appassionata collection’s most enduring legacy is the masterful fabric-like texture of the woven threads of gold. The technique of interlocking gold links that characterizes this series creates a beautiful basket weave that strengthens and elongates each piece’s life, rendering the accessories robust heirlooms. Coin’s other collections continue to offer innovations in design, from Classica Parisienne contributing to the trend for stacking white, rose and yellow gold together to Pois Moi involving square shapes and hand-etched and -carved details.

Find a collection of Roberto Coin rings, bracelets and other jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Antique diamond rings, diamond tiaras and dazzling vintage diamond earrings are on the wish lists of every lover of fine jewelry. And diamonds and diamond jewelry are primarily associated with storybook engagements and red-carpet grand entrances — indeed, this ultra-cherished gemstone has a dramatic history on its hands.

From “A Diamond Is Forever” to “Diamonds Are a Girl’s Best Friend,” pop culture has ingrained in our minds that diamonds are the most desired, the most lasting and the most valuable gemstone. But what makes the diamond so special? Each stone — whether it’s rubies, sapphires or another stone — is unique and important in its own right. April babies might claim diamonds for themselves, but just about everyone wants this kind of sparkle in their lives!

There are several factors that set diamonds apart from other stones, and these points are important to our gem education.

Diamonds are minerals. They are made up of almost entirely of carbon (carbon comprises 99.95 percent; the remainder consists of various trace elements). Diamonds are the hardest gemstones, ranking number 10 on the Mohs Hardness Scale. Even its name, diamond, is rooted in the Greek adamas, or unconquerable. The only object that can scratch a diamond is another diamond. Diamonds are formed deep within the earth at very high temperatures (1,652–2,372 degrees Fahrenheit at depths between 90 and 120 miles beneath the earth’s surface) and are carried up by volcanic activity. Diamonds are quite rare, according to the Gemological Institute of America, and only 30 percent of all the diamonds mined in the world are gem quality.

In the 1950s, the Gemological Institute of America developed the 4Cs grading system to classify diamonds: clarity, color, cut and carat weight. Not all diamonds are created equal (there are diamonds, and then there are diamonds). The value of the diamond depends on the clarity (flawless diamonds are very rare but a diamond's value decreases if there are many blemishes or inclusions), color (the less color the higher the grade), cut (how the diamond’s facets catch the light, certain cuts of diamonds show off the stone better than others) and carat weight (the bigger, the better).

When you start shopping for a diamond engagement ring, always prioritize the cut, which plays the largest role in the diamond's beauty (taking the time to clean your diamond ring at least every six months or so plays a role in maintaining said beauty). And on 1stDibs, a range of buying guides can be found for those in the market for antique engagement rings, vintage engagement rings or Art Deco engagement rings. 

Shop antique and vintage diamond rings, diamond necklaces and other extraordinary diamond jewelry on 1stDibs.  

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.