Satsuma Ware

, characteristic of high-quality Satsuma ware, enhances the depth and richness of the design, creating a striking

become the largest producer of Satsuma ware by one individual company, from the end of the 19th century

characteristic of Satsuma ware’s storytelling artistry. Between the main windows, smaller story panels bridge

type. There is, however, strong artistic link between black satsuma ware and chosen karatsu as

become the largest producer of Satsuma ware by one individual company, from the end of the 19th century

Museum quality and generous proportions. These beautiful Satsuma-ware vases were made during the Meiji

largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927

, now converted to a Pair of Electric Table Lamps. These beautiful Satsuma-ware vases were made during

associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by

Period). One of the many artist studios that specialized in satsuma ware, Seikozan was perhaps a handful

end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan

workshop in Kyoto was known for Satsuma ware decorated with enamel painting and extensive gilt application

A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s

strong definition with minimal wear. The glaze shows even crackling consistent with Satsuma ware. The

Beathiful set of Satsuma Earth ware . Hand painted .Vases converted to lamp stands . in the 1950s

circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized in satsuma ware

Kozan, a maker in Kyoto area who specialized in producing fine satsuma ware. Impressive in large size

traditional satsuma ware aethetic. The base was drilled historically for lamp base through a signature that

. This finely enameled and gilded pair reflects the height of Satsuma export ware production during the

A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration

studio producer of Satsuma ware. By the 1850s, Kinkozan Sobei (Kinkozan IV; 1824-84) started to export

the high level of production associated with fine Meiji period Satsuma ware.

bridge between Eastern antiquity and classic European interior design. Satsuma ware originated in the

ware. The vase is dated 1900s and it is one of the finest satsuma pieces we have handled. The quality

of Satsuma ware. By the 1850s, Kinkozan Sobei (Kinkozan IV; 1824-84) started to export the wares to

end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan

of Satsuma ware. By the 1850s, Kinkozan Sobei (Kinkozan IV; 1824-84) started to export the wares to

of Satsuma ware. By the 1850s, Kinkozan Sobei (Kinkozan IV; 1824-84) started to export the wares to

ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares

oldest established Japanese silversmiths that is still in business today. At first, Satsuma ware vases

Round Satsuma ware box painted in polychrome enamels and gold. The top of the lid is decorated with

. Originally $ 525.00 CHECK OUT OUR WED SITE FOR ADDITIONAL SPECIALS Satsuma ware (薩摩焼 satsuma-yaki

Fabric Swags, Signed Originally $ 2,995.00 Satsuma ware (薩摩焼 satsuma-yaki), sometimes referred to

underglaze colors on a single item and introducing more subtle graduations of color. Satsuma ware was a name

painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation

cannot be referred to as true "Satsuma", but instead are referred to as Awata Ware, Kyoto Ware

A vintage Satsuma-ware pottery lamp. The piece is in good condition with age appropriate wear; some

This is Satsuma ware made from the latter half of the Edo period to the Meiji period (1750-1900

Pair of cylindrical shape large lamps in Satsuma ware Kyo-yaki type. Decor of wisteria and foliage

Fabulous Japanese Koro. Interesting decoration. Condition Overall Condition with a professional restoration. Size: 145mm x 120mm Period: 1910s-1920s

. Condition Overall condition perfect, just crackled all over like most satsuma. Check pictures carefully

Fabulous Japanese vase by Taizan Yohei. Very nice quality for the domestic market Marked base Taizan Yohei Condition: Perfect condition. Size: 185mm high Period: ca 1900 Mei...

Fabulous Japanese vases. Marked at base. Condition: Overall condition perfect, just some crackle lines which these kind of vases close to always have. Size 150mm high Period:...

Fabulous Japanese vase. Marked at base. Condition: Perfect. Size: 185mm high Period: Meiji Periode (1867-1912).

Satsuma ware has been produced since the 1600's and has a very distinct elaborately decorated body

Japanese Satsuma ware ginger jar featuring a mille fleur design and gilt trim. Vibrant colors and

Description: Fabulous Japanese Satsuma ware tripod lidded box. Marked Condition: Overall

the distinctive craftsmanship of traditional Japanese Satsuma ware. Hand-Painted Earthenware, Satsuma

, function and artistic beauty characteristic of Meiji-era Satsuma ware. This burner has a round shape with

Fabulous Japanese Satsuma ware teapot Marked base: Condition: Overall condition perfect

their work. Satsuma ware, a testament to the artistic brilliance from Japan's Meiji period, has

prints style. Marked under the base. Satsuma, JAPAN. Meiji period (1868-1912). Satsuma ware (Satsuma

Width 3 inches x Depth 3 inches Satsuma ware (??? satsuma-yaki), Sometimes referred to as "Satsuma

depth 3 inches Satsuma ware (??? satsuma-yaki), Sometimes referred to as "Satsuma porcelain", is a

Large Japanese Satsuma ware censer featuring Shi-Shi handles and a rare square shaped bowl with

popularity of Satsuma ware at the 1867 exhibition and its mention in Audsley and Bowes' Keramic Art of Japan

the decoration is very much a reference to Satsuma ware. Fully decorated compartsments of figures and