Satsuma Ware

Antique Meiji Period Kyoto Satsuma Vase Table Lamp, Japan, circa 1880 Dimensions: – Height without lamp fitting: 21.7 cm – Height with lamp fitting: 27.5 cm – Height with lampshade:...

A particularly appealing example of Meiji-period Satsuma ware, notable for its detailed bird and blossom decoration and unusually elegant proportions.

The censer’s form, with its balanced proportions and elevated design, exemplifies the harmonious blend of function and beauty characteristic of Meiji-era Satsuma ware. Ideal for coll...

A Rare Japanese Meiji Period Satsuma Porcelain Double-Handled Crackled Ware Vase with Intaglio Carved Decoration and Gilt Adornment, Mark on Base: Tashiro Factory / Tashiro Giyōemon ...

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period.

One of the many artist studios that specialized in satsuma ware, Seikozan was perhaps a handful exceptional establishment in Kobe that produced the pieces with the highest quality an...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

The combination of reticulated work, finely painted figural panels and seasonal still life decoration distinguishes this Meiji period Satsuma vase from more conventional examples. W...

The elaborate gold detailing, characteristic of high-quality Satsuma ware, enhances the depth and richness of the design, creating a striking contrast against the finely crackled gla...

They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed.

The emotional depth and narrative complexity of these vignettes are characteristic of Satsuma ware’s storytelling artistry. Between the main windows, smaller story panels bridge t...

There is, however, strong artistic link between black satsuma ware and chosen karatsu as mentioned above because both were derived from Korean prototypes.

They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed.

Fine stippled gilt work across the sky and landscape creates depth and atmosphere while retaining the lighter tonal palette associated with later Meiji and early twentieth century Sa...

The border is richly embellished with stylised ho-o (phoenix) roundels and honeycomb motifs, forming a floral petal-shaped reserve around the central decoration and demonstrating the...

These beautiful Satsuma-ware vases were made during the Meiji period (1868-1912), in this distinctive and wonderful style, and in Rouleau vase form.

They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed.

These beautiful Satsuma-ware vases were made during the Meiji period (1868-1912), in this distinctive and wonderful style with lavish gilt highlights all over and circular ormolu bas...

One of the many artist studios that specialized in satsuma ware, Seikozan was perhaps a handful exceptional establishment in Kobe that produced masterpieces with the highest quality ...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

Maker / Artist: Attributed to Kinkozan Origin: Japan Period: Meiji Period, circa 1880 Material: Earthenware / Satsuma ware Style: Japanese Meiji / Kyoto Satsuma Decoration: Polychrom...

The Kinkozan workshop in Kyoto was known for Satsuma ware decorated with enamel painting and extensive gilt application.

A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period.

The glaze shows even crackling consistent with Satsuma ware. The preservation and quality of execution indicate a high level of craftsmanship associated with late nineteenth century ...

One of the many artist studios that specialized in satsuma ware, Seikozan was perhaps a handful exceptional establishment in Kobe that produced masterpieces with the highest quality ...

Remained in fine condition as an original pair, these vases are exceptional examples of the satsuma export ware at its best.  

This finely enameled and gilded pair reflects the height of Satsuma export ware production during the late 19th to early 20th century (circa 1890–1910), crafted expressly for Western...

The base is also decorated with scrolling patterns in keeping with the traditional satsuma ware aethetic. The base was drilled historically for lamp base through a signature that pa...

The deep blue ground is richly embellished with gilt chrysanthemums, scrolling foliate ornament and Greek key borders, creating a striking contrast with the softly painted panels and...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration by Japanese potter Taizan Yohei IX (1864-1922).

The surface retains clear detail throughout the panels and surrounding decoration, demonstrating the high level of production associated with fine Meiji period Satsuma ware.

Beathiful set of Satsuma Earth ware . Hand painted .Vases converted to lamp stands . in the 1950s .

He went on to lead the Yasuda company and became one of the greatest artists in satsuma ware. The vase is dated 1900s and it is one of the finest satsuma pieces we have handled.

The underside bears a rare gilt rectangular cartouche reading 薩摩 identifying the piece as Satsuma ware. The exceptional scale, sophisticated composition, and museum-quality painting...

The pair is a superb example of high-quality Meiji-period porcelain and should not be confused with Satsuma ware. Their exceptional proportions, vivid decoration, and original carved...

When viewed from above or below, the vase reveals its authentic ivory-cream earthenware base covered in a distinct, fine crackle glaze (a web of microscopic fractures), which serves ...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

The Kinkozan family established their pottery business first in 1645 and by the end of 19th century, it had become the largest studio producer of Satsuma ware. By the 1850s, Kinkozan...

These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on t...

Uyeda shop (Uyeda Shoten, 植田商店) was founded in 1884 by Uyeda Kichigoro (植田吉五郎) and is one of the oldest established Japanese silversmiths that is still in business today. At first, S...

Illustrated examples include Italian Renaissance maiolica, Persian pottery, Delft faience, Wedgwood, Meissen porcelain, Luca della Robbia reliefs, Chinese export porcelain, and Japan...

Origin: Japan Style: Satsuma style / Japanese export ware Period: Late Meiji period, probably circa 1880-1910 Material: Earthenware with crackle glaze, overglaze enamel, moriage deco...

Origin: Japan (attribution preliminary) Style: Meiji period export ware (possibly Satsuma style, not confirmed) Dimensions: Height: 20 cm / 7.87 in Diameter: 15 cm / 5.91 in Condit...