Alfred Kingsley Lawrence RA Art

Graphite lead on paper Dimensions: 6 x 8 ¼ in. (15.4 x 21 cm) – framed 11 ¼ x 12 5/8 in. (28.5 x 33.2 cm) Studio sale stamp in the lower right corner (L. 838a) A certificate from th...

SELINA MCKANE Shalimar, 2017 powdered graphite and graphite pencil on paper 30h x 28w in Selina McKane is an American visual artist from Northwest Alabama. She studied and earne...

"Storytime" (2023) by Allen Williams is an original graphite drawing on Strathmore medium weight drawing paper that depicts a young girl reading a book ...

Raro studio dell'artista Preraffaellita Frederick Sandys,Studio per l’opera Portrait of a Lady,( Anne Simms Reeve of Brancaster Hall, Norfolk) proprie...

"Scarecrow" is a beautiful collaboration between fantasy masters Babs Webb and Timothy Von Rueden, done with graphite on mixed media paper, and measuring at 14 x 11 in. in its frame,...

"Crystal Study" is a powdered graphite illustration, detailed with acrylic created by the talented fantasy artist Babs Webb. Depicted in this piece is a standard crystal formation, f...

Portrait de Renoir by Georges Manzana Pissarro (1871-1961) Graphite on paper 18.5 x 16 cm (7 ¹/₄ x 6 ¹/₄ inches) Signed lower right, manzana-Pissarro This work is accompanied by a c...

Self Portrait sketching with Vignette in Profile Graphite on thin wove paper, c. 1940's Unsigned Condition: Small nicks in the right margin, not affecting the image Sheet size: 14 1/2 x 10 inches Provenance: Paul Cadmus Jon F. Anderson (1937-2018) Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...

This artwork is part of my “Interior” series – artworks created to bring lightness and beauty into your space. The series is designed to please the eye without overwhelming it, addi...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

“Unlived Self” explores a deeply familiar yet often unspoken human experience — the quiet abandonment of one’s true calling. It reflects the inner conflict between what we feel drawn...

1962 Graphite on wove paper 60.6 x 45.7 cm Annotated 'C-808.2' in pencil on the reverse Framed Provenance: The artist Nathan Gluck, New York Susan Sheehan Gallery, New York Private...