Alfredo Barbini Art
Italian, b. 1912
Alfredo Barbini (1912–2007), a glass artist born in 1912 on the islands of Murano in the lagoon of Venice, Italy, was one of Murano's leading figures of the 20th century. His parents were members of families, which had been prominent in the glassmaking industry on Murano for generations as glassblowers and beadmakers.
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Artist: Alfredo Barbini
Alfredo Barbini Postmodern Sculpture Blown Glass Incalmed Original Label 20th
By Alfredo Barbini
Located in Roma, IT
A very beautiful and interesting piece made by Alfredo Barbini Murano, in blown glass "ad incalmo": the name Incalmo refers to a technique created in Murano in the 16th century than...
Category
20th Century Post-Modern Alfredo Barbini Art
Materials
Blown Glass
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Located in Surfside, FL
Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish:
PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass
COCCO, made in brown glass
Produced by maestro Simone Cenedese in Murano
Mouth-blown, hand-shaped, cut glass.
Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted
LAURA DE SANTILLANA
After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer.
she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique.
Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world.
She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day.
2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona
SELECT SOLO EXHIBITIONS
2018: In This Light, Galleri Glas, Stockholm
2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles
2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich
Sleeves, Caterina Tognon, Venezia
I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano
2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan
2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan
2013: Big Flats, Galerie L’Arc en Seine, Paris, France
2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA
2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France
Liquid Glass, Traver Gallery, Seattle, WA, USA
2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech
2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA
2007: Khadi, Galleria Marina Barovier, Venice, Italy
2006: Bodhis, Galerie L’Arc en Seine, Paris, France
Bodhis, Barry Friedman Gallery, New York, NY, USA
2005: New Work, Sanske Galerie, Zurich, Switzerland
2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog)
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PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass
COCCO, made in brown glass
Produced by maestro Simone Cenedese in Murano
Mouth-blown, hand-shaped, cut glass.
Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted
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After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer.
she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique.
Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world.
She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day.
2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona
SELECT SOLO EXHIBITIONS
2018: In This Light, Galleri Glas, Stockholm
2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles
2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich
Sleeves, Caterina Tognon, Venezia
I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano
2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan
2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan
2013: Big Flats, Galerie L’Arc en Seine, Paris, France
2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA
2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France
Liquid Glass, Traver Gallery, Seattle, WA, USA
2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech
2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA
2007: Khadi, Galleria Marina Barovier, Venice, Italy
2006: Bodhis, Galerie L’Arc en Seine, Paris, France
Bodhis, Barry Friedman Gallery, New York, NY, USA
2005: New Work, Sanske Galerie, Zurich, Switzerland
2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog)
Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog)
Metals, Elliott Brown Gallery, Seattle, WA, USA
SELECTED GROUP AND DUO EXHIBITIONS
Design Basel, Galerie Pierre Marie Giraud
Chromatique, MUDAC, Lausanne
Living with Art_Albion Barn, Oxford UK
Oltre Roma, Accademia d’Ungheria, Roma
Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA
Laura de Santillana and Alessandro Diaz de Santillana, YSP
Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle,
Musée des Arts Décoratifs, Paris, France
Artissima Torino, Galleria Caterina Tognon
Hourglass, Galleria Marignana, Venezia, Italy
I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria
Artissima Torino, Faggionato Gallery, London, UK
Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA
Translucency, Paul Hughes Fine Arts, London, UK
Selected Museums
Museo Vetrario di Murano, Venice, Italy
The Corning Museum of Glass, New York, NY, USA
Victoria and Albert Museum, London, UK
Metropolitan Museum of Arts, New York, NY, USA
Saint Louis Museum of Fine Arts, St Louis, MO, USA
Cooper-Hewitt Museum, New York, NY, USA
Seattle Art Museum, Seattle, WA, USA
Denver Art Museum, Denver, CO, USA
The Museum of Fine Arts, Houston, TX, USA
Carnegie Museum of Art, Pittsburgh, PA, USA
Los Angeles, Los Angeles County Museum of Art
MUDAC, Lausanne, Switzerland
MAD, Museum of Arts and Design, New York, NY, USA
Museu de Arte de São Paulo, São Paulo, Brazil
Musée des arts décoratifs, Paris, France
Kunstmuseum im Ehrenhof, Düsseldorf, Germany
Kunstsammlungen der Veste Coburg, Coburg, Germany
Museum für Kunst und Gewerbe, Hamburg, Germany
Neue Sammlung, Munich, Germany
IMA, Indianapolis Museum of Art, Indianapolis, IN, USA
Museum of Fine Arts, Boston, MA, USA
Toledo Museum of Art, Toledo, OH, USA
This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...
