Metal Metalwork

FREE WORLDWIDE SHIPPING This Japanese cloisonné enamel koro is an exceptional Meiji period example by Tsukamoto Hikokichi, a known Kyoto-based cloisonné artist active in the late 19...

Qing Dynasty Chinese Bronze Bell with Auspicious Symbols 4.5" height. Acquired from Upstate New York

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features an imprinted/hammered repeating pattern of stars or cherry blossoms design perhaps. The piece has a gorgeous patina that is acquired from age and handling/use It is quite an appealing work. The piece is likely from the mid Edo Period (1603-1868). The Tsuba has a nice feel and wonderful aged texture to it. Would be a great addition to any Tsuba or Japanese Asian sword...

Fine Thai Silver Repoussé Box with Nāga Decoration Exceptional Thai silver lidded box, richly worked in deep repoussé and fine chasing with power...

Fine Qing Dynasty Chinese style Silver Dragon Box – Late 19th Century Description: An exquisite antique Chinese style silver box from the late Qing ...

This is an antique Japanese iron dog sculpture. Its quietly standing figure is very impressive, and it has a beautiful silhouette from every angle. With its ears raised and gaze dire...

These are an excellent matching pair of large antique Chinese Foo or lion dog sculptures, sometimes called temple lions or Shishi, made of bronze with fine detail, originally hand enameled and gilded dating to the 19th century, Qing period or earlier. These are a very beautiful matching pair of large Bronze Chinese...

A quite wonderful, relatively large Tsuba - Japanese Samurai sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship dur...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

This is an old iron deer object, not of Japanese origin, although its exact country or region has not been definitively identified. The date of production is also unclear, but judgin...

An exquisite antique Chinese cloisonné enamel jewelry box, dating to approximately C1930, presents a captivating scenic depiction on its lid. ...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

A fine pair antique Chinese Qing cloisonne standing Kylin Dragon figures with fine enamel detailing dating from the latter 19th century or possibly earlier. The standing figures have...

A JAPANESE SIGNED KATANA SWORD. Comprising a Japanese katana signed. The blade is signed "Ikeda Kishinmaru Kunishige" 池田鬼神丸国重. Ura side of the nakago stat...

A quite wonderful, intricately crafted, evocative Tsuba - Japanese Samurai sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features a traditional wave and plovers (birds) design - a classic motif made popular by renowned Japanese artist Katsushika Hokusai's famous image "The Great Wave off Kanagawa (Under the Wave off Kanagawa (Kanagawa oki nami ura))" The rare rolled edges, dark almost black patina, expert craftsmanship, and irregular shape makes this quite an appealing work. The piece is likely from the mid to later Edo Period (1603-1868). The Tsuba has a great feel to it. Would be a great addition to any Tsuba or Japanese Asian...

A Chinese enamel over brass vase. It has a classic, rounded body that tapers to a narrow neck. Adorned with polychrome enamel in foliage and floral motifs made in the Cloisonne techn...

This is charming Chinese Export Silver Overlay small decanter that could be used as either a cologne bottle or aperitif decanter. The beautifully detailed reticulated Cherry Blossom design of the sterling (marked 950) overlay is finely cast and hand etched with all elements firmly fitted to the Pinch...

This is an old iron hanging bell believed to have been made over 100 years ago. It is highly likely that it was manufactured in Japan, though the possibility of Korean or Chinese ori...

This finely matched pair of Japanese cloisonné enamel dishes, each measuring approximately 8½ inches in diameter, dates to the Meiji period, circa 1880 to 1890, and is attributed to ...

Pair of vintage Thai Singha temple guardian lion "Foo Dog" statue made of bronze. The statue is crafted with a two-tone finish, featuring a dark patina on the body and gilded gold a...

An antique Japanese copper vase with wireless cloisonne enamel design. Late Meiji era, before 1912. Round shape with pronounced base. The piece is decorated with a stork or crane bir...

A quite wonderful and evocative signed antique Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features a Oni Demon design. Oni are fearsome, ogre-like demons or trolls from Japanese folklore, known for their monstrous appearance, immense strength, and cruel nature but conversely and somewhat contradictorily they can also symbolize good fortune, representing the duality of evil and protection in Japanese culture and sometimes serve as guardians against evil. The piece is likely from the late Edo Period (1603-1868) or early Meiji Period (1868-1912). It is signed on the verso/backside. This Tsuba has a great feel and heft to it. Would be a great addition to any Tsuba or Japanese Asian sword...

Antique Kashmiri Indian Silver Meenakari Enamel Hexagonal Box c1900 A finely worked antique silver hexagonal box from Kashmir, dating to the late 19th / early 20th century. Decorated throughout with crisp hand-chased floral and foliate designs, highlighted with rich blue and turquoise enamel panels in the traditional Kashmiri manner. The hinged lid opens to a fully gilded interior, with matching chased decoration to the underside of the lid, indicating a good quality piece. The workmanship is sharp and consistent across all panels. Condition: Very good antique condition with minimal wear; enamel remains bright and intact. Dimensions: Height 6 cm; Width 5 cm; Depth 7 cm Weight: 93 grams A scarce and attractive example of Kashmiri enamelled...

These are a very good pair of antique Ming style Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the late Qing or early Republic period of the 20th Century, Circa 1920. These pieces are well cast with very good detail, showing wear and a good natural patination to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked These lovely pair of antique Chinese foo dogs...

