The Robe

The perforated pattern is slightly larger in these areas and thus differs from the arrangement of the rest of the surface. The robe is spot-fixed to the linen fabric and edged with a...

The carving is rich in detail yet softened by time: the facial features retain a quiet grace, while the robes and ornamental base, suggesting clouds or divine radiance, are rendered ...

The attention to detail in the print, from the embroidery on the robes to the solemnity of the Emperor's demeanor, speaks to the grandiosity and ceremonial importance of such a figur...

This large statue of Buddha with traces of gilding and cast with a diaphanous sanghati (monastic robe) over his robust chest and draped in a cape-like manner behind, the robe fixed w...

About the Framing: Framed to museum-grade, conservation standards, Jime Dine Olympic Robe, from Games of the XXIVth Olympiad Seoul, 1988 is presented in a complementary moulding and ...

The embroidery utilizes fine silk threads in a sophisticated palette of soft blues, muted reds, and various shades of ivory and beige, highlighting the intricate patterns of the robe...

Print of a Knight of the Order of the Holy Spirit in ceremonial robes, French order of chivalry. This print originates from 'Histoire et Costumes des Ordres Religieux'.

The figure wears a long flowing robe composed of layered panels that descend evenly to the feet, each section defined by gilt bronze wire borders.

A striking large carved wooden standing Burmese Buddha figure, richly decorated and finished with a warm polychrome surface The Buddha is depicted standing in a serene pose with down...

The intricate carvings on the robe showcase the artisan's talent, with every fold.

The robes and hair of the figures have parcel gilt detailing, and they are both set on a stepped cylindrical plinth base.

The figure is very delicate in its design, the robe and headdress seems richly decorated, borders and embroidery can be seen in the front and back.

Guanyin is depicted standing in long flowing robes, holding a delicately modeled lotus blossom and leafy stem.

This Buddha statue is hand crafted from high-quality brass featuring intricate details in the drapery of the robes and peaceful facial expressions. Size: 3in H x 11in W x 1.75in D O...

Gucci, tweed robe. The item is in very good condition. CONDITION: very good condition SIZE: IT40 - S MEASUREMENTS: length 74 cm, width 52 cm, waist 50 cm, shoulder width 44 cm, s...

The garment is colored in a rich teal hue, with a detailed pattern that suggests luxury and status. The robe is trimmed with a contrasting color at the neck and cuffs, and a red belt...

The carved roses and particularly the spiral stretcher of this dressing table mirror are identical to the middle stretcher Pugin used on the 16 chairs he designed for the Princess Ch...

This is a charming buddha like figure from their collections in the 1960s with a faux ivory head and a gold-tone body. The robe is embellished with faux jade nuggets, malachite stone...

Signed Yoshimitsu on the reverse of the robes, within a rectangular cartouche. The sculpture is mounted on a finely carved wooden base.

This kimono is dated to early 20th century, likely 1930s-1950s, and was worn as an outer robe over the inner garment during wedding ceremony.  

Buddha is draped in a flowing monastic robe, its softly carved folds following the contours of the body.

In old ancient believes sapphire symbolizes nobility, truth, sincerity, and faithfulness. It has decorated the robes of royalty and clergy members for centuries.

It's head rests on a pillow showing carved tapestry and tassels on the four corners. The robe, which is resting off the shoulders shows every fold and wrinkle and has carved buttons ...

This combination complements the rich tones of the robe and enhances the historical elegance of the piece.

Emilio Pucci Printed Robe from the 1990's. Silk twill floral print in pinks and chrome with self belt.

A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two rob...

Delicate painted details embellish the robes and pedestal, while centuries of natural wear and patina give the surface exceptional character.

The fluid folds of the robe gracefully cover the body, revealing the right shoulder and feet.

The soft, muted tones of the robe, combined with the naturalistic background, underscore the ascetic simplicity and closeness to nature that defines the Carthusian lifestyle.

Subtle details, including a row of buttons along the robe and the softly draped hooded cloak, add visual interest while maintaining a restrained, minimalist aesthetic.

Then I noticed the face. Then the robes. Then the body slowly started appearing out of the wear.

