Alan Lambirth Art

Oil on canvas by Henri-André Martin (1918-2004), France, ca.1960. Notre-Dame de Paris. With frame: 79.3x 60.3 cm - 31.2x23.7 inches. Without frame: 54x 73 cm - 21.3x28.7 inches. 20P ...

Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...

20th century figurative landscape oil on canvas on board painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a cityscape of Strasburg in France. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

Signed and dated nude oil on panel by French post impressionist painter Paul Elie Gernez. The work depicts a brunette nude relaxing on a fur rug, her ...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

20th century figurative landscape oil on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a rural landscape with cow laying on the grass. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

This superb British Post Impressionist oil painting is by noted female artist Doris Clare Zinkeisen. Painted circa 1950 the painting echoes the French Impressionists in their style a...

Ramon DILLEY (né en 1932) La Carine-Celle de Bois-Le-Vent Oil on cardboard mounted on canvas Painting dimensions: 61 x 48 cm Signed lower right Titled on the back Provenance: Privat...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor Di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

20th century figurative landscape oil on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted with stronger accent of red. Artist is strongly tied with Mazovia (area in which Warsaw is located) and often paints views from MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...