Saturday Evening Post Illustration

Signed Lower Left Saturday Evening Post Illustration

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture and emotional interplay of the scene.

Signed Lower Right Saturday Evening Post Illustration

Saturday Evening Post interior illustration Signed lower right

Saturday Evening Post Illustrator Thornton Utz captures the peak moment of action in this Noir Crime Drama, Shooting illustration on an interior page in the famed magazine in 1958 —...

Brown’s first chance at magazine illustration came when a friend was assigned to write a circus article for The Saturday Evening Post.

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Medium: Oil on Canvas Signature: Signed Lower Right The illustration depicts a clipper ship at sea. "Little Tolo," a story illustration for the Saturday Evening Post, December 30, 1...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Illustration for the Saturday Evening Post. The illustration depicts a man being booted off the ship.

Story illustration for "Child of the Terror" by Helen Fawley for The Saturday Evening Post, published February 1, 1941, page 17.

Medium: Charcoal Drawing on Paper Signature: Signed Lower Right Story Illustration from The Saturday Evening Post

Neidig, featured in The Saturday Evening Post Magazine, June 29, 1918. p17.

War Bond at the United States Treasury-Saturday Evening Post War Bond Show. This event toured sixteen cities with over 1.2 million attendees and featured Norman Rockwell's Four Freed...

Date: 1949 Medium: Oil on Canvas Dimensions: 27.00" x 27.00" Signature: Signed Lower Right Saturday Evening Post illustration, 1949 Twelve of von Schmidt's paintings hang in the Go...

Signed "George Garland" Lower Left by Artist "To melt this frigid beauty required the services of an expert, someone with a wicked-and-compelling-way with women." Illustration for "...

"The Final Judgment." Illustration for the same-titled story published in The Saturday Evening Post, with their stamp on verso, circa 1960.

Saturday Evening Post sticker and editorial and production marks on verso. This is more than just a simple semi-silhouette. It's a carefully crafted and wonderfully composed image. T...

Gruger" Upper Right "'I shall count to five before I fire.' said Davidson. 'One!'" Illustration for "House of Darkness" by C. E. Scoggins, published in The Saturday Evening Post, De...

Signature: Initialed Lower Center "Self-Determination," by Robert Lansing and illustrated by Guernsey Moore for the Saturday Evening Post, April 9, 1921.

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for advertising campaigns, most... Signat...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for advertising campaigns, most... Signa...

"Full Personality," by John Taintor Foote and illustrated by Henry P. Raleigh for the Saturday Evening Post, January 28, 1933. "I've come to drown myself -- will you help?"

Signature: Initialed Lower Right Originally published in Saturday Evening Post December 20th, 1919 issue. Repeated in April 17th, 1920 issue of Saturday Evening Post as an insert de...

Medium: Oil on Canvas The oil on canvas illustration is bearing a Saturday Evening Post label verso, used to illustrate the short story There Is No Love, in the October 18th, 1941 i...

Medium: Oil on Board Signature: Signed Lower Right Story featured in The Saturday Evening Post, 1945 “Remembered Anger” by Martha Albrand Story illustration: Man in showgirl's dres...

21.25 x 28 in. (54 x 71.1 cm.) Magazine illustration most likely for Colliers or The Saturday Evening Post Title : The One Behind Him, by Charles B .

Medium: Mixed Media on Whatman Drawing Board Signature: Signed Lower Right Titled and marked "P4447" on Saturday Evening Post label verso. "The Refugee" by Bud Hutton and illustrate...

Signature: Initialed Along Lower Edge "Capital on Strike," by Albert W. Atwood and illustrated by Guernsey Moore for the Saturday Evening Post, October 8, 1921.

"Whereas, the Women," by George Kibbe Turner, illustrated by Guernsey Moore for the Saturday Evening Post, July 22, 1922.

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Signature: Initialed Upper Center "Uncle Sam's Income," an interview with Martin B. Madden and illustrated by Guernsey Moore, August 18, 1923.

