Alexandre Perebatov Art

Italian painter Andrea Gallotti’s practice is rooted in the quiet rigor of repetition, a deliberate return to a gesture so simple it borders on the childlike, yet so subtle that its ...

Provenance: The artist Karl Hutter Fine Art, Beverly Hills

Realist oil painting by Moses Soyer. The artist was often quoted as saying, "My message is people." He was always looking to find who the person within was. Soyer and his brothers Raphael and Isaac were all successful artists. Moses Soyer began his art studies at the Cooper Union and National Academy of Design, the Education Alliance, and eventually moved to the Ferrer Art School in Harlem to study with teachers who promoted the Ashcan style of painting. This style promoted unglamorized representations of everyday life and a focus on social realism. When many artists shifted to abstract expressionism Soyer...

Rene Genis (French 1922-2004) “Nature Morte A La Table Pliante” Still Life On A Folding Table. Oil on Woven Paper (BFK). Oranges and reds predominate wit...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles

Painting size 12 ½" x 14 ½", framed 18" x 20 ¼" x 2" Signed "Friedman" lower right Inscribed verso: "Title: Autumn Day Drive. Associated impressions of two drives Hudson River and F...

This work epitomizes Prestopino's interest in social realism which captures a quiet interlude in the everyday life of an "everyman." It also provides a contrast for our expectations as we view a tough, blue collar worker, with no one watching, as he sings a melody to the birds. In an original frame measuring 49" x 39" x 3.25" Provenance: Edith Halpert's Downtown Gallery (label verso from 13 w. 113th street, where the gallery was located from 1926 until 1939) Private collection, NYC, c. 1935 By descent About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel...

Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...

Water & Light are two main components that make the Greek landscape unique and irresistible. Greek painter Maria Filopoulou takes up these two clichés unashamedly and transforms thei...