Seed Pod

The rugged exterior evokes the natural complexity of marine barnacles, pinecone scales, or organic seed pods. Finished with a creamy white wash over a dark, earthy clay body, the hig...

Against the subdued, earthy tone of kraft, inked lines unfurl with quiet assurance: slender strokes, shifting densities, and rhythmic undulations evoke natural elements—twined roots,...

Against the subdued, earthy tone of kraft, inked lines unfurl with quiet assurance: slender strokes, shifting densities, and rhythmic undulations evoke natural elements—twined roots,...

Against the subdued, earthy tone of kraft, inked lines unfurl with quiet assurance: slender strokes, shifting densities, and rhythmic undulations evoke natural elements—twined roots,...

Against the subdued, earthy tone of kraft, inked lines unfurl with quiet assurance: slender strokes, shifting densities, and rhythmic undulations evoke natural elements—twined roots,...

Rapeseed, with its bright yellow blossoms and slender seed pods, was widely cultivated for its oil and as fodder.

The lights rep-resent an exploration of the globe; one created by folding and rotating three flat circles to create a single sphere, which itself encases a reflective glass orb. The ...

Published in 1788 in Vienna, this piece showcases the plant’s entire structure, including its flowing vines and seed pods, highlighting both its beauty and medicinal properties.

The lights rep-resent an exploration of the globe; one created by folding and rotating three flat circles to create a single sphere, which itself encases a reflective glass orb. The ...

The lights rep-resent an exploration of the globe; one created by folding and rotating three flat circles to create a single sphere, which itself encases a reflective glass orb. The ...

The lights rep-resent an exploration of the globe; one created by folding and rotating three flat circles to create a single sphere, which itself encases a reflective glass orb. The ...

The curling, petal-like shapes are inspired in part by Karl Blossfeldt’s botanical photographs, where natural forms—leaves, tendrils, seed pods—are revealed as complex, architectural...

From each opening emerges a constructed arrangement of gilt wood elements modeled as lotus plants, composed of long stems supporting open blossoms, seed pods, and buds at varied heig...

This sculpture is signed by the artist and comes with a certificate of authenticity. Seed pods—distinctive features of Australian flora—serve as a focal point in the Traces sculptu...

The spiral motif echoes throughout existence — from shells, seed pods, and flowers to architecture, anatomy, and the cosmos itself.

The spiral motif echoes throughout existence — from shells, seed pods, and flowers to architecture, anatomy, and the cosmos itself.

This plant is notable for its large, star-shaped leaves and spiky seed pods, which produce castor oil, a substance historically used for medicinal purposes and as a lubricant.

The lights rep-resent an exploration of the globe; one created by folding and rotating three flat circles to create a single sphere, which itself encases a reflective glass orb. The ...

I often think about a plant or a seed pod. I think about how they might move or grow."

I often think about a plant or a seed pod. I think about how they might move or grow."

I often think about a plant or a seed pod. I think about how they might move or grow."

.," presents the green-winged orchid, which sports small yet strikingly patterned flowers in shades of purple and green, complete with a detailed cross-section and a view of the seed...

The border features angular, almost architectural rays interspersed with stylized blooms and seed pod motifs. This fusion of organic and geometric elements is a hallmark of early 20t...

The rotating centerpiece evokes marine fossils, seed pods, or surreal organic mechanisms, giving the work a distinctly futuristic yet primal character.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

The selection of images in Means of Reproduction is personal and subjective: I depict only those seeds and seed pods I encounter in ordinary, everyday situations, often while walking.

Designed for two E27 light bulbs, the light shines through five orange glass inserts on ceramic discs which are placed around the shade in alternating order to five lotus seed pods. ...

The background is filled with the unopened seed pods. The overall effect is that the flowers are floating among the clouds.

Medium: Textile / Fiber Style: Contemporary Materials: Dyed Natural Hemp Fiber Form: Organic Seed Pod / Cocoon Form Contemporary Organic Wall Sculpture in Natural Hemp Fiber, Signed...

The border features angular, almost architectural rays interspersed with stylized blooms and seed pod motifs. This fusion of organic and geometric elements is a hallmark of early 20t...

The composition centers around a naturalistic depiction of a bird perched delicately on a stalk adorned with lotus seed pods and curling foliage. The background, rendered in a textur...

It includes detailed views of the plant's floral structures, seed pods, and leaf arrangements, which are vital for identification and botanical study.

Its painted design combines large sunflower-like blossoms with flowing split-leaf fronds accented by delicate dots or seed pods. The layout heavily reflects stylistic elements from b...

The lions are caparisoned, wearing a harness decorated with lotus blossoms and seed pods, and hung with bells and tassels. Their backs draped with a saddle cloth decorated with a lar...

The central fields depict large, overlapping lotus leaves in graduated tones of gold, olive green, and soft brown, their surfaces intentionally pierced and weathered to suggest late ...