Ukiyo E Prints

For this reason, at UKIYO-E PROJECT every print is considered unique, aligned with the Edo period philosophy that each ukiyo-e is an “original” piece of work. - They will be packaged...

For this reason, at UKIYO-E PROJECT every print is considered unique, aligned with the Edo period philosophy that each ukiyo-e is an “original” piece of work. - They will be packaged...

For this reason, at UKIYO-E PROJECT every print is considered unique, aligned with the Edo period philosophy that each ukiyo-e is an “original” piece of work. - They will be packaged...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

. - Each piece is created by hand, therefore, they may all have subtle differences in size and colour between them. For this reason, at UKIYO-E PROJECT every print is considered uniq...

Both works are aizuri, which is a genre of ukiyo-e that only uses different shades of blue (ai = indigo, zuri = print).

Both works are aizuri, which is a genre of ukiyo-e that only uses different shades of blue (ai = indigo, zuri = print).

Artist: Katsushika Hokusai Title: The Origin of Scrolls Series: 100 Views of Mt Fuji volume 2 Publisher: Toheki-do Eirakuya Toshiro Date: 1835-1880 Size: 22.2 x 15.5 cm Condition rep...

Artist: Katsushika Hokusai Title: Fuji inside the sake cup Series: 100 Views of Mt Fuji, volume 2 Publisher: Toheki-do Eirakuya Toshiro Date: 1835-1880 Size: 22.5 x 15.7 cm Condition...

Artist: Katsushika Hokusai (1760 - 1849) Title: Geese Series: Hokusai Manga Volume Publisher: Toheki-do Date: 1814-1878 Size: 22.6 x 26.9 cm Condition Report: Binding holes. Two page...

Artist: Katsushika Hokusai Title: Sword and Mt. Fuji Series: 100 Views of Mt Fuji volume 2 Publisher: Toheki-do Eirakuya Toshiro Date: 1835-1880 Size: 22.2 x 15.6 cm Condition report...

Artist: Utamaro I Kitagawa (1753-1806) Title: Lovers Komurasaki And Gonpachi Publisher: Maruya Jinpachi Date: Late 18th century Dimensions: 23.3 x 36 cm Condition: Two holes restored...

Artist: Ando Hiroshige I (1797 – 1858) Title: 12. Musashi Honmoku no Hana (Cherry blossoms at Honmoku in Musashi Province) Series: Thirty-six Views of Mt. Fuji Publisher: Tsutaya Kic...

Artist: Kunisada II Utagawa (1823-1880) Title: Chapter 33, Fuji no Uraha Series: The Tale of Genji 54 Chapters Publisher: Tsutaya Kichizo Date: 1850-1899 Dimensions: 24.0 x 36.1 cm C...

Artist: Ito Shinsui (1898-1972) Title: Hazy Moon on a Spring Night Publisher: Watanabe Shozaburo Date: 1931 Edition: Specially selected [sealed tokubetsu-sen] Dimensions: 27.7 x 43....

Artist: Paul Binnie (1967 - ) Title: Kunisada's Danjuro Series: Edo Zumi Hyaku Shoku (A Hundred Shades of Ink of Edo) Edition: 39/100 Date: 2006 Published: by the artist Dimensions: ...

Ukiyo-e prints often describes subjects such as female beauties, kabuki actors, geisha, flora, and erotica.

Ukiyo-e prints often describes subjects such as female beauties, kabuki actors, geisha, flora, and erotica.

Ukiyo-e prints often describes subjects such as female beauties, kabuki actors, geisha, flora, and erotica.

Ukiyo-e prints often describes subjects such as female beauties, kabuki actors, geisha, flora, and erotica.

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

Utagawa Kunisada (1786 – 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation ...

He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of female beauties, or bijin-ga.

Julian, 2006 Ukiyo-E woodblock print Sheet: 17 x 12 7/8 inches Edition of 45 PEY901B

The delicate attention to light, land and water was created by way of Ukiyo-e woodcut and printed from ten woodblocks.

Scene from "Nise murasaki inaka Genji" (triptych), ca. 1847 authentic polychrome ukiyo-e woodblock print ink and color on handmade paper 13-7/8 x 9-13/16” - ea. panel 13-7/8 x 29...

2004 Thirty-four color Ukiyo-e woodcut printed from 16 woodblocks on Torinoko paper and mounted onto Fabriano Classico paper Image/sheet: 37 1/2 x 26 inches Edition of 65 Signed and ...

Authentic polychrome ukiyo-e woodblock print. Ink and color on handmade paper.

Authentic polychrome ukiyo-e woodblock print. Ink and color on handmade paper.

Authentic polychrome ukiyo-e woodblock print. Ink and color on handmade paper.

Authentic polychrome ukiyo-e woodblock print. Ink and color on handmade paper.

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Robertson references the forced perspectives of Ukiyo-E woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic desi...

Little’s Exhibitionists series, in which he places human “sculptures”on top of pedestals, derives from shunga, a form of Japanese erotic ukiyo-e woodblock prints from the 18th Centur...

Little’s Exhibitionists series, in which he places human “sculptures”on top of pedestals, derives from shunga, a form of Japanese erotic ukiyo-e woodblock prints from the 18th Centur...