Unglazed Clay

The vessel undergoes a single high-temperature firing of about 65 hours, and is left unglazed to articulate the clay's raw beauty and inherent character.

The vessel undergoes a single high-temperature firing of about 65 hours, and is left unglazed to articulate the clay's raw beauty and inherent character.

Delicate petite Scandinavian organic modern ceramic bowl with turquoise and aqua blue colored matte glaze creating an graphic swirling relief pattern on the white material. Use as se...

Vintage stoneware vide-poche bowl with shiny blue glaze by Michael Andersen & Son in the 1960s. Stamped under base. Beautiful vintage condition. Denmark, 1960s.

Round vintage stoneware bowl with spiral relief base covered in greenish gray glaze. Thick edges covered in dark brown speckled running glaze. Beautiful vintage condition. Denmark,...

Limited edition contemporary light yellow ceramic sculptural vase by Danish ceramic artist Anne Jørgensen for AJ Ceramics. The sculptural slanted design consists of multiple sharp an...

Limited edition contemporary white ceramic sculptural vase by Danish ceramic artist Anne Jørgensen for AJ Ceramics. The sculptural slanted design consists of multiple sharp angles an...

The matte, dry, and unglazed texture of the clay has deepened over the centuries, developing a subdued and aged character.

Swedish midcentury modern stoneware vase handmade by artist Mari Simmulson for Upsala Ekeby in 1957. Earthcolored base with hand-carved incised ladder-like graphic decor with cream c...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is made with red clay manufactured regionally to the East Coast with custom made white frothy glaze. This ...

Pair of Scandinavian midcentury modern folk art style unique stoneware table lamps handmade by Jette Hellerøe in her private studio in the 1970s. Hand-carved South American inspired ...

Unusual tall folkloristic ceramic earth toned vase with hand-carved geometric decor. Triangular burgundy and dusty green shapes on earth colored base with circular relief pattern and...

Clam Shell Mirror $275.00 Hand formed mirror made with a red stoneware and a Pacific blue glaze. Found shells from San Diego are hand pressed on to the edges. Each piece is hand made...

Originally photographed with crushed walnut shell, the Media Knife Block now features organic black rice, offering a rich, textural contrast that cradles knives while maintaining a d...

Small Shell Bowl with Turquoise Glaze $225.00 Hand formed bowl made with a red stoneware and turquoise glaze. Each bowl has curved edges to accept serving utensils or fruit. Found s...

Shell Nesting Bowls- set of 2 $375.00 Hand formed nesting bowls made with a red stoneware and an oxblood glaze. Found shells from Mexico and Japan are hand pressed around the lip. ...

Large Shell Platter $250.00 250 Hand formed platter made with a red stoneware and a milky white glaze. Found shells from Japan are hand pressed on to the lip. Each piece is hand made...

Shell Serving Dish $225.00 Hand formed serving dish made with a red stoneware and a milky white glaze. Found shells from Japan are hand pressed on to the two lips. Each piece is ha...

Large handmade modern brutalist stoneware lamp by Belka Stentøj in the 1960s. Raw and unglazed brown chamotte clay material with glazed squares of stylized floral decorations around ...

Artistic Double Gourd form Raku pottery vase, unglazed diagonal ribbon exposing black clay body thickly applied grey crackled glaze pooling at the bottom with base left unglazed the ...

The triangular shaped base of chamotte clay is left unglazed apart from an abstract white decoration with a speck of brown.

Signed DN This stoneware vase/sculpture was made by Dagmar Norell in her own workshop in Spånga during the 1980s. Formed in unglazed white clay, the piece has the abstracted shape ...

Organic Oval Mirror, Ceramic Red Stoneware, Nutmeg, Japanese Shell Inlay, 2026 Materials: Ceramic Red Stoneware, Glass Mirror, Found Japanese Shells, Steel Cable Dimensions: 14” tall...

Close inspection shows the hand of the maker: gentle variations in line, tonal shifts within the slip layers, and minor firing nuances that are consistent with studio pottery rather ...

