The Robe

meditation, with hands held in dhyana mudra, symbolizing inner balance and spiritual awakening. The robes

completed portraits of George 1, in 1730, in the robes of his coronation and of George II some years later

Sunset Nude Painting by Annie Faure (French 1940-2021) signed lower corner oil painting on board, framed framed: 7.5 x 7.5 inches board size: 6 x 6 inches condition: overall very goo...

rich grain and deep patina, the figure wears a voluminous robe with deeply incised folds, its Gothic

. Design Notes: The robe à la polonaise or polonaise became fashionable during the 1770s and had some or

. Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus in Purple Robes and Crown of Thorns

. The robe is lavishly enameled with densely arranged floral sprays in pink, lavender, blue, and green

smaller by fastening the robe tighter internally. Hips: 38 inches Size: UK 10 US 6 Closures: Internal

robes that reflect his status within the church hierarchy. The canon is shown wearing a long, pink robe

beauty and grace. The bird's plumage is often compared to the robes of royalty. The shade is hand made

robe which is typical for a shaman, signifying her role within the community as a spiritual leader and

drape of his robe tells a story, a tapestry of devotion and craftsmanship. The robe, lovingly adorned

with restrained, directional light that emphasizes the weight and texture of the monastic robe. The

quality to the flowing robes and traditional headgear. The figures are set against a landscape of stylized

oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is modeled with

child born from a peach who defeats demons with courage and loyalty. Hagoromo (The Robe of Feathers) – a

here is exemplary, showing the fluid, expressive sumi-e (ink wash) lines in the robes, contrasted with

. The black horsehair hat and the robe the father wears showcase engravings using a fine mesh gauffrage

Land and Water. The figures all wear full, sumptuous robes, complete with hats indicating their station

"Hagoromo" or "celestial feather robe." A maid of heaven who has descended to earth has lost her magical

of the items Dine illustrates are inherently personal, including his use of the robe, they are also

field, Mary appears dressed in a cobalt blue mantle against a dark brown background. The robe forms a

lost, which would have positively identified him. The Buddha wears a thin robe wrapped around his

British royal court Seeman the Younger completed portraits of George 1, in 1730, in the robes of his

Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all

richly robed Podestà, a chief magistrate figure common in Italian city-states. He is clad in a gold

scepter-like baton, symbols of rank and status. His robe is richly embroidered and voluminous, rendered

-size nude maiden (woman) wrapped with a robe around her waist and over her head, with one arm raised

vivid red robe with scholarly gravitas, he clutches a book, symbolic of his literary pursuits and

from the shields of warriors to the robes of priests, and was valued as much as gold. Derived from the

from the shields of warriors to the robes of priests, and was valued as much as gold. Derived from the

mineral pigments still visible across the robes, jewelry, and facial features. The serene expression

, in the robes of his coronation and of George II some years later. The first of these pictures is held

pink robes, tenderly holds the Christ Child, while an elderly Magus kneels in reverence, presenting a

frame. The drawing depicts three standing figures, each adorned in classical-style robes. The figures

of humanity representing the common man who is being pushed down by the powerful, while the robed

elegance and natural beauty and grace. The bird's plumage is often compared to the robes of royalty. The

Ages. In the portrait, Louis IX is depicted in regal attire. He wears a long brown fur-lined robe

of the front and back of the artist's model as she removes her robe. The result is a work that feels

revolutionary character is also visible in its very materials. The electric blue of the robes and the sharp

silhouette. The carving of the robe is extremely simple, and the overall form settles into a stable, almost

conveys his imperial authority. He is dressed in an elaborate ceremonial robe, richly decorated with

robes and halos is rendered in genuine gold, which glows with a subtle, warm lustre that metallic paint

. The kneeling Magus in rose-hued robes anchors the foreground, while the Virgin Mary, tenderly

hearts, tools, and robes have become the hallmark of his oeuvre. Dine studied at the University of

from a distance; the shiny parts of the robe and the jewelry only really come into their own at a

couple adorned with patterned golden robes. The shimmering background creates an ethereal and intimate

Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been

Bride Stripped Bare of her Bachelors, Even" I see this work as a bride taking off her robe for the first

bared chest and flowing robes, appears contemplative or in discussion. The other man is engrossed in

priest in a cowled robe holding the Christ Child, who sits on a cloth-draped altar. To the left, a male

on the veins in the ribboned onyx for the veil, the mottled effect of the red marble for the robe

premier order of Scottish chivalry. The knight is depicted in a stately black robe adorned with the iconic

centrally, dressed in red and blue robes whilst holding the Christ Child. The Infant Jesus, adorned with a

their brightly coloured robes drawing the viewer’s eye. In the middle ground, various temples and

group of robed figures in a barren landscape, engaged in a form of exuberant ritual, whether it is

various robes, objects, and figures in the composition are also skilfully depicted. It is marked