The Crucifixion

During the fourteenth and fifteenth centuries, the masters of the North developed styles quite distinct from those in the South: an attention to minute detail, particularly with rega...

Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canvas, the work of a Lombard painter active in the seventeenth century, shows the image of Christ portrayed accord...

The conception belongs to a Crucifixion type that circulated widely through European sculpture during the seventeenth century.

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

The 20 etchings of the series include: Plate with 6 Scenes (Lieure 685-690): Ovals: Adoration of the Shepherds, Visitation, Adoration of the Magi; Circles: Descent into Limbo, Desc...

Keywords: Abstract, face, flower, vase, pink, blue, sun, the star of three ways, crucifixion, thorns, rose, boat, row, sail, brown, y, tree, christ.

In the postwar years, his paintings grew increasingly monumental and expressive, culminating in his iconic Thorn Tree and Crucifixion series, which merged Christian iconography with ...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

It is said that carnations first bloomed when the Virgin Mary’s tears fell to the ground as she witnessed the crucifixion of her son, Jesus. For this reason, pink carnations are ofte...

His 1955 commission for Monsanto Company, "Mistress of Chemistry," deploys his wife Harriet in imagery combining traditional depictions of the Madonna; his 1953 "Crucifixion" receive...

Pablo Picasso. The Crucifixion, 1930. Oil on canvas, 51.5 × 66.5 cm. Musée National Picasso, Paris, inv.

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

By presenting Jesus as an infant already associated with the Cross, the composition brings together the innocence of childhood and the foreknowledge of his future Crucifixion and sac...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

Masterpieces from the world's finest museums are gathered, from the early studies for the "Battle of Cascina" and the studies for the Sistine Chapel frescoes, to the drawings for the...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

The image of Mary is maybe the most common representation in Christian art. The life and crucifixion of Jesus also occupies a large space in this art movement.

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and p...

On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross.

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as p...

Although his pose inevitably recalls the Crucifixion, the figure exists within a paganizing decorative ensemble rather than a conventional Christian narrative.

Destabilized by a covert relationship with Annette and low financial resources, he experienced a mystical crisis and started working on a monumental project, a sculpted terracotta re...

This may have led to a baptism scene which would fit the story of the other birth, crucifixion and ascension themes from this series of windows.

A CARVED AND POLYCHROMED WOOD CORPUS CHRISTI Probably Spain, late 18th or early 19th century 18 1/4" H (height includes stand) A finely carved and polychromed wooden figure of Chr...

The central graphic on the back of the shirt depicts a crucifixion scene, with a signature red "Atelier Versace" branding diamond crest visible underneath, adding a touch of exclusiv...

His body draped with linen, lying beside him the Crown of Thorns and crucifixion nails. Possibly painted for an altarpiece. 

The congregation includes individuals from various social standings, reflecting the communal nature of this act of devotion, which commemorates the Passion and crucifixion of Jesus. ...

This antique silver crucifix is further embellished with a skull and crossbones below the corpse; this denotes Golgotha (Calvary), which was the location of Jesus' crucifixion and tr...

"Second Version of Triptych, 1944" is a 1988 reworking of Three Studies for Figures at the Base of a Crucifixion. Created at the age of 78, it was the artist's last triptych.

Inside the box is a crucifixion scene, with Jesus at the top, flanked by the two thieves, and elements of the Passion filling the rest of the space (the rooster of the denial, nails,...

In this listing you will find a stunning depiction of Crucifixion. The painting follows academic religious realism, typical for Catholic devotional art produced in the late 19th cent...

The Pilgrims of Emmaus (Gospel of Luke 24:13–35) shows the two disciples traveling from Jerusalem to Emmaus on the morning of Easter, still mourning Christ’s crucifixion. The resurre...

His body draped with linen, lying beside him the Crown of Thorns and crucifixion nails. Possibly painted for an altarpiece.

The scene shows Jesus appearing to Mary in the garden after his crucifixion. There is an inscription at the lower edge in plate with the Houghton coat of arms, publishing details, ar...

Rather than presenting a literal crucifixion, Burkhardt distills the symbol into an emotional and psychological experience—painted with urgent strokes, heavy contrasts, and a viscera...

The craftsmanship is exquisite, featuring delicate carving details and feet joined by a three-nail crucifixion typology. The patina is exceptionally smooth, reflecting centuries of d...

Christian Symbolism - The vertical and horizontal arms represent the traditional Christian cross, symbolizing Christ’s crucifixion and salvation. - The circle around the intersecti...

Other punishments include a person being whipped and what appears to be an execution or crucifixion scene in the background, watched over by a camel-mounted observer and urban towers...

Botanical Illustration of Colletia Ferox: Thorny Beauty from Chile This lithograph features the plant Colletia ferox, also known as the Anchor Plant or Crucifixion Thorn. Native to ...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the intimate yet profound moment of Christ’s final meal before his crucifixion. At the c...

Other works produced by Taggart F.David include ‘Piccadilly at Night’, ‘The Woodland POOL’, ‘Crucifixion’, ‘Landscape’, ‘Queuing for an art gallery’ and ‘Shipyard’.

This volume comprises his series of portraits and self-portraits, the weirdly beautiful yet terrifying variations of Velazquez's Pope Innocent X, the painfully moving Crucifixion, th...

The Christ figure (with halo), as I understand it, walked to his crucifixion. But the tone here is so reminiscent of the that journey.

He probably worked in Michelangelo Barberi’s workshop, and was in all likelihood related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican whose work...

The sculpture depicts Jesus crucifixion with the two thieves on his side with one of them shown upside down.

According to the Gospels, Pilate ordered the execution and crucifixion of this Jewish preacher at the end of the trial of Jesus, which gave this simple provincial governor exceptiona...

Around 1925, Picasso changed course again: the influence of surrealism broke out in the irreverent "Crucifixion" (1930) and in a series of paintings where fantastic metamorphoses unf...

Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his 'Three Studies for Figures, at the Base of a Crucifixion' (1...