Sumi E

Sumi-e Brushes and Bowl - Still Life by Elizabeth Harrington Vibrant still life of Sumi-e Brushes

Sumi-e brush and ink life drawing of Layna by David Mack, 2012. David Mack is a New York Times Best

A one of a kind 39x39 Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise

, the shapes and characters in this horizontal format image references Japanese Sumi-e brush writing

Ink on mulberry paper with silk brocade border and black lacquer trim. Signature and seal read: Sagawa Kakoku. Poem on upper right reads: Sounds of cicadas, in mountain valleys and t...

Ink on mulberry paper with silk brocade border and black lacquer trim. Signature and seal read: Sagawa Kakoku. Poem on upper left reads: Stormy valleys in high mountains with more ...

traditional Japanese ink painting, or "sumi-e." Scholars have referred to this blend of painting techniques

Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Q...

Extremely dramatic painting of a dragon in sumi-e ink and mineral pigments on gold silk in a dark

Six-panel Kano School tiger screen by Yosenin Korenobu (1753-1808). Sumi-e ink on paper, late 18th

background. Ink painting (sumi-e) on mulberry paper. Signature reads: Okyo. Calligraphy reads: 1787 middle of

Meiji period (1868 - 1912) sumi-e (or ink painting) on paper of a venerable pine tree with limbs

Inspired by the art of Sumi-e, Japanese black ink drawing, the lamp flows as if stroked in one

. Signed: Shunyu. Ink painting (sumi-e) on silk with a silk brocade border.

lines. Sesshu Toyo style painting, famous for his ink paintings. Sumi-e (ink painting) on mulberry paper

: Kakejiku, Sumi-e, Painting, Bird, Eagle, Falconry, Animalier, Antique, Edo Period, Asian Art

Japanese red pine tree in sumi-e ink on gold with silk brocade border and black lacquer trim

Japanese red pine tree in sumi-e ink on gold with silk brocade border and black lacquer trim

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

sumi-e technique has been used. The work has been entirely hand painted on 100% natural cotton paper

sumi-e technique has been used. The work has been entirely hand painted on 100% natural cotton paper

form. In the early 1970s, Bonnefoit traveled to Japan, where he learned about sumi-e—an ink technique

home brought. I have used Japanese watercolour and sumi-e to create the original. :: Painting

form. In the early 1970s, Bonnefoit traveled to Japan, where he learned about sumi-e—an ink technique

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

sumi-e ink painting or woodblock print aesthetics. The texture of the glaze is subtly uneven

to master the "Sumi-e" black ink painting technique. Alain Bonnefoit has had over 200 solo

A one of a kind 10x10 Conceptually Alternative Cyanotype on Hahnemuhle Sumi-E Paper executed by

for grinding on an ink stone with a small amount of water Such ink is the basis of the famous Sumi-e

cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particularly ideal as an

outcropping in a style reminiscent of shuimohua/sumi-e (Chinese: 水墨畫, lit. water-ink-painting). The neck of

image. Used for traditional Chinese calligraphy and Sumi-e painting. In Chinese culture, the calligraphy

traditional Chinese sumi-e ink paintings of craggy mountains with pines hanging off them. There are times when

traditional Chinese sumi-e ink paintings of craggy mountains with pines hanging off them. There are times when

apprentice sumi-e painter, and woodblock cutter. Mr. Fix uses brush, pen, ink and wax pencils on various

and time intensive; utilizing techniques he learned as an architectural draftsman and apprentice sumi

apprentice sumi-e painter, and woodblock cutter. Mr. Fix uses brush, pen, ink and wax pencils on various

techniques he learned as an architectural draftsman and apprentice sumi-e painter, and woodblock cutter. Mr

learned as an architectural draftsman and apprentice sumi-e painter, and woodblock cutter. Mr. Fix uses

techniques he learned as an architectural draftsman and apprentice sumi-e painter, and woodblock cutter. Mr

techniques he learned as an architectural draftsman and apprentice sumi-e painter, and woodblock cutter. Mr

techniques he learned as an architectural draftsman and apprentice sumi-e painter, and woodblock cutter. Mr