Suspended Sculptures

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

But I dreamed for a long time a lamp of this kind, I dreamed a piece of stone, suspended like a sculpture, that could secretly illuminate my studio, and my thoughts.

But I dreamed for a long time a lamp of this kind, I dreamed a piece of marble, suspended like a sculpture, that could secretly illuminate my studio, and my thoughts.

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

I know, it's a strange title "Marble Lamp" But, I wanted it strongly, I dreamed of being able to see a piece of marble, suspended like a sculpture, and that it could secretly illumi...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which ...

But I dreamed for a long time a lamp of this kind, I dreamed a piece of marble, suspended like a sculpture, that could secretly illuminate my studio, and my thoughts.

Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.

The environment was filled with rainbow colors of light from diffraction gratings on the large windows as the sun moved across the sky. The light sculpture suspended on redwood proje...

The CRISS-CROSS element is suspended below as a decorative sculpture. This pendant works as an individual fixture or can be installed in larger groupings to create a dynamic installa...

Myrna wall mount light by Ladies & Gentlemen Studio Dimensions: 120”w / Depth ranges from 28-65” / Height ranges from 55”x 65” (may be mounted at any height from floor) Materia...

Public art commissions include “Nautilus”, a suspended porcelain sculpture for Ottawa City Hall.

Deprived of any narrative, the stone becomes a timeless presence, suspended between landscape, sculpture and memory.

Mahogany

In many of her most powerful sculptures Niamh Barry abandons her signature fluid ellipses for compositions of sharp angles arranged in dynamic, crisscrossing lines forms that suggest...

The connected forms comprising Blackscape, like those in Barry’s commission for the Central Bank of Ireland, are inspired by the Broighter boat, an Iron Age gold artifact discovered ...

Barry’s muscularity is composed of four horizontally arranged, dark patinated ellipses, each barnacled with a light-emitting coque. Each coque, in turn, possesses a warm golden inter...

Barry’s Counterpoise is composed of two polished bronze ellipses, barnacled with a series of light-emitting coques. Each coque, in turn, possesses a warm golden interior and an inset...

Niamh Barry’s work starts as line drawings. She is inspired by forms and movements in the natural word that evoke emotion and her finished pieces are compositions that translate thes...

This remarkable sculpture by Niamh Barry a composition of fluid rings in polished bronze and LEDs covered by tiled strips of opal glass is, like much of the artist’s work, inspired b...

Niamh Barry’s work starts as line drawings. She is inspired by forms and movements in the natural word that evoke emotion and her finished pieces are compositions that translate thes...

Barry’s Counterpoise II is composed of two polished bronze ellipses, barnacled with a series of light-emitting coques. Each coque, in turn, possesses a warm golden interior and an in...

With artist's Hand, Niamh Barry once more shows her mastery in conveying beautiful forms of movement with polished bronze and LED. In this case the Irish artist, employing elements r...

This remarkable sculpture by Niamh Barry—a composition of fluid rings in polished bronze and LEDs covered by tiled strips of opal glass—is, like much of the artist’s work, inspired b...

Soma Series includes lights sculptures, crafted by applying a self-webbing membrane over a unique structure made of thin glass rods in the traditional lampwork technique. As inspirat...

As with her previous iterations of Artist's Hand, Niamh Barry once more shows her mastery in conveying beautiful forms of movement with polished bronze and LED. In this case the Iris...

The connected forms comprising vessel scape II, like those in Barry’s commission for the Central Bank of Ireland, are inspired by the Broighter boat, an Iron Age gold artifact discov...

As with the rest of Niamh Barry's work, on it goes is inspired by forms and movements in the natural world that evoke emotion. With every element of this new piece—its natural lines,...