Viollet Le Duc

Gilt bronze. American glass. Crystal beads. French in the style of Viollet le Duc.

-Emmanuel Viollet-le-Duc, this furniture embodies the Gothic elegance and spirituality of the period. A

An amazing 19th century amazing Gothic Revival bookcase in the spirit of Violet-Le-Duc. Like a

-le-Duc in the sense that he claims the legacy of the Middle Ages and has the task of renovating the

graduated in 1878. His background is a melting of Catalunyan pride, pre-rapphaelite quotes, Viollet-le-Duc

leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and

Antique Barbizon school landscape with a lake and house by Victor Viollet-le-Duc (1848-1901). Oil

Neo-Gothic style, echoing the aesthetics and restoration principles championed by Eugène Viollet-le

These stunning forged iron antique gates have similarities to Viollet-le-Duc’s Notre Dame gates

Pierrefonds on a pedestal designed by the celebrated 19th century architect Viollet-le-Duc, where it remains

Gothic Revival walnut secretary desk, France. This piece is designed after "Viollet le Duc" style

France of the work of Eugène Viollet-Le-Duc. Very fine flowing silk with plain weave and twill damask

belongs to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting

belongs to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting

to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting

interiors of many fashionable Parisien Hotels, working in conjunction with Viollet-le-Duc and other

, primarily in Germany. Van de Velde was an avid reader of Viollet le Duc, and his work was deeply influenced

interiors of many fashionable Parisien Hotels, working in conjunction with Viollet-le-Duc and other

interiors of many fashionable Parisien Hotels, working in conjuction with Viollet-le-Duc and other

Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In Britain, it

Villeminot under the direction of Viollet-le-Duc, who had initiated the movement to preserve endangered

the theories of Viollet-Le-Duc in a different way. His restoration principles were linked more to

for the famous jeweller CARTIER. Planchon will also reconstitute the clock that Viollet-Le-Duc gave as

Chateau d'Eu, restored by Viollet-Le-Duc in 1874. Ternisien and Dantant established their "Maison de

such as Eugène Viollet-le-Duc or Jean-Baptiste-Antoine Lassus. Couquaux was well known for the high

perfectly with Viollet-Le-Duc's new vision of historical monuments, in search of architectural

lines. In the late 1800’s, the French architect and historian, Eugène Viollet-le-Duc, published his book

architecture, which served as a backdrop for stories in literature and painting. In architecture, Viollet-le

miniaturist F. Millet. He was a pupil of David d’Angers and Viollet le Duc. Exhibiting for the first time at

miniaturist F. Millet. He was a pupil of David d'Angers and Viollet le Duc. Exhibiting for the first time at

miniaturist F. Millet. He was a pupil of David d'Angers and Viollet le Duc. Exhibiting for the first time at

draw on the ideas of Viollet-le-Duc. The load-bearing bare brick walls and the notion of the primacy of

key figures such as Charles Rennie Mackintosh.[11] Viollet le Duc's books on nature and Gothique art

, Viollet-le-Duc imagined a fireplace decorated with knights for the Empress's room at the Chateau of

again undertook major works supervised by Viollet-le-Duc. Unfortunately, in 1902, most of the central

architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In

Antique Barbizon school landscape by Victor Viollet-le-Duc (1848-1901). Oil on board, circa 1875

Antique Barbizon school landscape with a farm by Victor Viollet-le-Duc (1848-1901). Oil on board

circa 1850 in France. The Medieval scene is reminiscent of the stylings of Eugène Viollet-le-Duc, a 19th

Antique Barbizon school landscape with a figure and chickens by Victor Viollet-le-Duc (1848-1901

pupils of Eugène Viollet-le-Duc that joined to Sicily in the 1830s. He illustrated a Projet de

others, Hector Guimard, Viollet Le Duc... The Universal Exposition in Paris in 1900 marked a great

Literature: De Plâtre et d'Or, Geoffroy-Dechaume romantic sculptor of Viollet-le-Duc, exhibition catalogue

are influenced mostly by Gustave Doré, his commercial artworks are modeled on Viollet-le-Duc. His

commercial artworks are modeled on Viollet-le-Duc. His works were exhibited in the Salon des Cent in 1897 and

