Vintage Domus

taking on interior design projects for clients such as the Domus Academy (1946-47) and the Tech Student

taking on interior design projects for clients such as the Domus Academy (1946-47) and the Tech Student

1999, pp./nn. 139 Una nuova lampada in vetro, Domus 1963, 409, pp./nn. 119 Vanni Pasca, Vico

perfect balance of simplicity and elegance. Italy, 1960s Domus 389 (aprile 1962), pag. 52; Domus 401

condition of leather with a dark halo on the right headrest. Ref. Forme 48 (agosto 1973) pubblicità; Domus

Poggi Pavia in 1953, production Italy 1960s Bibliography: Domus 312 (novembre 1955), p. 27; Domus 315

and designed a number of classical chairs as Domus, Aslak, Kiki and Nana. Tapiovaara won a number of

environmental sensitivity. Literature : Azucena production catalogue Domus n. 353 (April 1959) G. Gramigna

. In 1928, he founded Domus magazine, which he directed for most of his life (with a brief interruption

in 1920, he co-founded the influential magazine Domus with editor Gianni Mazzocchi in 1926, directing

.: Domus n. 478, settembre 1969, pagina pubblicitaria

elegance, making it both a functional seating solution and a sculptural focal point. Bibliography: Domus

armchair, designed in 1958 and selected by Italian architect Gio Ponti to be featured in Domus that same

executive office. PROVENANCE: Bocconi University, Milan LITERATURE: Domus, no. 170, February 1942, pg. 53

that Ponti himself acknowledged in the pages of Domus.

magazines like Domus. The company grew quickly: by the mid-1950s ISA had become a household name in Italian

of a product should be understood at first glance. Some of the best-known chairs include Domus, Aslak

introduced to the world in Domus, the Lady series wasn’t just furniture-- it was a technological flex. Zanuso

glazed ceramic with gold splatter decoration; gold-finished rims and reserved panel. Bibliography: Domus

definition of modern Italian design. In 1928, he founded Domus magazine, which he directed for most of his

definition of modern Italian design. In 1928, he founded Domus magazine, which he directed for most of his

definition of modern Italian design. In 1928, he founded Domus magazine, which he directed for most of his

definition of modern Italian design. In 1928, he founded Domus magazine, which he directed for most of his

Domus, no. 322, September 1956, Fontana Arte advertisement.

well-known 'Tris' lamp in Domus magazine. It was in 1947 that he founded Arredoluce in Monza, a premier

. Apparecchi per Illuminazione, Éditions Luminaires Modernistes, Berlin, 2016, p. 124. • Domus, no. 369

. Literature Galileo floor lamp: Domus No. 488, July 1970, Page 120.

degli anni 40 e 50,Laterza, 1992 pp 200-201 Domus 400, March 1963, p.33

vintage piece. Literature: Domus, no 546, June 1975, p.44. illustrated. Condition: Excellent vintage

. 101 Fontana Arte 6, manufacturer’s catalog, p. 165. Domus n. 276-277, December 1952

dedicated to him a personal retrospective in 1987. He was editor of Domus magazine (1985-1991). He has

Oluce with chrome-plated steel frame and thick moulded glass diffusers, Italy 1959. Bibliography: Domus

, Trieste, Italy, 1951 Bibliography: Domus n°272 July, 1952, p25

art and culture. In 1928, Ponti founded Domus. In search of new forms of expression for Italian

1969. Buone condizioni vintage. Struttura in legno laccato e particolari in ottone. Bibl.: Domus n. 478

essential tools of his Craft. His contacts with “Domus” became more frequent. This began a long friendship

founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was

to Domus, it was the only known table to be cast entirely in bronze. The base, shaped like a slow

Literature Alcune opere d'arte sul Conte Grande', Domus, no. 244, March 1950, p. 14 P. Piccione, Gio Ponti

. Manufactured by Bernini Italia, 1964. Bibliography Domus n. 437 (aprile 1966). Ottagono, n. 1 (aprile 1966), p

. Macassar ebony wood and chiseled bronze casting inserts. Ref. Domus n. 508, March 1972.  

chairs have a lacquered metal frame and are upholstered with red velvet. Literatur: Domus 373 dicembre

both his own architectural studio and the famed magazine Domus. Through the pages of Domus—and, later

house and in 1946 he advertised his well-known 'Tris' lamp in Domus magazine. It was in 1947 that he

1999, pp./nn. 139 Una nuova lampada in vetro, Domus 1963, 409, pp./nn. 119 Vanni Pasca, Vico

Ettore Sottsass jr for Poltronova in 1960s. Published in: Domus n. 406, september 1963, pp. 18-19. Good

the Renault car manufacturer. From 1986 to 1991 Bellini was director of Domus and from 1979 to 2019 he

, p. 85; Domus no. 343, June 1958, p. 33

. In 1928, he founded the magazine Domus, which he directed for most of his life (with a brief

built-in magnet offers full flexibility of the reflector. Literature: Publication in Domus, 1981.

companies and for his collaborations with magazines such as Domus and L’Ufficio Moderno, for which he also

Luigi Caccia Dominioni. This article is published in: Furniture and objects, in "Domus", n. 231

founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was

label BERNINI Made in Italy. Literature Domus (Milan), no. November 1963, p. 42 for similar examples

Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fig. 350 Domus, no. 324

appearance in Domus, where two table lamps and a brass tray were published. In 1949 Bruno Gatta's brother

beautifully carved details and a rustic seat in a natural hand-woven rush. Literature: Domus n. 143