Vintage Pulps

briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of

Jarvis Cocker 1996 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in

Kurt Cobain 1996 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in Paris

(1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony and cliché prevailed

Original pulp paperback cover for The Year of the Tempest by Peter Matthiessen, published by Bantam

Jeff Buckley 1994 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in Paris

Jarvis Cocker 1996 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in

inspired by film stills and pulp novel covers. In this sensual print, Kitaj chose colors related to the

story illustrations began to appear in pulp magazines produced by Fiction House Publications, such as

as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony

western images for periodicals, pulp magazines, and other printed journals, romancing images of the West

the action pulp magazine. Signed lower right and signed on titled, dated on verso with a revision from

as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony

, "Home for Christmas..." (1945) For years, Walter Martin Baumhofer painted cover designs for the Pulps

ornamental glass in potassium and full crystal pulp. The glassworks were closed down in 1981.

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

/detective pulp.

, horror and adventure book covers, including all the covers for the Baroness series of pulp novels, and

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

Series is a paradigm of Noland's printmaking. The work is composed of five layers of colored pulp with

American posters is recommended because most of them were printed on a wood pulp paper which easily falls

Professor of Art at C.W. Post University (1967–1976). Hoffman began his career doing drawings for the pulp

cotton pulps, beautifully textured with repeat patterns or marbleized, sometimes enhanced with gold

Travolta enjoying a post 'Pulp Fiction' career resurgence and Cage fresh from big blockbuster action flicks

. He has illustrated many national pulp magazine covers for paperback publications and magazine stories

restored and touched up during linen backing. Linen-backed to preserve the wood pulp paper used in

Post and become known as a pulp illustrator. His work depicting life in the old west earned him his

sensationalist crime photography and pulp fiction. Later in his career, he moved away from manmade drama, opting

were folded and also because most were printed on an inexpensive wood-pulp paper and degraded quickly

consisted of tableware and ornamental glass in potassium and full crystal pulp. The glassworks were closed

freelance pulp covers to Popular Publication's magazine Argosy. It is remarkable that at that same time, his

for printing was normally wood pulp paper that falls apart, just like your daily newspaper. This is

was the first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male

was the first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male

of photographs. The artist was the first to take the pulp and glamour aesthetic of the 1940s and

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

first to take the pulp and glamour aesthetic of the 1940s and 1950s and apply it to male erotic

a pulp illustrator. His work depicting life in the old west earned him his reputation of Dean of

pulp cover paintings by H.J. Ward, H.W. McCauley, Virgil Finlay, and other American illustrators

. fabric: “Dura Weave” wood pulp and rayon-coated opaque “padded” paper noteworthy: do not wash or wet

Peuple II, and a pulp novel’s salacious cover. Known for his expressive style and charged imagery

- 1940’s saw the imaginative but crudely drawn pulp magazine gouaches of Frank R Paul. Virgil Finlay

western, and nature to family affairs. His first illustrations were created for pulp magazines when he

for his racy pulp fiction art. One of Mr. Olson's paintings of the founder of Sikorsky Aircraft, Igor

many illustrators of the time, he got his first freelance illustration assignments from the pulp

melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of

-pulp interior decorations and gift and novelty items that resembled hand-carving. Later they integrated

melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of

as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony

colors with paper pulp exposed between the bands. Here, Noland challenges the strict geometric lines that

for his captivating outdoor and Western scenes, which graced the covers of numerous pulp magazines

photography and pulp fiction. Later in his career, he moved away from manmade drama, opting to depict instead

early 1980s he did experiment with cast pulp paper, a process in which paper is pulverized and pressed