John Simon

In the photo, Mussolini talks to John Simon. Traces of history, documented in this original photo.

Made of glass and smashed gypsum cement, the Fracture Mirror references the striations and accidental geometries of sedimentary stone. This statement mirror also nods to the use of p...

The Shale and Ledge Collections' name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

This 10 foot table is composed of natural quartzite, a natural stone harder than marble, hand polished aluminum and gypsum cement, an extremely hard plaster. The sculptural bases are...

The solid ash surface is scored vertically across the grain, and the drawing of Simon Johns’ textures of a crumbling cliff's facade is delicately carved into it.

The solid ash surface is scored vertically across the grain, and the drawing of Simon Johns’ textures of a crumbling cliff's facade is delicately carved into it.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

Also available in other sizes: - Ledge 40 // 40" x 22" x 11" - Ledge 60 // 60” x 25” x 14” - Ledge 72 // 72” x 25” x 14” - Ledge nightstand // 20” x 22” x 11” The Shale/Ledg...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

The Portals are a collection of wall mounted ceramic pieces, either illuminated or reflective. The irregular and highly textured objects evoke bleached coral, lava scars or even barn...

One small hand carved wood sample of our signature texture used for the Ledge and Shale collection. These samples are made of solid Ash wood and carved just like pieces from the coll...

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

Also available in other sizes: - Ledge 40 // 40" x 22" x 11" - Ledge 60 // 60” x 25” x 14” - Ledge 96 // 96” x 25” x 14” - Ledge Nightstand // 20” x 22” x 11” The Shale/Led...

Also available in other sizes: - Ledge 40 // 40" x 22" x 11" - Ledge 72 // 72” x 25” x 14” - Ledge 96 // 96” x 25” x 14” - Ledge Nightstand // 20” x 22” x 11” The Shale/Le...

Also available in other sizes: - Ledge 40 // 40" x 22" x 11" - Ledge 73 // 73” x 25” x 14” - Ledge 96 // 96” x 27” x 14” - Ledge Nightstand // 20” x 22” x 11” The Shale/Le...

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

The Shale Collection's name was inspired by the cliffs outside Simon Johns' studio, in the Missisquoi Valley in Quebec.

Also available in other sizes: - Ledge 60 // 60” x 25” x 14” - Ledge 72 // 72” x 25” x 14” - Ledge 96 // 96” x 25” x 14” - Ledge Nightstand // 20” x 22” x 11” The Shale/Le...

Ledge is a floating console, mounted to the wall, in solid ash with a black glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid as...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

Future Fossils is a collection of new works by Simon Johns, using mimicry in materials, loosely referencing the sedimentary striations in million years old stone.

The Missisquoi №11 integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. An illusion of both airiness and i...

The hex diamond table’s slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional circular approach to seating guests is deconstructed to e...

The diamond sideboard plays with different planes. A collection of rectangular columns placed at random angles and depths forms a facade interrupted by two thick horizontal planes of...

The hex diamond table’s slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional circular approach to seating guests is deconstructed to e...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled,...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled,...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled,...

The Missisquoi № 10 from the collection integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. The top is fl...

This version of the Future Fossils Magma Lamp is made of Walnut, stoneware with glazed inserts, and thick blown glass. Molds are made of a hand carved texture, clay is pressed into 2...

The diamond sideboard plays with different planes. A collection of rectangular columns placed at random angles and depths forms a facade interrupted by two thick horizontal planes of...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

The slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional rectangular approach to seating guests is deconstructed to encourage more dyn...

This version of the Future Fossils Magma Lamp is made of Douglas Fir, stoneware with glazed inserts, and thick blown glass. Molds are made of a hand carved texture, clay is pressed i...

Future Fossils Magma Lamp is a floor lamp made of stoneware, polished aluminum and thick blown glass. Molds are made of a hand carved texture, clay is pressed into 2 parts of these f...

Future Fossils Magma Lamp is a floor lamp made of stoneware, polished aluminum and thick blown glass. Molds are made of a hand carved texture, clay is pressed into 2 parts of these f...

It was executed in 1934 when Hartman was studying in Munich on a John Simon Guggenheim Award. Dimensions include matte; visible drawing is 16 inches high by 12 inches wide.

Simón was born in Aguilares, Tucumán in 1922. Her father, John Simon Padrós, was an engineer, a prominent politician and industrialist; her mother was Emilia Dublé.

A charming scene depicting figures walking the river path before St John's College, Cambridge. Unsigned. Acquired with a collection of works by the artist, some of which are signed. ...

Vintage pastel drawing " Seas " Drawn by Janet Biggs Signed Janet Elenor Biggs Janet Biggs,( b. 1959) a 2018 John Simon Guggenheim Foundation fellow, is known primarily for ...

In 1966, Chamberlain received his first of two John Simon Guggenheim Memorial Foundation Fellowships, intended for men and women who have “already demonstrated exceptional capacity f...

In 1966, he received the first of two fellowships from the John Simon Guggenheim Memorial Foundation and began a series of sculptures of rolled, folded, and tied urethane foam.