Unsigned Painting

sea. The painting is unsigned and presented in a substantial white frame. On canvas.

A fine, characterful portrait of a disgruntled old man in a jacket and tie. The painting is

appears to be in he process of making a decision. The painting may be a character portrait of a young

An autumnal depiction of the Lyn River in Devon. The painting is unsigned in oil and presented in a

Medium: Painting Signature: Unsigned Contact for dimensions.

Medium: Oil Painting Signature: Unsigned Contact for dimensions.

painting is unsigned on board. On board.

A striking 20th Century portrait of a young girl in a pink and blue dress. The painting is unsigned

Medium: Painting Signature: Unsigned Artist Unknown Contact for dimensions.

painting is unsigned and presented in a 20th Century gilt frame. On canvas.

. The painting is unsigned and presented on canvas over stretchers. On canvas.

painting is unsigned and presented in a contemporary gilt frame with foliate molding. On canvas laid to

outbuildings on the left. The painting is unsigned and presented in a simple gilt frame with white inner window

Medium: Oil Painting Signature: Unsigned Contact for exact dimensions.

the base, filled with vegetables and fruit. The painting is unsigned and presented in a burr wood

landscape. The painting is unsigned, on board. and presented in a wood frame. On board.

Medium: Oil Painting Signature: Unsigned Cover of 'April Gold' written by Grace Livingston Hill

chink of blue visible behind the clouds. The painting is unsigned on board. On board.

Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed

track running between them, lit with dappled sunlight. The painting is unsigned on canvas laid to board

countryside, covered in snow. The painting is unsigned and has been presented in a substantial gilt frame. On

similar to Constantine Cherkas Navajo Rider paintings. Unsigned. Unframed. Measures 24"H x 30"W.

, sitting on a hay bail with a basket at her feet, The painting is unsigned and has been presented in a gilt

This painting is unsigned but evidence shows that it is from a European school. It shows a mother

painting. Unsigned: Acquired as part of larger collection Presented in new, acid-free mat. Mat: 32"H x 26

A rustic and gestural portrait of a rosy cheeked woman in a yellow jacket. The painting is unsigned

board is a naive style Eastern street scene bathed in sunlight. Both paintings are unsigned. On board.

brighten any interior! The painting is unsigned but according to the previous owner, a private collector

monoliths, into the distant mountains. The painting is unsigned and presented in a contemporary gilt effect

Medium: Painting Signature: Unsigned Marked on the back GM Photographic The Saturday Evening Post

potatoes by the fire. The painting is unsigned and has been fully re-lined. On re-lined canvas.

artist has used flat square brush strokes to create an impasto, stylised image. The painting is unsigned

to the right. A woman feeds chickens at the barn door and two men converse to the left. The painting

. Additional Information: This oil painting is unsigned. Provenance: The work is accompanied by a certificate

Century naive School of British art. The painting is unsigned and presented in a handsome and substantial

composition. Although unsigned, the painting reveals the hand of a highly skilled artist, trained in the

conservation photographs the painting is unsigned and somewhat typical of Phillips. I have included a further

painting is unsigned and presented in a fine 19th Century gilt frame with bolection profile. On canvas.

face and demeanor. The painting is unsigned and presented in a handsome early 20th Century gilt frame

Vining). The sitter is a solemn young woman in a white dress and red cloak. The painting is unsigned and

Medium: Oil on Canvasboard with Collage Signature: Unsigned Original Painting for British Quad

youthful joy with a restrained and loose hand. The painting is unsigned, on canvas over stretchers. On

. The painting is unsigned and presented in a very handsome, Dutch style, ebonised frame with gilt

close vignette to capture a moment of tenderness and domesticity. The painting is unsigned and

black and gold. This painting is unsigned and comes in excellent condition with frame.

, casting long shadows over the scene. The painting is unsigned and presented in a rustic 20th Century frame

. The painting is on canvas, cut from its stretchers and is unsigned. The painting is handsomely

painting is unsigned and presented in a handsome Victorian gilt frame with acanthus leaf molding and laurel

Unsigned original painting. Artwork is in excellent condition. Certificate of authenticity

18th Century, Florentine School TECHNIQUE: oil painting Edition : Unique, unsigned Weight

. The artist shows a confident style, not dissimilar to that of The Bloomsbury Group. The painting is

. Painting is unsigned.

with his head down, half concealed in the shadows. The painting is unsigned, on canvas. The painting

figures by the water's edge is both idyllic and naturalistic. Unsigned, the painting is not attributed

beyond. Although as yet, not attributed to a particular artist, (unsigned)this painting has clearly been

arch in the background. The painting is unsigned. The painting has been presented in its original

, with ornate frame. This painting is unsigned, with the canvas measuring 20" high and 17.5 wide. In the