Furniture

Wonderful gothic architectural print. Cathedral of St. Lo Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1850 On wove quality pape...

Exquisite 19th-Century Butterfly Lithographs: A Study of Exotic Lepidoptera by F. Hochmanz, Stuttgart This stunning compilation of 19th-century lithographs beautifully captures the ...

The engraving depicts a classical façade of a building, designed with a series of evenly spaced windows and arches on the ground floor, and rectangular windows on the upper floor. The architectural style is neoclassical, characterized by its symmetry, balanced proportions, and the use of classical elements such as pilasters and pediments. Atop the structure sits a central pediment supported by columns, flanked by statues. This could represent a public building or a grand palatial structure. The precise lines and attention to detail suggest that it was intended for scholarly study or as a record of architectural design. The labeling at the bottom, if any, could provide information on the building's location or the architect, but it's not visible in the image. The engraving is possible part of a series published around the early 18th century by Joan Blaeu, a renowned Dutch cartographer born in 1599 and who passed away in 1673. His works often featured detailed engravings of notable locations. This particular piece would have been published posthumously, as part of a collection that his heirs continued, which was later reissued by publishers like Pierre Mortier. The exact date of publication for this specific engraving is not provided in the information, but it would be within the timeframe of the early 1700s, given the dates of the reissues mentioned and the info behind the watermark that is visible if you hold the print to the light. The text appears in the paper is a historical note about the Honig family, prominent in the Dutch paper manufacturing industry during the 17th and 18th centuries. Jan Jbz. Honig (1688-1757), the white paper manufacturer from Zaandijk, was the son of paper manufacturer Jacob Cz. Honig(h) (1648-1709). Jan began his independent work in 1738 and continued until 1757. He was the younger brother of Cornelis Jbz. Honig (1683-1755), and together they started the company C & J HONIG in 1709. Following a division of the family business in 1738, Jan took over the mill 'De Vergulde Bijkorf' and also acquired the mill 'De Eendracht'. He was married to Trijntje Claes Caescoper (1689-1763) and operated with his son Jacob Jsz. Honig (1712-1780) under the name J(an) HONIG & ZOON. Around 1741, this firm produced Pro Patria paper featuring the emblem of the Hollandse Tuin as a watermark. By 1764, under the direction of his son Jacob, J. HONIG & ZOON supplied paper to the Amsterdam Chamber of the Dutch East India Company, using watermarks including the Amsterdam coat of arms...

This print is an engraving of the Interior View of St. Paul's Cathedral, executed by J. C. Griffiths, an active 19th-century engraver known for his detailed architectural depictions....

Title: Architectural Study of Egyptian Capitals and Friezes, c.1750 Engraving Set Description: This finely detailed pair of 18th-century engravings presents a comparative visual stu...

Henry Moore lithograph, entitled Studies of Three Standing Figures, English, circa 1960s. Beautifully framed in a 22 karat gold reeded frame with silk...

Powerful early academic animal study by Richard Müller (German, 1874–1954), depicting a strutting rooster rendered with exceptional anatomical precision and expressive force. Execute...

Pavillon Tuilerie – French Architectural Lithograph from La Brique, Exposition 1889 This richly detailed architectural lithograph presents the front elevation of the Pavillon de la ...

Striking early academic natural history study by Richard Müller (German, 1874–1954), depicting a fish skeleton transitioning into a detailed crustacean (shrimp or crayfish) rendered ...

Charming drawing of a woman sitting and resting her head on her hand. This was done with a technique that provides us with very soft lines, almost airbrush-like. It's simple and precise. William S...

Striking early 20th-century academic study depicting a fully articulated suit of historical armor, executed with exceptional technical precision by Richard Müller. This dramatic comp...

An imaginative and whimsical embossed lithograph titled "Pisces" by American artist Judith Bledsoe. Hand signed in pencil on the bottom left with an annotation of 108/250 on the bott...