Two Faced

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

He was usually depicted as having two faces looking at opposite ways, one towards the past and the other towards the future.

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

Circa 1950’s French Empire style 18 lights crystals and bronze chandelier. Two tiers. With faces on the bronze rings. Original gilding and patina.

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...

The experience of Joachim Schmeisser’s prints has two faces. First, there is a tremendous sense of liberation before them, as we are visually freed from the tyranny of the subject, f...