The Robe

Josine Vignon (French 1922-2022) ...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England co...

This piece is otherwise in beautiful condition and can be worn as a robe about the house, or worn as an overcoat as shown in the pictures, perhaps over a silk slip dress in an evenin...

As a painter to the British royal court Seeman the Younger completed portraits of George 1, in 1730, in the robes of his coronation and of George II some years later.

Sunset Nude Painting by Annie Faure (French 1940-2021) signed lower corner oil painting on board, framed framed: 7.5 x 7.5 inches board size: 6 x 6 inches condition: overall very goo...

Sculpted from solid oak with rich grain and deep patina, the figure wears a voluminous robe with deeply incised folds, its Gothic styling enhanced by the expressive carving of the fa...

Our model is a UK 6-8 and 5ft 4in. (163cm), this dress was a good fit on her. Design Notes: The robe à la polonaise or polonaise became fashionable during the 1770s and had some or...

The hair is rendered in a dark brown glaze and tied into a topknot. The robe is lavishly enameled with densely arranged floral sprays in pink, lavender, blue, and green with gold det...

Seated comfortably with one hand resting upon his knee, he displays the familiar attributes that have made him one of the most recognisable figures in Buddhist art: an exposed rounde...

Combined with the flowing robe and layered garments beneath, the costume conveys both dignity and social standing.

Label: None Measurements of the Dressing Gown Armpit to Armpit: 34 inches Shoulder to Hem: 44.5 inches Shoulder to end of sleeve: 14 inches Shoulder to Shoulder: 15 inches W...

The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy.

Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus in Purple Robes and Crown of Thorns 43. Exiuit ergo Iesus portans coronam spineam, et purpureum vestimentum.

The bird's plumage is often compared to the robes of royalty. The shade is hand made with outstanding Craftsmanship, It emits very soft light, as delicate as the work and love inves...

The attire includes a fringed robe which is typical for a shaman, signifying her role within the community as a spiritual leader and healer.

Every fold and drape of his robe tells a story, a tapestry of devotion and craftsmanship.

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is ...

The artist demonstrates confident handling of form and fabric, with particular sensitivity to the fall of light across the robe and hands, reinforcing the meditative character of the...

The decoration is executed with characteristic moriage (raised enamel) techniques, providing a wonderful tactile quality to the flowing robes and traditional headgear. The figures ar...

Each etching celebrates a classic tale known for its moral, symbolism, and cultural resonance: Momotaro (Peach Boy) – the brave child born from a peach who defeats demons with coura...

The brushwork here is exemplary, showing the fluid, expressive sumi-e (ink wash) lines in the robes, contrasted with the fine, controlled draftsmanship of the face and hands.  

Cultural Style and Iconography in the Nguyen Dynasty the Robe Style shows heavy, cascading folds of the monk's robes draped symmetrically over both shoulders are standard in Vietname...

The black horsehair hat and the robe the father wears showcase engravings using a fine mesh gauffrage/embossing.

The Emperor of Heaven is dressed in blue robes with gilt painted dragons. The Emperor of Water wears black robes.

The larger one beautifully depicts a famous dance scene from a noh play entitled "Hagoromo" or "celestial feather robe." A maid of heaven who has descended to earth has lost her magi...

Although many of the items Dine illustrates are inherently personal, including his use of the robe, they are also intended to be universally understood; a type of cultural shorthand ...

The hem of the robe falling elegantly across the upturned wrist, to pool over thigh.

As a painter to the British royal court Seeman the Younger completed portraits of George 1, in 1730, in the robes of his coronation and of George II some years later.

This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage.

He is clad in a gold-patterned ceremonial robe lined with fur, suggesting his elevated status and authority.

The robe’s surface is adorned with auspicious motifs: dragons coiled in clouds, cranes in flight, or circular medallions that signify his rank.

In an oval field, Mary appears dressed in a cobalt blue mantle against a dark brown background. The robe forms a kind of niche from which her face shines out.

The fine detailing in the robe’s drapery and the serenity of his gaze lend an aura of dignity and quiet power.

An incredibly sacred color, cochineal has been used in Central and South America for thousands of years to color everything from the shields of warriors to the robes of priests, and ...

An incredibly sacred color, cochineal has been used in Central and South America for thousands of years to color everything from the shields of warriors to the robes of priests, and ...

A very fine and monumental pair of French 19th century patinated bronze figural torchere sculptures titled "La Nuit" (The Night) attributed to Albert Carrier-Belleuse (French, 1824-1...

The figure is finished in gilt over a crackled ground, producing a textured, mosaic-like appearance across the robes, head, and bowl. Areas where the gilding has softened reveal dark...

As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later.

Carved from extremely lightweight wood, the Bodhisattva is near life-size and retains a substantial amount of its original polychrome surface, with soft mineral pigments still visibl...

Faint traces of original gold leaf (Kinsai) remain on the chest and robes, catching the light like a fading memory of its former temple glory.

The condition is excellent: there are no chips or losses, and the carving remains crisp — the facial expression, the folds of the robes, and the details of the attributes in each han...

Below the demagogue is a swirl of humanity representing the common man who is being pushed down by the powerful, while the robed figure of liberty with her scales of justice held hig...

The Virgin Mary, clothed in blue and pink robes, tenderly holds the Christ Child, while an elderly Magus kneels in reverence, presenting a golden gift.

The bird's plumage is often compared to the robes of royalty. The Chinoiserie at that time was made for the European market among other pieces such as Jars and Urns and vases and ja...

He wears a long brown fur-lined robe adorned with floral patterns, possibly symbolizing royalty or a connection to the divine—a nod to his canonization.

The electric blue of the robes and the sharp orange of the headscarf are not traditional, fading vegetable dyes.

With hands gently pressed together in prayer, a softly smiling expression, and gently sloping shoulders, it presents a calm and serene silhouette. The carving of the robe is extremel...

The robe is a vibrant yellow with intricate embellishments, which may symbolize the empire over which he reigned.

The extensive, intricate linework that details the robes and halos is rendered in genuine gold, which glows with a subtle, warm lustre that metallic paint can never replicate.

The work demonstrates the artist's remarkable eye for composition; the mirror (with its reflection) divides the canvas horizontally, offering a view of the front and back of the arti...

The work is made to be seen from a distance; the shiny parts of the robe and the jewelry only really come into their own at a greater distance.

The kneeling Magus in rose-hued robes anchors the foreground, while the Virgin Mary, tenderly presenting the Christ Child, radiates calm dignity.

Carefully carved to enhance the decorative qualities of the materials, the various parts of the statue play on the veins in the ribboned onyx for the veil, the mottled effect of the ...

Artist CommentsA romantic collage inspired by Gustav Klimt’s iconic painting features a couple adorned with patterned golden robes. The shimmering background creates an ethereal an...

Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrob...

New, original one of a kind, shipping with 1stdibs The title is a homage to Marcel Duchamps " The Bride Stripped Bare of her Bachelors, Even" I see this work as a bride taking off he...

It depicts a group of robed figures in a barren landscape, engaged in a form of exuberant ritual, whether it is worship, prayer, dance, or other form of celebratory activity.