Wind Sculpture

It is less a simple timepiece and more a piece of wearable sculpture. The manual-wind movement creates a necessary daily ritual, a moment of connection with a machine built to last g...

It wears less like a modern timepiece and more like a piece of personal sculpture. The manual-wind movement requires a daily interaction, a quiet ritual of winding that creates a phy...

Below, the trunk narrows into a sinuous, hourglass-like waist before widening again toward a solid, grounded base, giving the piece a figural, almost bodily presence reminiscent of d...

Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground.

Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground.

Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground.

Second dimension: L 73 P 55 H 40 cm W 28,74” D 21,65” H 15,74” Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to e...

Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground.

Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground.

In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture,...