Square Pedestal

major centerpiece in any decor. The solid bronze figurine is beautifully executed and sits on a square

contours tapering into elegant, temple-like pedestals over squared plinths. Their scale, patina, and deeply

square Ormolu block with a beaded band which supports the bisque Porcelain socle pedestal. The square

wood pedestals. Their square bases and octagonal tops display egg and dart mouldings. A striking

piece features a beautifully shaped French crystal newel post mounted on a square 2.25-inch crystal

orignal rich patina, mounted on fine square marble pedestal base. Overall measurements 10-Inches

pedestal with a square plinth base. This example is structurally sound and sturdy, the bowl has a non

square paneled pedestal. Executed in a highest Venetian craftsmanship in limestone. Price is for the 2

stylized leaves that add a sense of movement and refinement. Resting on a sturdy round pedestal and square

socle with square foot. The tapering pedestals with neoclassical ornament of foliage, masks and birds

mounted on a tall square alabaster pedestal with a stepped plinth and molded edge. The alabaster surfaces

A good quality Regency period breakfast table, raised on a square section pedestal, platform base

glass urn-shaped base, resting on a square gilded brass pedestal that adds a sense of refined luxury

caryatids, resting on square mahogany pedestal bases on four ball feet.

a very heavy solid square brown marble pedestal adorned with gilt bronze borders that enhance their

effect, paired with ribbed bodies that add depth and texture to their form. The urns rest on a pedestal

multi-colored granite top, on a tapering square ebonized wood pedestal base. Overall dimensions are 28

square base over a pedestal carved gadrooned shaped basin, embellished with a wide flared and fluted rim

, signed A. Fazzi. This stunning birdbath is raised on a wonderful square Limestone pedestal with a fine

Ormolu Urns. Each beautiful urn is raised on a squared stepped marble pedestal with mottled edges and

Art Nouveau st. patinated Bronze pedestal above the square base displaying the signature. All original

high with a 2.75-inch diameter and are mounted on 3.5-inch square ebonized wood pedestal bases, which

faux marble pedestals ending in square faux marble basses. Decorative applied rosettes are mounted

crystal socle pedestal. The square cut crystal body is accented with silvered pierced foliate mounts at

features a square Carrara marble pedestal set at a subtle incline, creating a dynamic yet harmonious base

shoes. The statue is raised on a 12-inch square textured rockwork pedestal base, adding to its

German brass figure of General Bruchner standing with hand on hip on square shaped pedestal base

square rosette mounted pedestal, resting on a square base footed base. Newly rewired, ready for a shade

lady. The bust is raised by a square socle shaped pedestal support with a fine wrap around mottled

Ormolu lamps. Each finely detailed lamp is raised by a square black Belgian marble stepped pedestal with

us know The urns stands on a square classical pedestal base which comes apart from the urn We can

bronze columns. The lamps are set on 5-inch square ormolu-mounted patinated pedestal bases, providing a

Pair of Mid-Century Modern faux lacquered goat asking table lamps. Nice square rounded edges

detailed collar. She is raised on a square mottled edge socle pedestal. All original patina throughout

, flanked by brilliantly gilded figural swan-form handles, rising on square socle pedestal base. Signed

a beautiful rift cut walnut wood. Sleek squared tapered pedestal design with brass details

candelabras, signed F. Barbedienne. Each six arm candelabra is raised by a square Ormolu pedestal with Greek

chandelier is set in two tiers, each including a circular band adorned with square glass tiles and pedestal

designed socle. Above is the fluted column and the square top swivel mottled shelf. Pedestal height

raised on a square Ormolu pedestal below the circular mottled marble socle. The urn above has a recessed

-Joseph Laurent. The bust is raised by a square patinated bronze pedestal below a circular ormolu socle

elegant ormolu ball feet. The patinated bronze urns above display a square base below the socle pedestal

Patricia marble candelabra lamps. Each six arm lamp is raised by a square Vert de Patricia marble base with

Bélanger represents a vase from the Duke of Aumont’s collections. Elevated on a square Ormolu pedestal

ringed urn pedestal, carved squared inset plinth, and terminating on four original hand carved dolphin

lyre arp. Some laurel leaves adorn it. The bust is attached to a rectangular pedestal with square base.

on gilded pedestals on square bases. They are vases of the Restoration period, early 19th century

marble and ormolu three arm candelabras. Each candelabra is raised by a square base below a circular

Patricia marble candlesticks. Each candlestick is raised by a square ormolu base, socle pedestal and a fine

inlaid border, bullseye brass pulls, and shaped leaf supports on each side, supported by a square tapered

exceptional wrap around mottled band. Above the square Rouge Griotte pedestal support is the striking ormolu

Floor standing classically carved alabaster vases on fluted columns and square stepped pedestals

bronze is raised by a square base and pedestal, where the elegant maiden is seated. The half clothed lady

finely cast bronze; square marble bases support columnar pedestals, separated by annular rings of laurel

, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed by a laurel

raised on a square mahogany moulded pedestal and stands on an attractive shaped platform base with four

parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-Henri Riesener