He wears traditional, heavily decorated robes—often featuring auspicious motifs like cranes or pines—and a tall ceremonial hat.

The casting is strong throughout as well. The robes still flow naturally across the body, and the lotus base has a nice crispness that hasn’t been lost to time or handling.

It's head rests on a pillow showing carved tapestry and tassels on the four corners. The robe, which is resting off the shoulders shows every fold and wrinkle and has carved buttons ...

Probably 15th/16th century, solid cast, and only about 1.5 inches tall, yet it still carries itself like a much larger sculpture. The posture, the robes, even the expression all feel...

Bronze powder was used to outline the folds of the robe and crushed jade powder were used to highlight the interior of the robe.

Standing 6.75 inches tall, the figure is exquisitely modeled, with remarkable attention given to the details of the robes. Note especially the extremely fine beading, executed with a...

This figure exemplifies that tradition—ornate yet restrained, with exquisite detail in the folds of the robe and the poise of the posture. The use of gold leaf adds a luxurious shimm...

The meticulous detailing of his robes, from the fur lining to the intricate patterns, reflects the respect and esteem granted to legal officials in the Middle Ages.

A leading female artist in China, Chen Qingqing is known for her construction of female robes with intricate layers of natural fibers such as grass and hemp and dried flowers.

Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press.

He wears a long brown-glazed robe with deep cobalt-blue lower garments and a loosely draped green scarf, his hair gathered beneath a dark traditional cap.

The figures are richly ornamented in vivid blue, pink, yellow, green, iron-red and black enamels, with traditional geometric, floral and auspicious motifs throughout the robes. Their...

Sapphire symbolizes nobility, truth, sincerity, and faithfulness. It has decorated the robes of royalty and clergy members for centuries.

The craftsmanship is evident in the detailed carving of the robes, facial expressions, and gestures. The walnut wood gives the statue a warm, rich tone, and has likely aged beautiful...

An exquisite English Royal Worcester porcelain Samuel Clarke Commissioned "Cricklite" candle "fairy lamp" standard - base, the rare figural statue in the form of a Grecian water car...

Thai Gilt Bronze Figure of a Seated Buddha, depicted with legs crossed in the virasana position with the right leg resting on the left leg, soles up, the hands in the earth touching ...

The drummer is dressed in a flowing Senegalese robe, crafted in verdigris bronze. The robe's texture and color evoke a sense of antiquity, accentuated by the artist's deliberate use ...

Particularly appealing is the treatment of the robe, with incised surface decoration and dark floral accents contrasting against the aged metallic finish.

Graceful, linear folds of the robe cascade naturally across the torso and knees, adding rhythm and elegance to the composition.

This location as well as that it has a split in the middle (uncut) indicating that it was designated to the front of the robe worn by the male official. The sun, the golden pheasant,...

Her pointed black shoe can be seen at the front under the robe with a pink hem. The figure is based on the skirt hem without a base.

Girl In The Red Robe Joan Barber (American, born 1941), oil painting on linen, 40x36in. depicting a seated female figure reclining on a blue upholstered chair.

The molded face, the coiffure, and the robes are still very distinguishable. Some polychrome paints and earth encrust remain on the surface.

At first I assumed they were cast, but the sharper details and finishing make me wonder whether they may actually have been carved instead. The handling of the robes and the remainin...

Her serene expression, delicately modeled hands, and detailed robe reflect the refined aesthetic associated with traditional Chinese decorative arts

Merchants trading through the Levant Company and travellers bound for Constantinople, Smyrna and Aleppo made the region's harbours familiar to British readers, and the engraver captu...

A large and impressive carved wooden seated Burmese Buddha figure, richly decorated with gilt and polychrome decoration The Buddha is depicted seated in the meditation pose on a lotu...

Distinct for her chubby cheek, joyful expression and a plumb body, the finely molded porcelain figurine was made decorated in an Imari kiln circa 1880-1910s, possibly designated for ...

Adorned in a richly detailed ceremonial robe, the knight embodies the grandeur and tradition associated with one of Italy's most prestigious Catholic orders.