Thomas Hope

A fine Thomas Hope inspired Regency circular dining table with ebonised Greek key and black line

Classical elements in the style of Thomas Hope. Opens and turns to reveal a 36" square card playing

A bench stool with six monopodae supports united by brass cross-stretchers. Inspired by Thomas Hope

Very much in the manner of Thomas Hope. Circular top with satinwood and ebony inlaid design. The

manner of Thomas Hope. Circa 1810. Both are raised on tapering simulated-bronze column supports with

A fine circular Thomas Hope design entwined snake centre table. A marble top rests upon a moulded

Fine Regency ebonized and gilt heightened chaise longue in the manner of Thomas Hope Early 19th

A splendid credenza or server in the manner of Thomas Hope, crafted of first-rate fiddleback

designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George

, new format and updates by R. Fastnedge. 116 pp. Includes: Greek Revival; Thomas Hope; Thomas

Fine example of a regency period bookcase circa 1820. Very much in the manor of Thomas hope

books including selections from: Thomas Sheraton, Thomas Hope, Rudolph Ackerman, P. and M. N. Nicholson

A fine quality period Regency carved statuary marble fireplace in the manner of Thomas Hope. The

A circular dining table of large proportions in the style of Thomas Hope. The table, which is

, echoing the classical klismos form favored by George Smith and Thomas Hope. The frames exhibit a

manor of Thomas Hope 1769-1831. A generous shelf with a stepped single bullnose moulding with rounded

"Hope and Decay" Mixed media, acrylic, aerosol paint, pigments, ink and Posca on linen 70x70 cm

attributed to Thomas Hope, and much more. NPT Books, a division of N. P. Trent Antiques, has a large

predate 'The Denon Chair' (once owned by Thomas Hope and now in the collection of the Victoria &

Born in Lille in 1984, Thomas Mainardi lives between Paris and his hometown. A painter with a

protection. Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart &

Pair antique early 19th century French Empire neoclassical tole monteiths or cachepot jardinieres circa 1820. Oval shape with handles at the side. Decorated with gold winged horses o...

A rare and unusual pair of English wall brackets circa 1825-30 of carved lions holding a circular top, dry stripped to original gilding.It is likely that the inspiration for these br...

An Indian late George IV mahogany sofa, with shaped back and arms of scrolling acanthus leaves and standing on four lively lion paw feet. Price includes upholstery ex fabric.

An English Regency mahogany sideboard buffet of exceptional quality from the early 19th century. This sideboard is veneered in very nice mahogany, banded in satinwood and rosewood w...

A carved giltwood girandole of early Regency design. The convex mirror plate is within a moulded frame decorated with gilt balls and has a carved eagle crest supported on a tapered b...

This convex looking round glass mirror displays a wealth of Regency decoration. The carved giltwood, compound moulded outer frame has a reeded ebonized inner slip frame and a crestin...

influence of Thomas Hope, the eminent antiquarian and designer who was inspired by the Greek and Egyptian

particular the designs of Thomas Hope of 1807, along with the construction all point to Henry Thomas Peters

in Florence, where his Grand Tour patrons included Thomas Hope and the 6th Duke of Devonshire

. Raised on ring turned, tapered legs. The drape & swag backs are distinctive, in the manner of Thomas Hope

this period were: Thomas Hope (1770-1831), George Smith (1804-28), Henry Holland (1745-1806)c George

(1772-1842) and Thomas Hope (1769-1831), and with furniture designs by George Smith (1756-1826

by designers such as Thomas Hope or George Smith, who were pivotal in disseminating Greco-Roman and

displaying the influence of Thomas Hope and Richard Bridgens, it was illustrated in the Art Journal

in a piece of some merit; A fine piece displaying the influence of Thomas Hope and Richard Bridgens

in a piece of some merit; A fine piece displaying the influence of Thomas Hope and Richard Bridgens

classical forms. The pioneer designers who represented this period were: Thomas Hope (1770-1831),  George

. Designers of the period such as Thomas Hope, Charles Heathcote Tatham, George Bullock, and the Wyatt

based on a design by Thomas Sheraton. Green upholstery with carved gadroon crest rail, fluted arms and

represented this period were: Thomas Hope (1770-1831),  George Smith (1804-28), Henry Holland (1745 - 1806

cartouches in a piece of some merit; A fine piece displaying the influence of Thomas Hope and Richard

Thomas Hope and Richard Bridgens, it was illustrated in the Art Journal Illustrated Catalogue for the

piece displaying the influence of Thomas Hope and Richard Bridgens, it was illustrated in the Art

influence of Thomas Hope and Richard Bridgens, it was illustrated in the Art Journal Illustrated Catalogue

furniture they produced was inspired by designs published by Thomas Hope and George Smith. John Mack (d

of Thomas Hope and Richard Bridgens, it was illustrated in the Art Journal Illustrated Catalogue for

the base, all indicate that Penton was most certainly influenced by Thomas Hope and his 1807

exponent of the Regency style popularised by Thomas Hope. After a successful career as a sculptor and

years, he was recognised as the foremost exponent of the Regency style popularised by Thomas Hope. After

foremost exponent of the Regency style popularised by Thomas Hope. After a successful career as a sculptor

Thomas Hope and Richard Bridgens, it was illustrated in the Art Journal Illustrated Catalogue for the

toward the influence of designers like Thomas Hope, who championed the Greek Revival style in British

designers who represented this period were: Thomas Hope (1770-1831), George Smith (1804-28), Henry Holland

some merit; A fine piece displaying the influence of Thomas Hope and Richard Bridgens, it was

in marquetry, inlay and ormolu and making reproductions of earlier styles such as their Thomas Hope

years, he was recognised as the foremost exponent of the Regency style popularised by Thomas Hope. After