The footing on both the underplate and the tureen is unglazed, in white clay. Marked at the bottom with CALIF.

The glazed areas of green contrast beautifully with the unglazed tan clay. This is a striking piece that looks wonderful as part of a group, or independently on a credenza or side ta...

Each link is crafted from unglazed stoneware clay in muted tones, evoking the warm hues of a desert at dusk.

Each link is crafted from unglazed stoneware clay in muted tones, evoking the warm hues of a desert at dusk.

The surface is finished in a soft white glaze with intentional crackling throughout, creating depth and a refined aged character. The unglazed top reveals raw black clay, offering a...

Haniwa means "circle of clay" in Japanese. The figures were made from terracotta clay for ritual use as funerary objects, and they were created according to the wazumi technique, in ...

The form is sculptural yet functional, with a curved handle, expressive spout, and fitted lid. The unglazed base highlights the natural clay body and adds contrast to the glossy surf...

A deep earthy glaze in layered charcoal and dark gray tones envelops the vessel, with subtle tonal variations that enhance its visual richness. The unglazed foot reveals the natural ...

The underside reveals unglazed, raw clay with visible tooling and firing marks, further supporting its studio-made or outsider art origin.Likely dating to the mid to late 20th century.

A lustrous glaze transitions gracefully from a deep cobalt blue at the rim into a soft, speckled gray body, highlighting the effects of high-temperature firing and skilled hand appli...

Produced during the height of the mid-century modern movement, the piece beautifully highlights Philippi’s signature style of blending raw, unglazed, coarse clay bases with highly di...

Finished in a vibrant blue glaze across the main body, it contrasts beautifully with the raw, unglazed brown clay base. A subtle swirling surface treatment enhances the illusion of m...

The dish is thrown from light-colored stoneware clay, left unglazed along the base ring to show its natural grain.

The dish is thrown from light-colored stoneware clay, left unglazed along the base ring to show its natural grain.

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

The speckled white glaze varies across the surface — lighter and more uniform across the upper body, darker and more mottled toward the base, where the unglazed earthenware clay body...

The box features an abstract pattern of incised relief with carved horizontal ridges, finished in cream and light- and dark-brown glazes, contrasted by unglazed raw clay at the base....

It is decorated with complex celadon and blue flambe glaze on both inner and outer surfaces and abstract leaves or branches motifs radiating from the center of the bowl towards the r...

Potters in this region have used copper oxide formulations for generations to achieve this specific, glassy green appearance over a terracotta clay body. The unglazed, sandy-red bott...

The surface shows natural kiln variations, glaze pooling, and areas of wear consistent with age and use. The base is unglazed, showing the stoneware clay body.Such bottles were both ...

The surface shows natural kiln variations, glaze pooling, and areas of wear consistent with age and use. The base is unglazed, showing the stoneware clay body.Such bottles were both ...

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

Each link is crafted from unglazed stoneware clay in muted tones, evoking the warm hues of a desert at dusk.

The meticulously painted decor guides the eye along the lines of the vessel; the inside surfaces and the bottom are left unglazed, showcasing the beauty of clay medium. The jug is i...

Finished in a natural ash glaze, the piece displays nuanced green, grey, and earthy brown tones that beautifully reveal the underlying clay body. The unglazed rim and base provide a ...

It is in great vintage condition, exhibiting minor surface scuffs and glaze skips appropriate to its age, which serve as a beautiful patina and emphasize its authentic handcrafted or...

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

Laura’s pieces are sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest form, her works bear t...

Subtle volcanic speckling and natural glaze variation give the piece depth and individuality, making it a true one-of-a-kind work. The unglazed base reveals the raw clay body and be...

Heavy Glazed Pottery Dish – France, 1970s – Blue-Green Tones, Ibiza/Formentera Vibe Description: This is a heavy ceramic dish made in France in the 1970s, featuring a rich blue-gree...

Crafted using traditional hand-thrown and hand-applied techniques, the vase reflects the rich ceramic heritage of Portugal, known for its expressive and textural pottery traditions. ...