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Rembrandt Lazarus

The Raising of Lazarus Etching, Dutch School, Circa 1632, Framed
The Raising of Lazarus Etching, Dutch School, Circa 1632, Framed

The Raising of Lazarus Etching, Dutch School, Circa 1632, Framed

By Rembrandt van Rijn

Located in Milwaukee, WI

As the title would suggest, the piece depicts the biblical scene of Christ's resurrection of Lazarus. The striking contrast between the dark tomb and the beam of light illuminating t...

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1630s Dutch School Figurative Prints

Materials

Etching

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The Raising of Lazarus
The Raising of Lazarus

Rembrandt van RijnThe Raising of Lazarus, 1632

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H 14.49 in W 10.12 in

The Raising of Lazarus

By Rembrandt van Rijn

Located in Oakland Hills, CA

Following the Biblical tale from the New Testament, this work dramatically captures the moment in which Lazarus rises from the grave. Rembrandt utilizes light and shadow to highlight...

The leper ( "Lazarus  Klep")
The leper ( "Lazarus  Klep")

The leper ( "Lazarus Klep")

By Rembrandt van Rijn

Located in Hudson, NY

etching one of states of seven 9.3 x 6.5 cm signed RHL and dated1631 ref.B171

Category

18th Century and Earlier Old Masters Figurative Prints

The Raising of Lazarus, Small Plate

The Raising of Lazarus, Small Plate

By Rembrandt van Rijn

Located in San Francisco, CA

Signed and dated in the plate lower left Rembrandt f. 1642. A fine 18th century impression of Bartsch and New Hollstein’s second and final state, Usticke’s, second state of three, p...

Category

1640s Old Masters Prints and Multiples

Materials

Etching

Raising of Lazarus, Old Masters Heliogravure Etching after Rembrandt van Rijn
Raising of Lazarus, Old Masters Heliogravure Etching after Rembrandt van Rijn

Raising of Lazarus, Old Masters Heliogravure Etching after Rembrandt van Rijn

By Rembrandt van Rijn

Located in Long Island City, NY

Rembrandt van Rijn, After, Dutch (1606 - 1669) - Raising of Lazarus, Medium: Heliogravure on Wove Paper, Image Size: 14 x 10 inches, Frame Size: 22 x 18.25 inches

Category

Mid-19th Century Old Masters Figurative Prints

Materials

Etching

Rembrandt Van Rijn The Raising of Lazarus 1630 Etching Millenium Edition Framed
Rembrandt Van Rijn The Raising of Lazarus 1630 Etching Millenium Edition Framed

Rembrandt Van Rijn The Raising of Lazarus 1630 Etching Millenium Edition Framed

By Rembrandt van Rijn

Located in Keego Harbor, MI

A spiritual etching on Ingres d’Arches off-white laid paper paper titled “The Raising of Lazarus” by Rembrandt Van Rijn. Created circa 1630.

Category

Antique 1630s Paintings

Materials

Paper

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1842
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1842

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1842

By Rembrandt van Rijn

Located in St Annes, Lancashire

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1842 Unframed.

Category

Antique 1840s English Baroque Prints

Materials

Paper

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1846
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1846

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1846

By Rembrandt van Rijn

Located in St Annes, Lancashire

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1846 Unframed.

Category

Antique 1840s English Baroque Prints

Materials

Paper

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1841
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1841

Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1841

By Rembrandt van Rijn

Located in St Annes, Lancashire

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1841 Unframed.

Category

Antique 1850s English Baroque Prints

Materials

Paper

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Rembrandt van Rijn for sale on 1stDibs

Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.