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Latin American Abstract Geometric Chrome Bronze Architectural Sculpture E. Tafur
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Edgar Tafur (Colombian, 1929 - 2007)
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Mod Space Age Chrome over Bronze Abstract Architectural Totem Cast Sculpture
Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center
While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...
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H 12.75 in W 4 in D 3.75 in
Post Modernist Color Pop Art Sculpture Memphis Milano Peter Shire LA Metal Art
By Peter Shire
Located in Surfside, FL
Peter Shire
Night Studio, 1989
Welded steel and aluminum metal sculpture with anodizing and two-part polyester painting,
Movable kinetic Elements: yellow vane
27 1/4" tall, 18" wide, and 15" deep.
Edition of 24 (not sure if they were all produced, this is not numbered)
This piece is unsigned.
There is some Paint Loss present, and some small Scratches. Overall, the piece looks to be in Nice shape.
Additionally, the yellow squares can turn when they are pushed, or if they are in the presence of a strong gust of air.
Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso.
Further reading
A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990.
Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987.
Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984.
Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000.
Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990.
Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983.
Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984.
Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993.
Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991.
Select Museum Collections:
Art Institute of Chicago, Illinois
Brooklyn Museum of Art, Brooklyn, New York
Berkeley Museum, Berkeley, California
Fresno Museum of Art, Fresno, California
The Israel Museum, Jerusalem, Israel
The Jewish Museum, New york city
Judisches Museum, Frankfurt, Germany
Laguna Art Museum, Laguna Beach, California
Long Beach Museum of Art, Long Beach, California
Los Angeles County Museum of Art, Los Angeles, California
Metropolitan Museum of Art, New York
Mint Museum of Craft and Design, Charlotte, North Carolina
Museum of Arts and Design, New York
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, Lodz, Poland
Newport Art Museum, Newport Beach, California
Oakland Museum of Art, Oakland, California
Österreichisches Museum für Angewandte Kunst, Vienna, Austria
Portland Art Museum, Portland, Oregon
Sak’s Fifth Avenue, New York
San Francisco Museum of Modern Art, San Francisco, California
San Jose Museum of Art, San Jose, California
Seattle Museum of Art, Seattle, Washington
Skirball Museum, Los Angeles, California
Stedelijk Museum, Amsterdam, The Netherlands
Total Contemporary Art Museum, Seoul, Korea
Victoria and Albert Museum, London, United Kingdom
Selected Solo Exhibition venues
Los Angeles County Museum of Art, Los Angeles, California
Chouinard Gallery, South Pasadena, California
Antonia Jannone Gallery, Milan, Italy
Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California
LA Artcore Center, Los Angeles, California
S.K. Josefsberg Gallery, Portland, Oregon
20th Century Collage, Dallas, Texas
Toomy-Turrel Gallery, San Francisco, California
Frank Lloyd Gallery, Santa Monica, California
Bobbie Greenfield Gallery, Santa Monica, California
Diane Nelson Fine Art, Laguna Beach, California
Loyola University, New Orleans, Louisiana
S.K. Josefsberg Gallery, Portland, Oregon
University of Judaism, Platt Gallery, Los Angeles, California
El Centro del Pueblo, Los Angeles, California
Gallery Saito, Sapporo Hokkaido, Japan
Morgan Gallery, Kansas City, Missouri
Riva Yares Gallery, Scottsdale, Arizona
Daniel Saxon Gallery, Los Angeles, California
David Lawrence Editions, Beverly Hills, California
Art et Industrie, New York
Clara Scremini Gallery, Paris, France
Design Gallery Milano, Milan, Italy
Lucy Berman Gallery, Palo Alto, California
Parallel Gallery, Del Mar, California
Davis-McClain Gallery, Houston, Texas
Saxon-Lee Gallery, Los Angeles, California
Traver-Sutton Gallery, Seattle, Washington
Onyx Gallery, Los Angeles, California
Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California
Installation of the Olympic Village Entertainment Center, California State
Polytechnic University in conjunction with the School of Architecture
Museum of Contemporary Art, Temporary Contemporary, Los Angeles, California
Hokin-Kaufman Gallery, Chicago, Illinois
Hand and the Spirit Gallery, Scottsdale, Arizona
B.Z. Wagman Gallery, St. Louis, Miss
Traver Sutton Gallery, Seattle, Washington
The Morgan Gallery, Shawnee Mission, Kansas, Missouri
The Art Store, Los Angeles, California
American Hand Gallery, Washington, D.C
Modernism, San Francisco, California
Studio Alchymia, Florence, Italy
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Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...
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By Pablo Picasso
Located in Geneva, CH
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Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture.
Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work.
Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...
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Located in Southampton, NY
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Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.”
With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...
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Located in Surfside, FL
Maxwell M.Chayat maintained a studio in Clinton, New Jersey.
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