Ancient Surfaces

the bicolor Corton hard stone. The ancient surfaces are polished and reflects the light in the room

This fine fireplace surround is finely carved in hard stoned and bears a lovely patina. The ancient

provide the hearth in original antique Burgundy dalles with original ancient surfaces. Measures: 129 cm

design. We can provide the Hearth in original antique Burgundy flooring with ancient surfaces. Measures

hard stone fireplace for traditional and classy timeless living. The ancient surface is silky soft on

France, near the Italian border. The ancient surfaces has a gloss like marble. This fireplace mantle is

very decorative. It is from Florence. The ancient surfaces has a country gloss look. Perfect for a rich

the smooth ancient surfaces reflecting the light in the room. Great ambiance creator. Measures: 138 cm

carving is quite easy on the eye. The quality of the limestone is high. The ancient surfaces has been

from Provence. The ancient surfaces have been waxed and polished and the artempo wear details has been

wood reads as an ancient surface immersed in the markings of time. Fragments of moments layered on each

beautiful rare color and with ancient surface structure. The perfect fireplace mantle piece for a timeless

and craftsmanship typical of ancient Chinese metalwork. The surface of the dragon head is adorned with

, contemporary material — the artist captures every imperfection of the ancient surface, allowing history to

-inspired forms and ancient surface treatments. Ideal for collectors of vintage studio glass, decorators

the sand used by ancient glassmakers. The surface exhibits striking iridescence and weathering, the

ancient wedding rituals. The surface is decorated with a vegetal frieze around the shoulder, framed by

varnish, of a green or brownish colour, which covers the surface of some ancient brass coins. It prevents

other. This extremely rare "masterpiece" represents one of the most refined grades of ancient, salvaged

central, ornate column. The surfaces of the stone appear weathered and ancient, giving the artwork a sense

brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some

surface of some ancient brass medals. It prevents them from deteriorating and is regarded as an evidence

covers the surface of some ancient brass medals. It prevents them from deteriorating and is regarded as

covers the surface of some ancient brass medals. It prevents them from deteriorating and is regarded as

-created varnish, of a green or brownish colour, which covers the surface of some ancient brass medals. It

covers the surface of some ancient brass medals. It prevents them from deteriorating and is regarded as

varnish, of a green or brownish colour, which covers the surface of some ancient brass medals. It prevents

fine verdigris patination and "ancient" surface treatment 31" H x 11 1/4" W x 10" D The present cast

inscribed across the surface. Ancient scripts such as Cuneiform, Avestan, and Jiroft, along with celestial

surface that shifts with the light, evoking the sublime beauty of lunar surfaces or ancient topographic

inscribed with ancient symbolic codes. The surfaces incorporate planetary signs, numerical symbols, and

inclusions, surface pitting, ancient polish Stringing: Modern silk cord with metal hook clasp Professionally

into its rugged surface like an ancient mark of fate. Weathered and raw, its darkened patina enhances

inclusions, surface pitting, ancient polish Stringing: Modern silk cord with metal hook clasp Professionally

inclusions, surface pitting, ancient polish Stringing: Modern silk cord with metal hook clasp Professionally

inclusions, surface pitting, ancient polish Stringing: Modern silk cord with metal hook clasp Professionally

it has the feeling of a intriguing ancient disc with the weathered surface almost looking like a

surface interspersed with sections of intricate detailing, evoking the weathered surfaces of ancient

" technique, which translates to "excavation." The technique gives the glass a textured, weathered surface

alabaster, a sedimentary stone formed millions of years ago through the evaporation of an ancient sea. Their

solidified at the very moment of transformation. Each piece reads as a vestige of an ancient sea: a

for Bitossi, finished in a richly glazed cobalt-blue surface with incised geometric detailing. A

deliberate, while the soft aquatint areas evoke the textured surfaces of ancient tablets. The result is an

was executed in the traditional manner, inspired by ancient Roman statuary. The surface has developed

features a generous 72" x 36" surface, comfortably seating 6 guests for memorable gatherings. Carved from

an open oval mouth detail. The tall teardrop form and textured stone-like surface evoke ancient

silhouette that feels both ancient and contemporary. The surface is expertly honed to a matte finish, soft to

figure, outlined in gold, appears upon an ochre surface of an ancient fresco — a herald of what has not

geometry is at once ancient and modern. The circular surface reveals intersecting lines and forms

, gentle mouth—features typical of the finest examples from this early era. The surface bears an ancient

piece features refined facial features, flowing hair, and idealized proportions reminiscent of ancient

presence. I am drawn to bronze — an ancient material with a living surface that changes, deepens, and

circle of sculpted heads—each one expressive, haunting, and full of ancient mystique. The textured

buried canvas adds a tactile memory of the earth, making the surface feel both ancient and immediate

balance, grace, and presence. I am drawn to bronze — an ancient material with a living surface that

abstract images read as cropped portions of ancient, geological surfaces, with textural variety hinting at

abstract images read as cropped portions of ancient, geological surfaces, with textural variety hinting at