Albert Bierstadt Art

“Impressionist Landscape, c. 1915-1920” by Francis Stillwell Dixon (American, 1879-1967). One of Dixon’s finest canvases, depicting a tranquil forest scene bathed in soft, dappled l...

Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

This compelling piece perfectly captures the transitional "pre-expatriation" period of Henri Vinet. While most associate him with Brazil, this work feels like a moody farewell to the...

Mount Desert Island, Maine, likely Thunder Hole Oil on paper mounted on board 10 x 14 inches (25.4 x 35.6 cm) Framed dimensions: 16 3/4 x 20 11/16 inches Signed lower middle: F. S. F...

*A seascape by Warren Long captures a sailboat navigating choppy blue waters near a dramatic rocky coast under a cloudy, bright sky. Oil on canvas. Signe...

HARVEST UNDER THE CANOPY Size: 62.5 x 75 cm (including frame) Oil and gouache on card laid onto board A rich and striking striking mid-century modernist figurative landscape composi...

Earthy Brown & Green Abstract Expressionist Art - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, Angela Wakefield. This colou...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the Unite...

"Madame Lemmen et ses enfants dans un jardin (Madame Lemmen and Her Children in a Garden), 1900” is an oil and pastel work, depicting a vibrant garden scene by Neo-Impressionist, Bel...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

Elisabeth Voigt (German, 20th Century, d. 1977) Oil on board (likely hardboard / Masonite); Dimensions: • Image: 22 × 16 cm • Framed: 35x29x5 cm Signed lower left. A charming and...