Medium: Gouache on Illustration Board Signature: Signed Lower Left Cover of The Saturday Evening Post, June 19, 1954

Illustration by Grattan Condon for the February 8, 1930 Saturday Evening Post story entitled "Wide-Open Throttle" by A.W.

An original watercolor illustration by Nicholas Riley, American (1900 - 1944) for the Saturday Evening Post 10/19/1940.

In 1912, he began his career as an illustrator for The Saturday Evening Post. He received the Peabody Award for his magazine cover designs and became known for his use of powerful, v...

Published as an illustration for John F. Wallace’s short story “Love Wasn’t Enough,” in the June 22, 1957 issue of The Saturday Evening Post.

Signature: Initialed Lower Center "Ten Thousad for Everybody," no author. Story illustration by Guernsey Moore for the Saturday Evening Post, March 16, 1924.

King" Lower Right The Negotiation. Likely a story illustration for The Saturday Evening Post, circa 1915.

Story illustration for "Pony-Express Boy" by M.G. Chute for The Saturday Evening Post, published April 27, 1940, page 20.

The present work was illustrated on the cover of the March 8, 1952 edition of the Saturday Evening Post. The Post writes, "When Stevan Dohanos was a little boy he was sometimes gran...

Signature: Initialed Lower Right "Why I am a Progressive," by William Allen White and illustrated by Guernsey Moore for the Saturday Evening Post.

Signature: Initialed Lower Center "As Others See Us," by Princess Cantacuzene and illustrated by Guernsey Moore for the Saturday Evening Post, April 5, 1924.

Signature: Signed Center Right. "The Credit Trimmers," by Edward H. Smith and illustrated by Guernsey Moore for the Saturday Evening Post, May 13th, 1922.

Signature: Initialed Lower Center "The Big-Store Business," by Edward Hungerford and illustrated by Guernsey Moore for the Saturday Evening Post, November 26, 1921.

Signature: Initialed Lower Center "Writing for Print" by E. W. Howe and illustrated by Guernsey Moore for the Saturday Evening Post, December 6th, 1919.

Medium: Oil on Canvas Signature: Signed Lower Right "Valley of Ashes" by William James Stevens Jr., and illustrated by Stevan Dohanos for the Saturday Evening Post, May 24, 1947.

Medium: Mixed Media on Board Signature: Signed Lower Center "Dancing the minuet before a camera and the hundred people behind it isn't the same as just dancing because you like the ...

Medium: Pencil and Wash on Paper Signature: Signed Lower Right "To the Last Penny," by Edwin Lefevre and illustrated by Frederick R. Gruger for the Saturday Evening Post, November 1...

Medium: Gouache on Paper Dimensions: 19.50" x 21.00" Signature: Signed Lower Right "There's Two Kinds of Heroes," by Maurice Beam and illustrated by Peter Helck for the Saturday Eve...

Original magazine cover illustration for the June 17, 1916 issue of The Saturday Evening Post.

Original cover for The Saturday Evening Post, published October 19, 1940 A woman puckers her lips to kiss a sailor as he looks down to see a photograph of a soldier spill out of her...

Signature: Signed Lower Right Illustration for "The Number One Boy" by John Taintor Foote, appearing in The Saturday Evening Post for May 20th, 1922.

Medium: Oil on Canvas Signature: Signed Lower Left Sight Window 24.00" x 22.00" Image of an inspector at a crime scene aboard ship. Saturday Evening Post Illustration. Long affilia...

"The Rewards of Journalism," by Chester S. Lord and illustrated by Guernsey Moore for the Saturday Evening Post, September 9th, 1922.

Signature: Unsigned "More Precious than Rubies," by Katherine Sproehnle and Jane Grant, illustrated by Guernsey Moore for the Saturday Evening Post, June 7, 1924.

Signature: Initialed Lower Center "Swelled Head in Business," by Albert W. Atwood and illustrated by Guernsey Moore for the Saturday Evening Post, July 29th, 1922.

Signature: Initialed Center "Birth and Death of Industry," by Albert W. Atwood and illustrated by Guernsey Moore for the Saturday Evening Post, September 15, 1919.