Sketchbook Used

Ksenya Istomina 'Watching her sketchbook'' 75 x 75 cm Oil on linen Painted after life, the artist always works with a real scenery.

"Je Suis Le Cahier" The Sketchbooks of Picasso hardcover book 1st Edition 1986 The Sketchbooks of Picasso "Je Suis Le Cahier".

Executed in the trompe-l’œil style (French for “deceives the eye”), Blackbook I and Blackbook II have the appearance of opened sketchbooks, with great care taken to depict the layers...

Executed in the trompe-l’œil style (French for “deceives the eye”), Blackbook I and Blackbook II have the appearance of opened sketchbooks, with great care taken to depict the layers...

After graduating with top honors from Philadelphia College of Art, Ana received a fellowship to study in Madrid and traveled extensively throughout southern Europe, continuing to cap...

It reminded me a little of old sketchbooks — quick lines, but somehow enough to capture a real feeling.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

The sketchbook records Colquohoun’s time in the late 1940s, when drawing remained central to his practice.

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm).

With a passion for traveling, Calo Carratalá has taken in myriad landscapes : from the Amazon to Colorado, the Alps and the Pyrenees and up to the forests of Norway. Armed with sketc...

There is a perforated sketchbook edge along the left side, suggesting the sheet was removed from a bound or spiral sketchbook.

Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally co...

I never took my paints - simply a sketchbook so that I could capture the essence rather than all the detail.

Driven by a passion for exploration, he has captured the essence of a wide range of environments—from the Amazon to Colorado, from the Alps and the Pyrenees to the forests of Norway....

These unfinished elements give the work the particularly appealing character of an artist’s working sketchbook page. Noetzlin-Azam combines close observation with a distinctly Moder...

The irregular edges and textured paper further support the work’s origin as a sketchbook study, adding to its authenticity and appeal.

The visible, energetic strokes preserve the immediacy of the artist's hand, making the work feel almost like a page from a sketchbook where an ordinary moment has been transformed in...

There is a perforated sketchbook edge along the top, suggesting the sheet was removed from a bound or spiral sketchbook.

There is a perforated sketchbook edge along the top, suggesting the sheet was removed from a bound or spiral sketchbook.

He drew directly onto the copper plate with an etching needle, creating sharp, incisive marks that required no preliminary drawing or transfer—the plate itself became his sketchbook....

A highly finished, unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned pastel drawing from one of the artist's sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

She mimics the manila drawing paper of her youth by layering watercolor and water soluble charcoal to create these paintings reminiscent of pages from a sketchbook. Sarah Alexande...

A highly finished, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned charcoal figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

A highly finished, unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned figure study drawing from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned charcoal figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned charcoal figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

A finely drawn, unsigned charcoal figure study from one of the artist sketchbook portfolios. Estate stamped on reverse.

Rendered in bold, high-contrast strokes with a raw, unpolished energy, the drawings possess an untrained, naive quality that lends them real charm and immediacy - the kind of intimat...

It is designed primarily as a reference sketchbook for other tattooers and collectors to flip through.

Watercolor and graphite on watercolor paper adhered to a sketchbook page, 5 5/8 x 7 7/8 inches (143 x 200 mm), the full sheet.

Title: Expressive Country Road Trees Landscape Pastel Drawing Artist: Unknown artist (mid 20th century) Medium: Pastel and charcoal on artists paper (sketchbook sheet), unframed Size...

There is a perforated sketchbook edge along the top, suggesting the sheet was removed from a spiral or bound sketchbook.

Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally co...

In very good condition with a paper support running along the top sheet edge on the verso, the remnants of a sketchbook binding hinge. Ellen Brooker Beale attended Queen's College, ...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm).

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 14 3/8 x 10 1/4 inches (365 x 261 mm).

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm).