Roman School

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

The name Co.Ro. recalls and connects two ideas: the craftsmen’s voices and hands that, just like a choir (“Coro” in Italian), move and sync together under the direction of the two de...

His first public participation took place in 1959 together with Franco Angeli and Giuseppe Uncini at a group exhibition at the La Salita gallery in Rome, where he held his first solo...

The Deposition from the Cross, in a lively and expressive composition, adopts the stylistic codes of the Roman Mannerist school and is directly inspired by a model by Guglielmo della...

His interest in art began while attending the North Bennett Industrial School in Boston's North End. After his teachers convinced his parents to support his artistic education, Charl...

His interest in art began while attending the North Bennett Industrial School in Boston's North End. After his teachers convinced his parents to support his artistic education, Charl...

A great figurative study from a great school - The Roman Academy of Fine Art

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

Costa since the 1950s, he was considered as one of the forerunners of the Roman Campaign School.

It is thought to be a figure from a group representing the Flaying of Marsyas and is a Hellenistic-Roman sculpture (Pergamene school) of a man crouching to sharpen a knife on a whets...

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

He was born in Hampstead, the son of an art dealer, educated at St Joseph's Roman Catholic school in Highgate and trained at the Slade School of Art in London under Henry Tonks, Wils...

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.

Giuseppe Capogrossi (1900 - 1972) was a famous Italian painter, especially known for the foundation of the so-called Scuola Romana ("Roman School"), together with Corrado Cagli and E...

Claudio Palmieri (Rome, 1955) The Italian artist is a protagonist of the New Roman School or Via del Paradiso and boasts more than twenty years of national and international artisti...

They are credited with creating the highly distinctive ‘Bvlgari’ style, inspired by Greek and Roman classicism revival, the Italian Renaissance, and the 19th century Roman school of ...

Later he visited Zurich and returned to Paris, where he met Gino Severini and attended Alberto Magnelli, Picasso and had fertile intellectual exchanges with Jacques Villon and Alfred...

The three artists were among the loose association of painters that came to be known as Scuola Romana (Roman School). In 1933 they collaborated on the "Manifesto del primordialismo p...

Roman School, still life of flowers. Oil painting on canvas in its original giltwood frame.

Bronze sculpture representing a bust of Minotaur of the 17th century Roman school with support. With certificate of the Italian Ministry of Cultural Heritage.

Couple of important Roman school paintings of landscapes with architectural ruins and characters.

Delightful 18th century Roman school representing a view of Rome fixing the "ponte Rotto".

Capriccio, 18th century Roman School Measures: 15-3/4" x 11", 25" x 20" frame The phenomenon of Italian ruin painting began in the mid-17th century, and is a Baroque development.

A very beautiful and classical portrait of Thomas Aquinas an Italian Dominican friar, philosopher, Catholic priest, and Doctor of the Church. An immensely influential philosopher, th...

This fantastic micromosaic represents the Colosseum and is surrounded by malachite. Roman school, 1820. Later wood frame.

A pair of oil paintings showing Classical ruins with figures in a storm. Roman School.

Roman School Italy 19th Century "Woman with Grapes" Rome - Italy 19th Century Oil on canvas 97cm x 87cm Paliotti SL Madrid España

The micromosaic is in a later wooden frame. Roman school, 1820.

Mario Mafai Natura Morta 1940s oil on canvas 80 x 60 cm Signed lower right Description: Mario Mafai was an Italian painter and, with his wife Antonietta Raphaël, he founded the mod...

Mario Mafai Two vases of roses (Due vasi di rose) 1952 oil on canvas 61 x 71 cm signed upper left Description: Mario Mafai (*1902 Rome IT †1965 Rome IT) was an Italian painter and,...

Mario Mafai I tetti di Via Margutta (The roofs of Via Margutta) 1943 oil on canvas 34 x 55 cm Description: Mario Mafai (*1902 Rome IT †1965 Rome IT) was an Italian painter and, with...