Alexandre Perebatov Art

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

A quintessential American Scene landscape painted by the Chicago Modernist, William Schwartz. Workers in tilled fields surrounding a farmstead under dramatic skies. Painted in 1935...

Dramatic abstract oil painting on board by renowned Mexican artist Leonardo Nierman, titled Prophesy. The composition rises with intense vertical energy, evoking a sense of cosmic tu...

The scale of this dynamic party painting by Leroy Foster (1925-1993) makes you feel like you are in the room with a cocktail in hand. He was an accomplished muralist, so it is no s...

This abstract painting presents a dynamic figurative composition in which organic forms and bold contours intertwine in a rhythmic and balanced arrangement. In this oil on canvas, t...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

“I’ll Be There” by Craig Greene is a compelling 20 x 16 inch oil on canvas that captures quiet strength, emotion, and human connection through a modern figurative lens. Executed in G...

Rolf Pettersson (Swedish, 20th Century) Breakfast, ca. 1970s Oil on canvas Framed dimensions 25 5/8” H x 31 9/16” W Signed verso A charming original Swedish interior scene from the ...

a reworking of a quieter image with the same child, but children aren't quiet and this needed more vitality, so I added more birds and flowers, anemones. I wanted to evoke an idyllic...

French School of the 20th Century Olive Trees on the Road to Oriente-Bunola (Majorca, Balearic Islands), August 1965 Oil on canvas, 46 x 55 cm Dated and located on the reverse Uns...

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...