Used Fire Pits

Beautiful to be displayed in a kitchen or near a ground fire pit for decorative purposes. Also interesting to be used in any rustic or countryside house as log holder, plant stand o...

Perfect for creating an inviting outdoor dining area or arranging around a fire pit, these chairs complement both traditional and contemporary garden settings with their sculptural a...

Placed by an outdoor fireplace, by a fire pit this piece is very versatile and will create a signature focal point to your design.

Elevate a contemporary interior with *Bosphorus II*, a striking original pit-fired stoneware sculpture by contemporary artist Pinar Aral (b. 1970, Istanbul, Turkey ).

Hawley uses only hand-ground clay dug on Antelope Mesa on the Hopi Reservation and he hand coils, shapes, polishes, paints and coal fires each of these pots in a firing pit he constr...

The hand-hammered brass fire pit fits neatly into a hole designed into the wooden frame, which sets of legs at each of the eight points of the octagon, with a decoratively scrolled a...

Surface pitting, firing marks, and irregularities are part of its character.

The tripod base foot with three satyrs with one arm extended standing on single legs with paw feet holding the fire pit on their heads. All mounted on a black and rouge marble base.

Placed by an outdoor fireplace, by a fire pit this piece is very versatile and will create a signature focal point to your design.

Whether placed on a front porch, patio, garden, or around a fire pit, these collectible mid-century chairs make a striking statement. —————————————— Whenever you purchase a piece fro...

"Escape" is American painter Mia Bergeron's charming yet detailed still-life capturing of a campfire scene, with two plastic chairs sat next to a small fire pit, a large dark forest ...

Placed by an outdoor fireplace, by a fire pit on gravel, this piece is very versatile and will create a signature focal point .

Each individual sculpture can also be used as a wood burning or gas fire pit or modified to include LED lights for nighttime display.

Some designers turned them into fire pit , some of them with multiple simple spouts with water bubbling as freestanding water feature or with a wall mount fountain head and of course...

Each individual sculpture can also be used as a wood burning or gas fire pit or modified to include LED lights for nighttime display.

Each individual sculpture can also be used as a wood burning or gas fire pit or modified to include LED lights for nighttime display.

Each individual sculpture can also be used as a wood burning or gas fire pit or modified to include LED lights for nighttime display.

Some designers turned them into fire pit and some used as a sink in a farm kitchen or outdoor kitchen sink to wash up the veggies Water feature fountain basin, the middle section e...

Some designers turned them into fire pit, some of them with a simple spout in the center with water bubbling and of course it could be used as a planter since it has a good depth and...

Placed by an outdoor fireplace, by a fire pit on gravel, this piece is very versatile and will create a signature focal point to your design.

Each plate contains a variety of technical components, including: - Ground plans detailing the foundational layout of the foundry, showing the structure and brickwork of the furna...

Made from hand coils of micaceous clay, the surface is then slipped with micaceous clay and traditionally pit fired. Micaceous clay is so rich in the mineral mica that the mica's tin...

Dimensions: Approximately 5 inches diameter each Condition: Good/Fair condition consistent with age and use. Varied firing imperfections, kiln pits, glaze irregularities, crazing, a...

Origin: Morocco Period: Early 20th Century Material: Pit-fired Terracotta / Blackened Clay The jug is in excellent antique condition, preserved in its original state.

The piece was expertly pit-fired and burnished to achieve a warm, golden brown finish that highlights the natural beauty of the clay and artistry.

The jug is crafted from iron-rich local clay, pit-fired to achieve a vibrant, variegated palette of sienna, burnt orange, and carbon-blackened earth tones.

It is defined by a stout, highly stylised silhouette, original hand-painted grid motifs, and a blackened earthenware surface indicative of traditional pit-firing techniques. With its...

This vase celebrates the "perfect imperfections" of traditional pit-firing, resulting in a complex tonal variation of ochre and sand that mirrors the Saharan landscape.

This sits in contrast to the unglazed body below, where the terracotta shows a naturally developed patina with tonal variation across warm clay and darker areas formed through firing...

