Tin Glazed

Large antique Italian majolica pottery bust of a boy after Andrea della Robbia's famous sculpture from the late 15th century at the height of the Italian Renaissance. This tin-glazed...

Decorative enough to hang on a wall or lovely in a dresser. Lunéville faience, tin-glazed earthenware, is a kind of unglazed faience fine produced in 1723 at Lunéville, France.

A fine antique Delft Chinoiserie charger or serving platter. In tin glazed blue and white Dutch Delft pottery.

The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin-glaze with a clear glaze, giving depth to the fired surface and smoothness...

Rendered in a bold and sophisticated Neo-Renaissance style, the vases feature a vibrant golden-yellow ocher ground—a staple of classic Umbrian ceramic design—beautifully contrasted b...

Tin-glazed earthenware modelled in the form of a classical mandolin, designed as a decorative hanging wall pocket.

The vessel is decorated in traditional cobalt blue on a white tin-glazed ground. The front features an elaborate central cartouche with a classical vase motif, floral sprays, and scr...

Hand-painted in cobalt blue on a tin-glazed white ground, it features richly decorative Chinese-inspired floral and scroll motifs characteristic of early Delftware.

This elegant pair of large antique 19th century Moustiers faience vases, executed circa 1870 in the Neoclassical (Louis XVI Revival) style, reflects the distinguished tin-glazed cera...

The bodies are painted in feather-scale dashes, the eyes simple radiating suns, and the palette the traditional Iberian triad of ochre, green, and cobalt against a tin-glazed white g...

Vandekar of Knightsbridge Condition: Good condition, with minor chips to the underside of the foot and light glaze flaking to the rim, as usual for tin-glazed earthenware of this da...

Italian ceramic terracotta sculpture Depicting Madonna , Virgin & Child religiousstatue Material: Earthenware terracotta, tin glaze and partially gilded Modeled and painted by h...

The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness...

A pair of mid-eighteenth-century Dutch Delftware plates, each painted in cobalt blue on a white tin-glazed ground. The centre is decorated with a freely painted flowering branch bear...

Antique Dutch Delft pottery covered urn, mid-18th century, a tin glazed earthenware vessel having a dog finial atop a domed lid, on a ribbed ovoid body, decorated in a blue and red O...

Chapters include "Oriental wares," "Continental tin glazed earthenwares," "Continental porcelains," "English earthenwares," and "English, Welsh and American porcelains."

Trained in the traditional majolica or tin-glaze technique of pottery painting McGowan now applies this knowlege to enhance his thrown stoneware shapes with ever changing brushwork p...

These 3 dishes are porcelain with a tin glaze which makes them opaque and dates them to 1790-1800.

The reverse shows concentric blue line rings on a white tin-glazed ground. Each plate bears a hand-written maker's mark on the reverse.

The cobalt blue varies slightly in tone across the tin-glazed surface, creating depth and movement typical of hand-painted Dutch Delft from the early eighteenth century.

This period Delft garniture displays the unmistakable charm and craftsmanship of early Dutch tin-glazed pottery and makes a striking decorative statement on mantels, consoles, or wit...

Very good condition: usual wear and chipping to the rim, some undeep hairlines to the glaze. The gadrooned or fluted dish form derives from earlier European tin-glazed traditions ...

They adapted these designs in tin-glazed earthenware, producing the iconic and distinctive Kraak-style blue-and-white Delftware that was highly valued by European collectors for its ...

Delft polychrome Portuguese hand painted ceramic covered tureen with lid and under plate, hand painted 17th century, tin glazed faience with floral, hunting and bird motif, early 20t...

The dog is poised in a highly alert, aristocratic posture with its head elegantly tilted upward and turned slightly to the side. The glaze execution is superb, a glossy, lustrous off...

Pottery was made in Quimper when the city was part of the Roman Empire, long before tin-glazed pottery was being made. 5"W x 3.5"D x 6"H

A large 19th century tin-glaze Pugliese Pitcher. Featuring an elongated ovoid-shape body with a disc foot.

Typical rim chips and minor glaze loss at the edge, characteristic of 18th-century tin-glazed earthenware.

Origin: The Netherlands, Delft Period: c.1780–1820 Technique: Tin-glazed faience, hand-painted blue décor Diameter: 34 cm / 13.4 in Condition: Good antique condition consistent wit...

