Alfred Montague Art

This harbor scene oil painting is by noted Massachusetts artist Albert Rufus Thayer. Thayer was born in Concord in 1878 and studied in Boston and New York before returning to his hom...

“Impressionist Landscape, c. 1915-1920” by Francis Stillwell Dixon (American, 1879-1967). One of Dixon’s finest canvases, depicting a tranquil forest scene bathed in soft, dappled l...

Exhibited, well painted,fall impressionist scene of Mt Greylock, Massachusetts painted by Holger Wenzel Jensen. Exhibition label attached verso. Exhibited, Chicago Galleries Associ...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Wonderful painting of the Maine coast in Ogunquit. Oil on Canvas, signed lower right. Titled on reverse, A Fair Day - Ogunquit. 24" by 30" sight. George Franklin Wing (1869–1961) ...

Large Big Wave Painting at Dungeons South Africa 72"x56" by contemporary realist Megan Eisenberg

American life is captured in this Clyde Singer painting, Bill Bally Blacksmithing (1987), where he depicts a woman riding her bicycle by a historic and quintessential Minnesota busin...

Carlo Pollonera (1849-1923) 'Dolomites at Santa Cristina' ‍ Oil on cardboard 48.5 x 69 cm Signed and dated lower left 1921 1920's landscape painting of the Dolomite Mountains in It...

Maestro active in Venice in the 19th Century Title: View of Venice with the Island of San Giorgio Maggiore and the Basilica Medium: Oil on canvas Dimensions: without frame 29 × 41 c...

American city scene of a man on the sidewalk with an umbrella in front of storefronts with a geometric facade. American life is captured in this Clyde Singer painting, Patched Fron...

ROBERT KENNETH WHITE (b. 1950) – “THE LINKS” Oil on Canvas ⚜ Hand Signed Lower Right & Titled on Verso ⚜ Frameless Display A LUMINOUS COASTAL LANDSCAPE WHERE SPORT AND NATURE C...

Hubert AICARDI (1922-1991) Horizon, 1960 Oil on panel Signed and dated “60” lower right 15,8 × 21,5 cm (without frame) Hubert Aicardi is a painter of the Provençal school born in Ma...