The terracotta shows an honest, matte patina with minor surface abrasions and small "pockmarks" inherent to the primitive pit-firing process. The slip-painted motifs remain clear and...

The porcelain cubes are first bisque fired in a kiln then placed in a pit and wood fired with metal oxides and combustible materials like seaweed, banana peels and corn husks.

The surface shows natural variation and pinhole pitting from kiln firing, giving the piece organic depth and tactile beauty.

The exterior displays a rich, multi-toned patina with distinct carbon markings resulting from domestic open-hearth use and traditional open-air pit firing. Heavily textured with an e...

The porcelain cubes are first bisque fired in a kiln then placed in a pit and wood fired with metal oxides and combustible materials like seaweed, banana peels and corn husks.

The porcelain cubes are first bisque fired in a kiln then placed in a pit and wood fired with metal oxides and combustible materials like seaweed, banana peels and corn husks.

The porcelain cubes are first bisque fired in a kiln then placed in a pit and wood fired with metal oxides and combustible materials like seaweed, banana peels and corn husks.

The fully tin-glazed earthenware body displays a wonderful aged surface with expected light glaze skips, historical firing irregularities, minor pitting, and authentic cobalt blue ma...

Notably, the hollow interior of one candlestick retains its early structural cast-in cross (croix de coulée), a rare technical indicator that highlights the 18th-century heritage of ...

For reference, we have also included in the listing images a page from a Japanese art history book featuring a piece of similar design, so please take a look. Sue ware is a high-fir...

Technical details reflect early French craftsmanship, including visible cooling lines from the casting molds, original central casting plugs within the hollow undersides, and beautif...

Both lamps are in good condition. There is rubbing, pitting and firing flaws throughout the pottery which adds to the desirability and character of the lamps bases.

This piece exemplifies the unique visual poetry of her pit-fired work, with subtle, smoky tonalities and organic color variations that evoke earthy textures, misty landscapes, and cl...

Minor rim chips, glaze pitting, firing imperfections, and age-related surface wear visible throughout.

Origin: Rif Mountains, Northern Morocco Culture: Amazigh (Berber) / Rifian Tribes Date: Early-20th Century Material: Hand-Built, Pit-Fired Earthenware Condition Report: The platter ...

Inside, a man stands in the central area wearing a heavy fur-lined coat, while to his left another figure tends a fire set in a pit, with cooking utensils and smoked fish hanging fro...

The gas-kiln glaze differentiates the sculpture further from the pit-fired works in the series. Translucent and satin areas move across a restrained palette of ash beige, taupe, grey...

The wear patterns and surface exfoliation are consistent with pre-industrial pit-firing techniques, aligning this piece with museum-grade examples of authentic Algerian ethnographic ...

The exterior surface displays finely textured and incised geometric patterns characteristic of Zulu pottery traditions, created through careful hand tooling prior to firing. The rich...

The dark iron/mineral pigments have faded, bled, and worn away unevenly, which is characteristic of traditional pit-fired, hand-coiled pottery subjected to decades of handling and en...

Origin: Rif Mountains, Northern Morocco Culture: Amazigh (Berber) / Rifian Date: Mid-20th Century Material: Hand-Painted Earthenware / Manganese Slip Condition Report: The vessel ...

The finish evokes the look of naturally weathered stone or oxidized metal, suggesting influences from raku or pit-firing techniques. This complex coloration creates a dynamic, almost...

Origin: Morocco (Rif Mountains / Taghzout) Date: Early 20th Century (c. 1930s) Material: Iron-rich Micaceous Clay, Manganese & Iron Oxide Pigments Technique: Hand-coiled, Pit-fir...

We note rubbing, stains and micro-scratches, pitting and firing flaws both inside and outside, and a small loss on the rim edge.

It is handmade from native clay, and pit fired in the traditional fashion. Signed HapiBird year 1977.

They are handmade from native Acoma clay, and pit fired in the traditional fashion. The Acoma Pueblo is a Native American pueblo approximately 60 miles west of Albuquerque, New Me...