-le-Duc, the renowned French gothic revival architect. The mirror frame has a solid beechwood base

to 1885, where he became acquainted with the theories of Eugène Emmanuel Viollet-le-Duc. These

a metal worker and is clearly influenced by the great French designer and architect Violet le Duc

Miniature medieval armor in the spirit of Viollet Le Duc. Embossed and chiseled metal. Work

A 19th Century French Bronze and Translucent Glass Lantern in the Style of Viollet-le-Duc. Circa

rich Renaissance-revival gros-point needlework, influenced by the work of Eugène Viollet-le-Duc, with

-Emmanuel Viollet-le-Duc (1814-1879), it embodies the revival and appreciation of medieval style, greatly

architect. The Gothic manner adopted in the 1840’s by such architects as Eugene Viollet-Le-Duc, perhaps most

with Viollet-le-Duc’s program of restoration of church and cathedral architecture and his publications

architect Viollet-le-Duc. The delicate but robust pattern is called "Gothique", this one of the "Fantaisie

inspired by the interest in medieval and gothic architecture promoted by the architect Viollet-le-Duc. The

design inspired by the interest in medieval and gothic architecture promoted by the architect Viollet-le

René Drouet, pair of lounge chairs, corduroy velvet, walnut, France, 1930s Designed by French decorator René Drouet, these club chairs are a quintessential example of French Art Dec...

Corner cupboard with riser and two concave openwork doors with Gothic arches in the base. The ebony veneer top has an elevation with shaped shelves, finely carved rosewood columns an...

An important palatial very fine and rare Italian 19th century florentine Rococo giltwood carved six-candle arms and twenty four-light chandelier, the scrolled candle-dish supports ar...

Sang-Min Lee Title: Black Glazed Bowl Year: 2018 Engraved glass in artist's frame Etched signature and year on the lower right corner Provenance: Gallery Tableau, South Korea Priva...

NOOM x Patience & Gough Present a Bold Collaboration Bridging HELLO chair, Textile, and NFT Art In a bold cross-disciplinary collaboration with British design studio Patience &a...

This striking set of six dining chairs was designed by Henning (Henry) Kjærnulf in the 1960s. Produced by Nyrup Møbelfabrik in Denmark, these chairs represent a rare variant of Kjærn...

Ernesto Valabrega for Vittorio Valabrega, pair of armchairs, mahogany, velvet, Turin, Italy, 1930s These chairs, designed by Ernesto Valabrega in the thirties, depart from an organi...

A set of three bar or counter stools designed and produced in Brazil, c. 1950s. Overall Dimensions (inches): 19.25"H x 12.875"W x 12.875"D Seat Height (inches): 19.25" All upholst...

A Beautiful Pair of Late 19th Century Gilt Bronze and Champlevé Enamel Mounted White Sèvres Style Vases Gilt bronze tops above a long neck with raised gold designs. The painted fron...

Italian Venetian style (20th Cent) octagonal shaped painted and decorated metal and wood bird cage with 8 upholstered seat and back cushions around base. (Franco Zefferelli Collection)

Armchair manufactured at the Bydgoszcz Renewal Cooperative in the 1970s. The armchair are after a comprehensive renovation of carpentry and upholstery. The oak wood has been cleaned,...

This set of five chairs was made in Italy in the 1950s. The design by the manufacturer Francor Ospitaletto is similar to a design by Ico Parisi (Ariberto Colombo). The chairs are mad...

Monumental and important Renaissance Palladio dining room set all in solid hand-carved walnut from a Palladian Palace in Vicenza of a Venetian patrician family. The back of the show...

Extremely fine Edwardian bronze and crystal chandelier, featuring hand cut thick crystal pendalogues and central shaft parts. A rare find. England, circa 1900. Dimensins: Height 42" ...

An antique handcarved Venetian rocking chair in grotto design. Seat and backrest in the shape of sea shells, backrest supported by a sea horse. The base features fish heads and sea s...

A rosewood console table designed and produced in Brazil, c. 1950s. Overall Dimensions (inches): 34.75"H x 47.25"W x 12.25"D All items ship from High Point, North Carolina.