A. Messina Furniture

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

Heavy and extremely patinated 51" tall 36" long seated dragons, or foo dogs with colored mica decorative accents on the scaled manes, tails, bodies and white stone The real flair tha...

Italian Grand Tour bronze figure of an athlete, Italy, 19th century. Measures: H 11.5 in.

A fine pair of French 19th century gilt bronze and patinated bronze figural four-light candelabra, each modeled as a baby Bacchus, in the form of a child faun, seated on tree trunk a...

Fantastic Sculpture of a couple of naked lovers kissing, Both nude. Perfect size, will go perfect in any space. Francesco Messina (15 December 1900 – 13 September 1995) was an Italian sculptor of the 20th century. Francesco Messina was born at Linguaglossa in the Province of Catania in a very poor family. Growing up in Genoa, where he also studied and lived until he was 32, he then moved to Milan. Art historians consider him one of the most important figurative sculptors of Novecento, together with Giacomo Manzù, Arturo Martini, Marino Marini. He is the author of some of the greatest works of the Novecento Italiano[citation needed] and his sculptures are displayed in the most famous museums, among which: Bern, Zürich, Gothenburg, Oslo, Munich, Paris, Barcelona, Berlin, São Paulo, Buenos Aires, Venice, Moscow, Saint Petersburg, Vienna, Washington, D.C. and Tokyo. From 1922, he began exhibiting his work regularly at the Biennale Internazionale d'Arte in Venice and between 1926 and 1929 he took part in the expos organised by the art group Novecento Italiano in Milan. In 1932, he moved to Milan, where in 1934 he obtained a tenured professorship 1934 in Sculpture at the Accademia di Belle Arti di Brera, of which he became the director within two years. During those years, about him wrote Carlo Carrà: Francesco Messina's sculpture is characterised by a simple and grandiose manner, by an idealistic and classic procedure, able to give life to forms which become "ideal images". In the 1930s, Messina exhibited at important collective expos of Italian art in Barcelona, Berlin, Bern, Gothenburg, Munich, Oslo, Paris, São Paulo, Zurich, while executing various sculptures in many Italian cities. In 1936 he was appointed director of the Accademia di Brera, which position he will keep until 1944. His work was also part of the sculpture event in the art competition at the 1936 Summer Olympics.[ In 1938, Giorgio de Chirico in Rome and Salvatore Quasimodo in Turin presented two personal exhibitions of Messina's work. In 1942 he won the Sculpture Prize at the XXIII Biennale Internazionale d’arte of Venice, where he exhibited fifteen sculptures and seventeen drawings. In 1943, Messina was appointed Academic Emeritus of Italy. On the collapse of the fascist regime, he was temporarily dismissed from the academy, only because he had been its director during the fascist period. However, by 1947 he had already regained his professorship. In the same period the artist took part in the Graphic & Sculpture Expo at Buenos Aires, in the Muller Gallery, achieve a noticeable success. In 1949 he exhibited at the 3rd Sculpture International held by the Philadelphia Museum of Art in Philadelphia, together with Marino Marini and Picasso. Romantica, c. 1973 (Fondazione Cariplo) In 1956 he participated with a personal exhibition at the XXVIII Biennale di Venezia. In 1963 he produced the great monument to Pope Pius XII for St. Peter's Basilica in the Vatican, as well as the bust of Pietro Mascagni for the Teatro alla Scala. In the same year he was awarded the Michelangelo Prize for Sculpture in Florence. In 1966 Messina was commissioned by Italian RAI to create the Cavallo morente (Dying Horse...

The vintage porcelain or ceramic dove figurines feature finely detailed bodies, artfully hand painted with light green accents on bright white majolica glaze, creating a reserved, natural color palette of white and tone-on-tone green. The birds are realistically sculpted with wide, flowing tails, standing calmly with their heads slightly turned. They are not mirror images of each other; each presents subtle differences in posture, adding visual interest and another layer of complexity to the set. Highly detailed figurines convey a touch of historical elegance and whimsical charm of traditional Italian country style. Each sculpture is marked with ITALY and model numbers on the inner surfaces. While many Italian artists and studios created their version of dove figurine, most of them are stylistically different from this pair; Bitossi and Zaccagnini birds have more streamlined, Modernist silhouettes, and the doves created for Raymor were less detailed and intentionally less realistic, as well as most often marked with distributor name in writing. We're attributing the pair to Mottahedeh, who sourced Italian majolica in similar style; the pieces will be simply marked ITALY and Mottahedeh will add their paper stickers. As the sculptures are quite old, the stickers often get lost or destroyed. The convenient size and small footprint allows the set to be used in a multiple ways, such as dining room centerpiece, console table accent, shelf or fireplace mantel decoration...

Pair of Italian bronze figural cachepots with decorative grapevines, fruit trees, floral swags and gadrooning motif, Early 19th Century. Cachepot...

Cute Italian bronze figure of a pigtailed little girl laying on her belly with her legs crossed enjoying a book. Weathered patina. Early 20th c...

An enchanting pair of early 19th Century French patinated Bronze seated Putti, one feeding a Dove, the other holding its cage, raised chased ormolu plinths with classical motif decor...

This fine solid cast figure of Lakshmi wears elaborately styled leggings with her hair tied in very long braid. She is holding an oil lamp inscribed underneath in Hindi. Lakshmi is ...

This is a lovely and delicate hand made clay art girl figurine in a lavender print dress with a lace overlay that stands 7" tall and is Holding Flowers....

An exceptionally well-cast bronze sculpture with brown patina depicting a harlequin holding a doll, the elaborately dressed figure with an expressive face and imposing posture restin...