Quimper pottery has a long history. Tin-glazed, hand-painted pottery has been made in Quimper, France, since the late seventeenth century.

Polychrome Delftware of the 18th century often combined naturalistic motifs, such as insects and flowers, with highly decorative borders. Artisans employed tin-glazed earthenware tec...

The body is densely decorated with hand-painted floral sprays — chrysanthemums, daisy-like blooms and foliage — in cobalt blue on a white tin-glazed ground. The neck is painted with ...

Lipski and Michael Archer, Dated English Delftware: Tin-Glazed Earthenware 1600–1800, London: Sotheby Publications, 1984.

Two shades of blue, green, yellow, iron red, and manganese stand out against the soft white tin-glazed ground. The manganese scrollwork and bright yellow borders give the decoration ...

Notes: This is a Talavera plate, a type of Mexican and Spanish pottery. Talavera is a tin-glazed earthenware, also known as majolica, and is traditionally made in Puebla, Mexico, and...

The surrounding landscape is unmistakably Delft. The glaze has a soft, slightly creamy tone typical of tin-glazed earthenware.

Hand burnished with an agate stone for a pebble smooth feel to the surface, before firing in the kiln and glazed on the top surface only with a white tin glaze.

Reference: Similar forms are documented in Delftware: The Tin-Glazed Earthenware of The British Isles by Michael Archer (Page 331, items #G10 and G12).

The Vaas fabric is inspired by a Dutch 18th century tin glazed ceramic Emma found years ago. Made from oak with a great shaped stretcher.

The form and chinoiserie decoration reflect the influence of Dutch Delftware and Chinese blue and white porcelain, both important sources of inspiration for early German faience manu...

Crafted in the famous pottery hub of Desvres, France,with is highly celebrated for its distinctive tin-glazed faience earthenware. Hand painted with traditioanl folk art floral motif...

The small tree-shaped year mark confirms production in 1919. Executed in tin-glazed earthenware, the vase features a flowing Art Nouveau composition of stylised birds perched among ...

Small 18th Century Makkum Polychrome earthenware shoe slippery Makkum, The Netherlands, ca 1750 Beautiful colors, blue tones, yellow, green, some red and deep purple in the floral d...

The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness...

The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness...

The Delft potters began to coat their pots completely in white tin glaze. They then began to cover the white tin-glaze with clear glaze, which gave depth to the fired surface and smo...

Pietersberg mixed by Goedewaagen. Decorated with the Tin glaze Majolica technique which means that the Tin glaze is directly applied to the raw clay on which afterwards the cobalt bl...

The form sits atop a slightly raised foot, decorated with geometric motifs that anchor the composition and add visual interest from every angle. The tin-glazed earthenware surface d...

Craftsmanship The vessel has been hand-thrown before being coated in a fine tin glaze, producing the distinctive creamy white surface synonymous with Dutch Delftware.

A large and imposing tin-glazed earthenware vase and cover, Dutch Delft or possibly German, mid-18th century, of baluster form with a full shoulder tapering to a spreading foot.

Fine 17th century Delftware dish painted in cobalt blue on tin-glazed faience, featuring central vases filled with blossoming branches, accompanied by a bird and insects.

Delft, 18th century. Of tin-glazed earthenware, painted in blue with a central inscription enclosed by a scalloped border.

The shaped baluster body has a white tin-glaze and is also decorated with cobalt-blue diamonds.

English Delftware in a tin-glazed pottery made in the British Isles between about 1550 and the late 18th century.

The well of the plate features two quail beside bamboo, millet, and chrysanthemums with an insect, a motif inspired by Japanese designs but interpreted with Dutch tin-glazed earthenw...

Quimper pottery is named after the French town where it was originally produced, back in c1690. It is a hand painted tin glazed earthenware pottery. The 2 small ceramic plates is o...

Inspired by Chinese blue and white porcelain, they combine a pale bluish tin-glazed ground with deep cobalt decoration.

Quimper pottery has a long, impressive history. Tin-glazed, hand painted pottery has been made in Quimper, France since the late seventeenth century.

These small-scale objects, often crafted from tin-glazed earthenware, were produced in various European centers, reflecting a shared cultural appreciation for novelty and craftsmansh...

These small-scale objects, often crafted from tin-glazed earthenware, were produced in various European centers, reflecting a shared cultural appreciation for novelty and craftsmansh...