Alcide Robaudi Art

MAXWELL ARMFIELD, RWS. (British 1882-1972) Costume Design for Geranos Signed l.l.: MAXWELL ARMFIELD, inscribed u.l.: Costume, PHEONIX CEREMONY/ IAN (?) VALO as DAVID, and further i...

JOHN DRONSFIELD (1900-1951) Young Girl - “Amor Eterno” Inscribed on the reverse: Girl from “Amor Eterno” Jasmine Honeré Ballet, 1949 Watercolour and bodycolour on blue paper Unfra...

HARRY CARLETON ATTWOOD (1907-1985) Orpheus - Design for Eltham Palace Watercolour, squared for transfer Framed 22.5 by 14 cm., 9 by 5 ½ in. (frame size 39.5 by 31.5 cm., 15 ½ by 1...

RICHARD WESTALL, RA (1765-1836) Cupid Sleeping; from a poem of Mrs Robinson - The Duchess of Devonshire Discovers the Sleeping Cupid Watercolour on paper, oval 36 by 44.5 cm., 14 ¼ by 18 in. (frame size 55 by 66 cm., 21 ¾ by 26 in.) Exhibited: London, Royal Academy, 1792, no.448. Richard Westall was bon in Reepham, near Norwich. Initially apprenticed to a London silver engraving he began studying at the Royal Academy Schools from 1785 and exhibited regularly at the Royal Academy between 1784 and 1836. Westall became an Associate member of the Royal Academy in 1792 and a full member in 1794. Westall painted in both oil and watercolour, his works being romantic and neoclassical in style. He contributing to both Boydell’s Shakespeare Gallery and Fuseli’s Milton Gallery and was also a prolific book illustrator of both fiction and poetry including works by Sir Walter Scott and Byron, whose portrait he also painted. For a time he was also art master to the young Princess Victoria. This is probably Westall’s 1792 Royal Academy exhibit (no.448). The subject was inspired by the poem Cupid Sleeping by the poetess-actress Mary Darby Robinson, which had been published in the previous year. The poem was dedicated to Georgiana, Duchess of Devonshire and the picture show the Duchess discovering the sleeping cupid who she then relieves of his bow and arrows. Mrs Robinson was not only the Duchess’s protégée but also the first public mistress of the Prince of Wales. William Nutter’s engraving of Westall’s picture was also dedicated to the Duchess of Devonshire. Close in a woodbine's tangled shade, The blooming god asleep was laid; His brows with mossy roses crown'd; His golden darts lay scatter'd round; To shade his auburn, curled head, A purple canopy was spread, Which gently with the breezes play'd, And shed around a soften'd shade. Upon his downy smiling cheek, Adorned with many a "dimple sleek," Beam'd glowing health and tender blisses, His coral lip...

Gathering of African women at market in watercolor of African Village by French artist Stephane Magnard, circa 1950. Original artwork on paper displayed on a white mat with a gold ...

JOHN DRONSFIELD (1900-1951) Costume Design Watercolour and pen and ink Unframed, in mount only 34 by 24 cm., 13 1/2 by 9 ½ in. (mount size 47.5 by 37 cm., 18 3/4 by 14 1/2 in.) J...

EVE SHELDON-WILLIAMS (1916-2001) Fashion Illustration White wash on black paper Framed 30.5 by 15.5 cm., 12 by 6 in. (frame size 50 by 34.5 cm., 19 ¾ by 13 ½ in.) Provenance: The artist’s family. Eve Sheldon-Williams was born in Tunbridge Wells, Kent, the younger daughter of artist Inglis and Ina Sheldon-Williams. She was governess educated until the age of ten, before settling with her parents on the Italian Riviera from 1926 to 1930. After finished her education in England she studied painting, illustration and design at the Central School of Arts and Crafts 1937-1941, under William Roberts, John Skeaping, Bernard Meninsky and John Farleigh...

JOHN DRONSFIELD (1900-1951) Costume Design – Man with Staff Watercolour and bodycolour over pencil Unframed, in mount only 44 by 29.5 cm., 17 ¼ by 11 ½ in. (mount size 57 by 42.5...

PAUL SANDBY (1731-1809) Study of a Coachman Pencil and brown wash, shaped Framed 16.5 by 9 cm., 6 ½ by 3 ½ in. (frame size 32 by 22.5 cm., 12 ½ by 9 in.) Provenance: Iolo Williams; Private collection. Exhibited: Sudbury, Gainsborough House, 1979. Sandby was born in Nottingham and moved to London in 1745. He and his brother Thomas first worked in the military drawing department at the Tower of London, later working on a military survey of new roads and bridges in the Highlands. On leaving this post in 1751 he spent some time living with his brother who had been appointed Deputy Ranger of Windsor Great Park. There he assisted his brother, and made a series of drawings of the castle, town and neighbourhood. In 1760 he settled in London where he contributed to the first exhibition of the Society of Artists where he regularly exhibited until the foundation of the Royal Academy in 1768, becoming one of its founder members. In same year he was appointed chief drawing...

JOHN DRONSFIELD (1900-1951) Costume Design with Green Jacket Watercolour and bodycolour over pencil Unframed, in mount only 40 by 28.5 cm., 15 ¾ by 11 ¼ in. (mount size 53 by 41...

SIR HUBERT VON HERKOMER, RA, RWS (1849-1914) The Pipe’s of Pan Signed with initials and dated 26/2/74 Watercolour and bodycolour on paper 17 by 22 cm., 6 ¾ by 8 ¾ in. (frame size ...

French painting in bright green, blue and yellow tones of someone sitting at a table by artist Jean-Charles Lauthe, 1971. Signed and dated lower right. Original artwork on paper dis...