A museum quality antique silver vase from the end of the 19th century . This heavy sterling silver vase is fully decorated and engraved with a breathtaking arabesque design with ...

A wonderful, beautifully aged Saotome Tsuba (The Saotome were a well known school of armor makers originating in the late Muromachi Period and working well into the Edo Period) - Jap...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

A vintage Russian Orthodox silver-tone priest's cross. The front side is decorated with a relief depiction of Jesus Christ. Inscription in Church Slavo...

A beautiful pristine condition Ando Jubei wireless cloisonné vase in baluster form. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vin...

19th century Japanese bronze vase of classic form with a lovely rich patina. The vase has been drilled for wiring as a lamp. It will make ...

A large and impressive Qajar circular brass tray, Iran, early 20th century. Measures: 19 5/8 in. (50 cm.) diameter. Finely engraved, chased and punched in heavy gauge brass. Th...

A Chinese inscribed pewter-encased Yixing stoneware teapot Qing dynasty, 19th century Measures, 3 3/8 in.,(8.5 cm.) high base: 3 1/8 x 3 1/4 in.,(8 x 8.4 cm.) Of square sect...

This is an antique chestnut roaster. An English, brass hanging warmer, dating to the Georgian period, circa 1800. Appealing chestnut warmer with tasteful decor Displaying a desirabl...

Masuo Ikeda Bronze Sculpture “Miyajima” with Original Box A bronze sculpture titled “Miyajima” by the renowned Japanese artist Masuo Ikeda (1934–1997). Ikeda was an internationally ...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

Chinese Export Silver and Enameled Articulated Carp on Lotus and Wave Stand, Circa 1900 Consisting of four pieces 1. The Carp (Yu 鱼) Form & Technique: The carp is constructed of mu...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

Presenting a lovely antique Indian Dhokra horse and rider sculpture. Probably from the late 19th or early 20th century as is evidenced by its natural patina and clear evidence of age. It depicts an Indian Warrior with a sword in his right hand mounted on his horse/steed. The warrior is in classical and ancient Southeast Asian Indian attire and he holds the horse’s reins in his left hand. The body of the horse is a series of lines (in the Classic Dhokra Style) and it has a tribal headdress...

A large, rare masterpiece of Ando Jubei's wireless cloisonné artistry in excellent condition, depicting two orchids in full bloom, capturing their delicate beauty and verdant vitalit...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...

A Large Chinese Cloisonne Enamel Filigree and Gilt Boat with Wood Base The sails with colorful enameled birds, resting on a conforming carved ...

Presenting a pair of huge and beautiful Chinese cloisonné enamel eggs with intricated patterns of hundred butterflies made by hand seating on a wood stand, from the early 20 century....

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

Burmese bronze cow bell with clapper inside with stand. Age: Burma, 19th century Size: height 7 cm / width 8 cm. Size including stand: height 16.2...

Presenting a magnificent pair of antique Chinese cloisonné enameled bronze vases, dating to approximately C1920. These hexagonal form vases are meticulously crafted, showcasing the i...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Midcentury Japanese cast iron pagoda lantern with lattice fret work hinged door. Bird and bamboo iron cut outs surround pagoda. Beautiful slo...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

Well casted and detailed vintage bronze Panchmukhi Ganesha five faces Hindu idol / sculpture, circa 1970s. The piece is in very good vintage condition with a wonderful patina and me...

A rare, Dutch Colonial, Batavian (now Jakarta) Dutch East Indies silver and tortoise shell Sirih casket, circa 1750. The casket was used for storing highly prized betel nut, which was chewed ritually by high ranking Indonesian officials and adopted by settlers from the Dutch East Indies Company...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 16.5" x 10" wi...

An exquisite Ando Jubei wireless cloisonné vase. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vine under the glaze. On Musen-jippo b...

Antique Japanese large pagoda form bronze kiln furnace for melting shaping metal w/ the original fire clay insert - signed at two places at top of insert. As found old surface with o...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

Antique South Indian Thandatti Gold Earrings – Traditional Tamil Nadu Design A beautiful and rare pair of antique South Indian Thandatti earrings, traditionally worn by women of ...

Vintage Cambodian Repoussé Silver Pumpkin Shaped Box. A squat low form with sections having chased and punched scales, coiled silver wire sepals in ...

A quite wonderfully designed, expertly crafted Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features a Tenpo school (sometimes spelled or referred to as Tenbo/Tempo/Tembo. The Saotome School gave rise to the Tenpo School ) Kokuin hot stamp design with the Japanese Kanji character "Sei" (which translates as "Justice") repeated multiple times on both sides of the Tsuba and intricate decorative brass inlay. Very eye catching and quite unique as we have not seen another like it. The dark rich aged patina, expert craftsmanship, and uniqueness of design makes this quite an appealing work. The work comes with a wooden storage box. The piece is likely from the early to mid Edo Period (1603-1868) but perhaps older. A relatively large Tsuba with a great feel to it. Would be a great addition to any Tsuba or Japanese Asian sword...

Despite common belief that water pipes such as these were used to smoke opium, water pipes such as these were more commonly used for smoking Tobacco. The h...

Impressive antique Meiji period Japanese bronze vase with brown patina with a ferocious eagle in relief plus birds flying above ocean waves. 20 inches tall and 43 lbs. Apparently un...

Free international shipping Ando Cloisonne Company Mark From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...