Alyssa Peek Art

On the edge of nothingness / n1 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36” - External Dimension( with white border) : Height: 25.6 in.( 65.02 cm) Wid...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

Manhattan Bridge / from the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 48 x 32" External Dimension( with white border) Height: 4...

As a progenitor of special effects photography and experimental photography in the late 1960s and early 1970s, Mitchell Funk employed a variety of non-digital techniques to achieve ...

Eduardo Rezende’s 2024 series Lavori in Corso revisits one of the artist’s most enduring themes: the urban and architectural landscape — this time focused on construction sites, scaf...

Umbrellas on Fifth Avenue in the Rain. Street Photography is as abstract as it is representational. It's literally street photography. Chromogenic archival print, signed and dated ...

In Red Eye #1, the palette is saturated with crimson and ember-like tones, evoking heat, intensity, and an almost bodily vibration. A central star shape anchors the composition, radi...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

Red Eye #6 continues the inward journey of At the Center of Seeing, shifting from fiery intensity toward a more diffused, radiant glow. At its center, a soft golden orb hovers like ...

Pupil #2 suggests a rose window, a star chart, or a rotating mandala. The faint, glowing greenish points orbiting the darkened center also carry the implication of a clock face, with...

Pupil #10 blooms outward like a radiant mandala, its six-petaled form evoking both a flower in full opening and the geometric harmony of a stained-glass rose window. This work feels...

Red Eye #4 intensifies the series’ exploration of perception and vision. Here, a dark circular void sits at the center, like a pupil pulled into infinite depth. Radiating outward ar...