Alfred Hrdlicka Art

An iconic image by the master of Surrealism, Rene Magritte. L 'Art de Vivre, created as an original etching and aquatint in colors in 1968, is stamp-signed and annotated "E.A." (art...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This is one of the smallest prints done by Siet...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Breathing Pneumatic Armchair MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chica...

Artist: Joan Miro Title: Caillou Medium: Etching and aquatint in colors on Rives paper Date: 1978 Edition: 19/115 Framed Size: 15" x 11" Sheet Size: 9 1/4" x 7" Signature: Hand signe...

This artwork titled "Trio" from the suite "Les Fleurs du Mal" created in 1938, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It i...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

ARTIST: Salvador Dali TITLE: Hommage a Picasso MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Felicia, New York/EGI EDITION NUMBER: XLVI/CC MEASUREMENTS: Paper...

Childhood memories of a red tricycle led to this print by Chicano artist Xavier Viramontes. In the 1970's, Viramontes designed the poster for the United Farmworkers Union, 'Boycott...

ARTIST: Salvador Dali TITLE: La Venus Aux Fourrures Woman with Crutch MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 25/145 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: No CONDITION: Excellent AUTHENTICITY: This piece has been certified by The Salvador Dali Archives. The Salvador Dali Archives, located in New York, is a private repository of information about Salvador Dali, established with the approval of the artist by Albert Field over 50 years ago. The Archives, under the direction of Albert Field's successor, Frank Hunter, is able to provide an Authentication Service to owners of Dali prints and other Dali works. The Salvador Dali Archives is used by major Auction Houses, Art Dealers and Collectors to Authenticate works by Salvador Dali. REFERENCE: The Official Catalog of The Works of Salvador Dali by Albert Field page 40...

This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...

Julian Trevelyan 1910-1988 The Helicopter, 1936 etching 31 x 33 cm 12 1/4 x 13 in with Estate stamp; title and edition by Mary Fedden in pencil Julian Trevelyan was an important Bri...