Alexandre Manuel Abstract Photography

"Downtown Atlanta, GA X36" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in additional sizes. Pe...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

"Abandoned Tennis Court, Snellville, GA" is a drone photograph featuring colors of blue and green. This listing is for an unframed photograph. This photograph is available in additi...

"Georgia Pacific Building, Atlanta, GA X54" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in addit...

Long dark grasses and cattails form a patterned lattice through which the fall sky pushes through. This atmospheric photograph that captures the essence of a wetland is created in tw...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

This textured collaged work features two great blue herons in blue, purple and orange colors. The white frame measures 35 by 45 inches. Jennifer McKinnon Richman is an Atlanta-based...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

An angled swath of black, burnt umber and gold below a sky streaked with azure, dark and light blues is imprinted with two straight dark lines. This abstracted landscape, captured using time lapse...

This is a beautiful contemporary abstract cityscape photograph of the busy streets of Tokyo. The photograph was taken with a medium format Holga camera and the film is crossed-proces...

JUN AHN (*1981) Invisible Scape, 2014 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76,2 x 228,5 cm (30 x 90 in.) Edition of 5 plus 2 artist's proofs (#2/5) This photograph belongs to Jun Ahn's series 'Invisible Scape', which was shot between 2010 and 2014. South Korean Jun Ahn came to study in the US, where she graduated from the University of Southern California with a degree in art history in 2006, followed by two years of postgraduate study of photography at the Pratt Institute. While at the Pratt, she had her first work displayed as part of group gallery exhibitions, and began work on the "Self-Portrait" project, which to date is her most prominent series of photographs which she regards as “a performance without an audience”, an end of youth of sorts, and a coming to terms with the future. In 2009 and 2010 she was awarded the Dean’s Scholarship at New York’s Parsons The New School for Design, and in 2011 received both the Dean's and a departmental scholarship. During this time her work received its first major exhibitions, including a joint exhibition with Kazuna Taguchi at PS 122 in New York. Furthermore, Jun Ahn has been selected as one of BJP’s 20 Photographers To Watch in 2013. Parsons awarded her a Master of Fine Arts with honours in January 2012, after which she acquired a PhD in photography from Hongik University in Seoul...

Photographic paper incrusted in DIASEC plexiglass Edition 2/3 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light. Bruno Paget...