Antique Royal Portraits

: "Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British

Royal Portrait Henry Stuart Lord Darnley, Vertue Engraving, 1732 This refined 18th-century

royal portrait medallions to the exterior - continuous applied laurel leaf borders to the rim and base

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the

Pair of Tudor Royal Portrait Engravings, Henry V & Henry VI, c.1790 This refined pair of late 18th

Antoinette A fine pair of 18th century portraits depicting Maria Theresa, Holy Roman Empress consort

– 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones

Francis Hayman RA 1708–1776 Self-Portrait Oil on oak panel Image size: 8 x 6¼ inches Contemporary

. Julius Paulsen first studied at Denmark's Royal Academy of Fine Arts, graduating in 1882. The recipient

'Portrait of a Gentleman Reading' by George Richmond, RA. Regency Dandy, William Blake, Royal

This stunning circular 19th century oil painting is by noted prolific Royal Academy exhibited

penetrating portrait by this early Danish Post-Impressionist. Agnes Jensen first studied with Emilie Mundt

A fine 19th century oil on canvas portrait stated to be Captain Paul John Henry Butler, 5th Royal

A portrait of two sisters by the Royal Portraitist Chen Yanning. A museum-worthy portrait. This

Portrait of the Marquise de Montespan (1640-1707) Studio of Caspar Netscher (1639 – 1684, The Hague

A very beautiful 18th century French Old Master oil on canvas portrait of a Royal Lady, possibly a

Attributed to Sir Godfrey Kneller (1646 - 1723) A Portrait of Ochius, also called The Passia Ahmed

portraits. In 1798, he was elected a full member of the Royal Academy and painted George III and the Prince

) was a leading portraitist of his time, having painted many noble and royal portraits. Two of his

his portraits at the Royal Academy shows. His natural father was a keen patron of his, and allowed him

, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his

exhibited between 1895-1935. Glasgow 1, Liverpool 10. Portrait Gallery 4, Royal Academy 9, Royal Society of

attention at the Royal Academy in 1881. In 1887 his portrait of Henry Vigne in hunting costume was one of

own collection. Museums The Royal Collection National Portrait Gallery

, Manchester City Art Gallery 5, New English Art Club 3, Royal Society of Portrait Painters 1, Royal Academy 49

honour, attracted attention at the Royal Academy in 1881, and in 1887 his portrait of Henry Vigne in

exhibited many society portraits at the Royal Academy and elsewhere and this charming picture is a fine

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Ve...

children. She was the choice of England’s royal family for a portrait of Princess Victoria of Wales (1868

London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute

Society of Portrait Painters, Royal Society of British Artists, Royal Cambrian Academy, Fine Art Society

soon established his reputation as a portrait painter in oils, receiving his first royal commission, a

which arose. He first began exhibiting at the Royal Academy in 1785, contributing portraits yearly up to

portrait of Elizabeth of York below. With English inscription below. Henry VII (1457-1509) was the King of

Gallery Liverpool 1, Royal Academy 12, Royal Society of Portrait Painters 7 and Royal Institute of Oil

Godfrey Kneller (1646-1723) Large 17th Century Royal Court Portrait of King William III of England

galleries and museums in England, including the Royal Academy of Arts, the Royal Society of Portrait

Godfrey Kneller (1646-1723) Large 17th Century Royal Court Portrait of King William III of England

. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from

established himself as a portrait artist. From 1717 he became painter to the Royal court painting portraits of

honour, attracted attention at the Royal Academy in 1881. In 1887 his portrait of Henry Vigne in hunting

'A Young Parisienne' by Christine Sundberg, 1888. Royal Academy of Arts, Academie Colarossi, Jeu-de

Largillièrre and specialized in portraits. He later went to the Royal Academy of Painting and Sculpture in

a group portrait of Nicholas II and his wife, surrounded by the entire regiment of royal Ulhans

establishing himself in London. Derby exhibited frequently at the Royal Academy, producing portraits

valued by Christie’s, London, at £5,000-£7,000. Holyoake was a Royal Academy trained painter of portraits

of the Royal Society of Portrait Painters and in 1897 was elected an associate of the Royal Academy

December 1867 – late March 1946) was a British born portrait painter who exhibited at the Royal Academy

the portrait is Mary, Queen of Scots, based upon the prototype in the Royal Collection, and that the

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist

Gallery 3, Royal Society of Portrait Painters 3, Royal Academy 36, Royal Cambrian Academy 19, Royal

attention at the Royal Academy in 1881, and in 1887 his portrait of Henry Vigne in hunting costume was one

rose to become the President of the Royal Society of Portrait Painters in 1945 following a spell as

at The Royal Academy, The Royal Society of Portrait Painters, The Royal Oil Painters Institute, The

, the Walker Art Gallery (Liverpool), the New English Art Club, the Royal Society of Portrait Painters

twentieth century portraitist, who exhibited over 50 pictures – mainly portraits - at the Royal Academy and

functioned on a sophisticated production system capable of supplying portraits of royal and aristocratic