Ali Ghassan More Art

Stuart Dunkel has spent decades refining his hyper-realistic style. He paints realistic imagery based on real world inspirations. His paintings show that the everyday object can be f...

Portrait of a Royalist Officer in Armour, with a Horse and Groom Beyond, c.1650–1665 Follower of Sir Anthony van Dyck (Anglo-Flemish School) (1599-1641) This commanding portrait bel...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Spring mood oil/cardboard, 42x52 cm

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This still life by Russian-American artist Eve Cornejo is simultaneously dark and full of color. The ruby red vessel in particular nearly jumps off of the canvas in contrast to the b...

A fine impressionist winter landscape by German American artist Charles Jacob Young (aka C. Jac Jung) (1880-1940). Young was born in Rodenbach, Bavaria, Germany, immigrated to the Un...

Sunny forest cardboard/oil, 90x70cm

Faun`s sweet dream, 2021, 90x80 cm

Holland Cunningham 1967 - Current Doppio, 2026 Oil on board 25.4 x 25.4 cm 10 x 10 in

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...