Sevres Marks

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

The underside bears the signature "Milet", the impressed mark “Sèvres”, and the hand-inscribed décor main, confirming its handmade origin.

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

signed "Eng Poireviu" on one side of urn Spurious crowned "Chateau des Tuileries" and "Sevres 1844" marks to interior of lid 51"H x 21"W x 15"D. 

Classic butt-shaped form. Sèvres Bleu glaze. Green factory mark. Circular mark of gilding.

The underside of the removable lid bears a blue Sèvres-style mark, consistent with the widespread revival of Sèvres-inspired decorative arts produced in France during the second half...

The undersides bear blue underglaze Sevres-style marks, consistent with decorative Sevres porcelain produced in the 19th century.

The bottom of the vase is stamped with a production mark reading “Sevres 1872”. Sevres is a commune southwest of Paris that is known for its porcelain production.

The underside bears a Sèvres blue overglaze mark, consistent with Sèvres-style porcelain produced in France during the mid 19th century.

The edges of the cup are decorated with two small cartouches featuring a book and a bale of hay. Sevres apocryphal mark underneath, probably by Samson Manufactory, circa 1860 Dim...

Cup marked in blue with Louis Philippe mark Sèvres 1846, and in red the Chateau des Tuilleries mark, gilder's and painters marks.

Pair of vases cobalt blue sevres porcelain with ormolu bronze, on each cover top bear a mark "chateau des tuileries' and the mark of sevres.

Pair of rare antique (19th century) bulle de savon opaline glass vases with engine-turned bronze rim and foot from Sevres. Each with the acid-etched mark of Sevres. 9 1/2 by 3 1/8 ...

It depicts members of the court engaged in a blindfold game with bleu celeste (turquoise) glaze with floral cartouches and extensive gilding. With Sevres double L mark with letter a ...

This splendid neoclassical style French mantel clock is beautifully crafted in ormolu and porcelain decorated in the Sevres style. 'ER', the mark of French clockmaker Ernest Royer, a...

The underside reveals a hand-painted inscription “Modèle et décoration exécutés à la main” along with a Sèvres-style mark. The piece is preserved with its original lid, which signif...

GLAZED CERAMIC VASE BY JOSEP JORDI GUARDIOLA I BONET FOR SÈVRES Glazed ceramic Vase by Josep Jordi Guardiola i Bonet for Sèvres depicting mythological scenes.Signature and date to u...

The gilded edges and detailed hand-painted design highlight the fine craftsmanship and artistic refinement characteristic of Sèvres porcelain from this period. Each piece bears the S...

The vase retains its original Sèvres factory marks, including the green printed “S” above 1904 within a triangle (indicating the porcelain body), and the red printed “RF Manufacture ...

The gilded edges and detailed hand-painted design highlight the fine craftsmanship and artistic refinement characteristic of Sèvres porcelain from this period. Each piece bears the S...

The vases are dtamped with the signature Sèvres interlacing double L mark in blue on top.

Gilt bronze Lions masks with rings in their mouths are mounted on each side. Under glaze Sevres blue mark on the bottom. No restorations and beautiful gilt Bronze mounts

Imple de Sevres’. Individual marks of Wagram, 1809' and 'Friedland 1807' denote the content of the painted scenes.

Collot” and bears a blue Sèvres porcelain mark. The combined height and breadth of the jardinière and stand give the ensemble a strong physical presence suitable for placement within...

The bases are formed in gilt bronze with stepped profiles and four shaped feet, providing stable support beneath the porcelain stems. Painted Sèvres factory marks appear on the unde...

Each of elongated urn form with satyr mask handles and a loose domed cover with a bud finial, decorated on the front side with a reserve painted with an 18th century courtship scene,...

French late 19th century production in the style of Sèvres 18th century sculptures. An unauthenticated counter-relief signature of Sèvres underneath (incised intertwined 'L' mark).

Both are incised to the underside with spurious marks for Sèvres.

The base of the box is stamped with the maker's mark of the Sèvres Porcelain factory, although this can not be verified.

The underside of the lids on the two flanking vases bear the Sevres interlaced-L mark, and painted inscriptions reading 'pate tendre', while the clock's lid is marked 'pendule' on it...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the na...

The underside bears a pseudo-Sèvres interlaced mark in underglaze blue, typical of revivalist pieces produced in France and Dresden during the latter part of the 19th century.

Around 1970, production under ART Vannes ceased, leading to the establishment of Cristal de Sèvres, while the Daum mark appeared only from the 1980s onward.

Chelsea was one of the earliest and most prestigious English porcelain manufacturers, known for producing high-quality, Rococo-style figurines, often influenced by Meissen and French...