Aiveill Art

Serene depiction of a country house with ducks milling around in the grass by Josh Fisher (British, 1859-1930). Signed "JOSH FISHER" in the lower-left corne...

A charming 1930s Western watercolor painting by American artist Lloyd Moylan, depicting a tender scene of horses and a foal set within a softly rendered Southwestern landscape. This...

A really atmospheric impressionistic image of sheep grazing in an open pasture with wonderful effects of light and shade. John Robert Keitley Duff (1862-1938) Sheep grazing Signed w...

19th Century Loch Tay Scottish Landscape in Watercolor on Paper Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (E...

Cornelius Pearson b.1805 – d.1891 & Thomas Francis Wainewright, b.1794 – d.1883 English Crymlyn Bog And Neath River Estuary Swansea Bay, 1872 Watercolor. Signed & Dated 1872. Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ). Available for sale; this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872. The watercolor is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass. This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display. The watercolor is signed by both artists and dated 1872 lower left. The mount is titled and attributed by hand. Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolor painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon. He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolor Society and elsewhere. He was one of the oldest members of the Langham...

A lively and detailed mid-1940's vintage boardwalk scene of Santa Cruz, California by California artist Cassard (20th Century), 1944. This figurative...

This artwork "South San Francisco" 2003 Is a watercolor on paper by Filipino artist Ephraim Samson, b.1947. It is signed and dated at the lower right co...

Title: French Equestrian Horse Stable Farmyard Ink Watercolour Painting Artist: Bernard Labbe, French mid 20th century Medium: Watercolour and ink on paper, laid to mount card, unfra...

French School 19th Century, Peasants and donkeys at the fountain, in Italy watercolor with heightenings of gouache on paper 27.5 x 34.5 cm No frame, no mat A charming, well-execut...

Edwin Lord Weeks. American ( b.1849 - d.1903 ). Travellers By A River Nile Tributary At Sundown. Watercolor On Paper. Monogram Lower Left. Image size 6.7 inches x 11 inches ( 17cm x...

This study presents multiple views of goats and sheep drawn across a single sheet. Lundgren depicts the animals in different poses – a light-colored goat standing in profile, a dark ...

This summer landscape with horses grazing in a paddock under the rays of the sun beside a rural farmstead is a finely executed drawing in brown, signed lower right by Swedish female artist Ester Almqvist (1869-1934). A winding path leads the viewer into the composition, where buildings, fences, and vegetation define a cultivated countryside. Two horses stand quietly within the enclosed field, their forms rendered with spare yet assured lines. Above them, the sun shines from a clear sky, its rays spreading outward in rhythmic, hand-drawn strokes that cover all of the sky. The composition is built through a lively and vibrating pen line, where hatching and linear repetition create both texture and luminosity. The warm sepia tone unifies the scene, while the expressive draughtsmanship conveys a sense of immediacy and presence. The motif is elevated through a distinctly personal interpretation of landscape and light. Ester Dorothea Almqvist was born in 1869 in Bromma, Stockholm and died in 1934 in Lund, south Sweden. She emerged as a significant figure in Swedish art at the turn of the twentieth century, initially associated with the National Romantic movement, before later contributing to the introduction of modernist tendencies in Sweden through a highly individual synthesis of Neo Impressionist and Expressionist elements. Her early life was shaped by a religious and intellectually engaged environment. Almqvist lived her entire life with a physical disability caused by a spinal deformity, which limited her mobility but did not prevent her from pursuing an artistic career. Following her mother’s death, Almqvist broke with her earlier environment and relocated to Skåne, where she would spend the greater part of her professional life. The landscapes of southern Sweden became central to her artistic production and provided the basis for many of her most characteristic works. Her artistic education began at Tekniska skolan in Stockholm (1888–1891), where she received foundational training in drawing and design. She continued her studies through private lessons with the history painter Gustaf Cederström, but chose not to apply to the Royal Academy of Fine Arts. Instead, she pursued further training at Valand Art School in Gothenburg, where instruction was led by prominent artists such as Carl Larsson and Richard Bergh. She also studied for a period at the Konstnärsförbundet’s school (Artists' Association), under the guidance of Per Hasselberg and Bruno Liljefors...