Sevres Marks

applications. Artist Signature on the Painting and Stamped along the underside of the lid with Sevres mark.   

Antique French Ormolu Sevres style Garniture, 19th Century, Signature and Mark, Comprising an

cupid within a romantic landscape, signed "Maxant", with elaborate gilded borders, Sevres mark to inside

condition signed with the Sevres mark on the base. Circa 1860.

. Incised Sevres mark on the bottom of the centerpiece.

«Manufature Nationale de Sèvres» mark on the base. Take into account that the colors on the items may vary

decoration - all on a white glazed ground - brass base and mounts - signed on the base (pseudo Sevres mark

from book on Sevres. Signed as photographed... Brown Sevres mark 49 / Red Sevres gold mark "seres

imported prev revolutionary French wares bore the Sèvres mark and were sold as such. It is also reputed

garland and brass feet Marked on inside with Sevres mark with an "E" inside. Figural scene signed by

Nationale de Sèvres» mark on the base. We also have one more units to add to this piece. Please check our

Nationale de Sèvres» mark on the base. We also have more units to add to this piece. Please check our

in a bronze base. Sevres marks on the inside of the lid and on the bottom of the base. E. Froger was

’ signature on the side, painted scenes in the manner of Watteau. ‘Manufacture Nationale de Sèvres’ mark on

&, as such, the position of these panels is interchangeable. The "Sevres" mark is distinctly seen 0n the

’ signature on the side, painted scenes in the manner of Watteau. ‘Manufacture Nationale de Sèvres’ mark on

-glaze blue interlaced "S" and "D" Sévres mark. Circa: 1870. Height: 34 3/4 inches (88.3 cm) Width

. ‘Manufacture Nationale de Sèvres’ Mark on the lit stamped in blue. We have another vase to complement this one

blue Sevres mark & a "Made in France" signature.

working at Rue Mazaraine, 41, in 1870. ‘Manufacture Nationale de Sèvres’ Mark on the lit stamped in blue

Sevres mark to the underside, the porcelain signed 'Jocelyn', depicting classical scenes of gods and

French wares bore the Sèvres mark and were sold as such. It is also reputed that blank porcelain was

Incised Sèvres Marks. These large Sèvres biscuit porcelain figures depict a complementary pair of royal

eagles and identifying the year 1805. The Sevres mark is visible on the inside of the lid cover. There is

presents the Sèvres mark with the royal cipher showcasing two interlaced Ls surrounding a central S. With

the backside with the Sèvres mark. On each sides a porcelain portrait of Queen Marie-Antoinette her

painted on the verso. Sevres mark is painted Under glaze in the cap of the urn. It is mounted in a bronze

Sevres mark for 1767 and decorators mark S ( Pierre Antoine Meraud). Note, the porcelain blank is

back with 'Houdon' and the Sevres mark. Biscuit porcelain is unglazed porcelain. The bust is in good

baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced "LLs" mark

Sevres marks to the base including one with the date 1848 and another in red reading Chateau des

porcelain. The Sèvres mark on the base confirms its authenticity and origin from one of the world's most

and a male grape harvester, the bottoms with underglaze Sevres marks. Sevres porcelain at its best in

underside bears the official Sèvres mark, confirming authenticity and origin, referencing a model originally

A Pair of Ormolu-Mounted Sevres-Style Drum-Shaped Vases and Covers. With Sevres Marks, from Late

large plaques and the portrait miniatures are marked to the rear with the Sevres mark; blue interlaced

porcelain. The reverse of each plate bears the traditional interlaced double "L" Sèvres mark, along with

. Underside bears the Sèvres marks: red stamp “Sèvres Décoré 80” and green “S.80” mark

case is incised with the Sevres mark.

"spurious" or imitation Sèvres marks painted on the bottoms of each (a common practice among even the

bottom underside (Sèvres mark) as shown in last image along with 'Made in France'. Very Good condition as

surmounted by ormolu finials. All three pieces features a spurious Sèvres mark to the underside, and the

mounted on a festooned pedestal and resting on a bronze base (signed with Sevre mark) VIntage condition"

acanthus leaves joined in the center by a shell. Both urns are hallmarked with a Sevres mark from the 1700

bears an interlaced “L” mark, indicative of the Sevres mark - but we do not believe it is authentic. We

Victorian clothing at the center. Marked with underglaze Sevres mark on underside. The Centerpiece appears

Vase Hollandais, Sevres-style with Sevres mark interlaced L's underneath. The color reserves

with underglaze interlaced Sèvres marks to reverse. This exceptional gueridon has a circular top

reverse of the pieces is signed with spurious Sèvres marks. The vivid cobalt ground, intricate gilding

interlaced L mark in gold, Date letter O, with painter/gilder marks Its been suggested the gold Sevres mark

Our Sevres Louis XV style vases with cobalt blue glazes feature extensive gilt designs including

rarity. Circa 1818 Inscribed with Sèvres marks for Alexandre Brachard and Jean-Jacques Oger Each

artistry. Red stenciled Manufacture Impériale de Sèvres marks with date symbol for Revolutionary Year 14

marked on the back with the Sevres mark for 1753. However, this plaque is made of a hard paste porcelain

foliage garlands. The lid features lookalike Sèvres marks. The vase stands on an elegant ormolu base

underside retains Sèvres marks and painter’s inscriptions, further confirming its authenticity and heritage

roadside inn in the countryside. The underside of the cover has a spurious Sevres blue underglaze mark