Vintage Mode

The carousel has fake helicopters and other modes of transportation. The model on the right is wearing a dark blue pleated skirt and jacket.

The carousel has fake helicopters and other modes of transportation. The model on the right is wearing a dark blue pleated skirt and jacket.

In a similar way to Picasso, Groen goes back to classical motifs for his subject matter and likewise succeeds in producing a mode of representation which is congenial to the modern e...

His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature ...

His later Earthscape and Spinner series, which were part of his daily sketching practice from the 1950s, but fully realized late in his career, challenged traditional modes of lookin...

In addition to this, the following extra features are available: The use of letters, numbers and punctuation marks (M-125-3 only), Possibility to duplicate a punched-paper tape, S...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

However, she was not loath to attempt new methods; late in her career, she experimented with cliché verre, a mode that melds drawing with photography. She also investigated electron ...

They collaborated with the renowned Raymond Loewy to create the Mode-Maker line of executive desks. Alas, as things go sales declined in the 1970s and many of their lines were discon...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduat...

The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His t...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His t...

. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in ...

. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in ...

Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy o...

In addition to being their major mode of transportation, it was similar to a community gathering place used by friends, relatives and neighbors where the driver was eager to pass on ...

. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in ...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold t...

Throughout the late 1950s and 1960s, Warhol produced work at an amazing rate. He embraced a mode of production similar to that taken on by the industries he was mimicking, and referr...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

• Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internatio...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

This work thus occupies an important place in Bisttram’s oeuvre, bridging his transcendental ideals with a representational mode that underscores the enduring dialogue between modern...

Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrom...

Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the conv...

His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art.

As a painter he worked in an exclusively abstract mode. By the late 1950's, his painting stressed shape and planar masses (often assuming non-rectilinear formats).

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art.

Once he had ceased painting in a Futurist or quasi-Cubist mode and had finished with his period of Precisionist factory images (circa 1920), he was not aligned with any particular mo...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics.

In viewing the art of the past, he became obsessed with the idea of inventing a new artistic mode of expression that would reflect the present.

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince ...

Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing black and white, the photographs of Stefanie Schneider evince...

Rosenquist had tentatively explored the use of commercial methods and materials in his studio work of the late 1950s, but after his move to the Slip, he left behind both the abstract...

In viewing the art of the past, he became obsessed with the idea of inventing a new artistic mode of expression that would reflect the present.

Rosenquist had tentatively explored the use of commercial methods and materials in his studio work of the late 1950s, but after his move to the Slip, he left behind both the abstract...

In the late 1940s, Hantman begins to reduce the landscape into elemental forms of color and shape. As he pursues this mode of painting his work moves further into abstraction, juxtap...

He was an artist who resolutely cast his work in a heroic mode. The self-portrait was something of a specialty with Beckmann; in them there is also an uncanny vitality and force of ...

“Ron Pokrasso is in a Musical Mode These Days.” Pasatiempo Magazine (a weekly arts magazine 34of the New Mexican), Friday, May 23, 1997.

Following this, Cikosvky attended classes under Favorsky and Mashkow at the Moscow Technical Institute of Art (1921-23), known for its promotion of progressive modes of painting. Fro...

Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that...

Amélie's Aunt Noélie and two of her brothers ran a successful women's shop called the Grande Maison des Modes. Before her marriage, Amélie had shown a gift for designing, making, and...