André Carli Furniture

Pair of Neoclassical style gilt bronze hand sconces by Andre Arbus, French 1950s. Black lampshades included. Wired for USA. Shades: 5" diameter x 4" H Backplate: 4.5" diameter

Circa 1950 Abstract and cubist ceramic table lamp Original perfect condition Blue ceramic glaze color Electrical system is ok / s...

1950s desk table lamp leather style Adnet, signed Tanneur. A classic Le Tanneur table lamp. Made with black leather with brass details. Stamped u...

Pair of French 1950s wall sconces with a copper hammered ½ round shade above a small glass strip with an ashwood base.  

A super funky pair of 1950s vintage Italian wall lights or sconces in their original lacquer blue backplates with beautiful brass stems. These are sold without any shades.

1950s Belgium Val Saint Lambert, green crystal lamp base with three clear glass fins on opposite sides. The lamp is beautifully made with very heavy crystal glass in an interesting ...

For sale is an exceptionally rare, signed, and dated Modernist glass table lamp by renowned Art Deco designer Anatole Riecke, produced in Paris in 1950. This lamp features a heavy, ...

Gil Angoloni, ‘Bird' Black Glazed Ceramic Lamp w/ Parchment Shade. France, c. 1950, signed Orleans Earthenware, France

Charming pair of Swedish enameled clam shell sconces from the 1950s. Circular shade enameled in mustard-orange wrinkle paint is pierced around the ri...

A beautiful and elegant pair of 1950s Italian sconces.

Rare lamps made by Wilhelm Kage in the Gustavsberg workshops in Sweden during the 1950s. Beautiful turquoise ceramic lamps with silver inlays depicting a stylized woman. This piece ...

Jacques Blin blue ceramic table lamp with its original lampshade Shade is original in raphia/straw Signed on the underside: ‘J. Blin’ 224. Hand made in France 1950 Very good condition. Jacques Blin was born in Pierrefonds, in the Oise, in 1920. After graduating from the Aeronautical and Automobile Industries, he taught industrial design in Paris, then worked as an engineer in La Rochelle. He was called up for compulsory labor in Germany in 1943, but refused to comply. He returned to Paris and joined Matra Aviation. Passionate about freedom and the plastic arts, it was in 1949 that he decided to abandon aeronautics. He learns the art of ceramics in various Parisian workshops. At home, he starts by creating jewels and lamps, then he imagines a decorative and utilitarian ceramic in small workshops in Paris and Auxon, then in Indre et Loire. His craft production is limited to the small series to the unique piece confined to animal grails, Noah's ark or interstellar vehicles, which are not without reminding the spirit of his beginnings in aeronautics. The enamelled pieces of the first period are often monochrome with a dynamic volume, almost 'aerodynamic', inspired by life. Around 1955, his meeting with the painter Jean Rustin (1928-2013) allowed him to define the very personal and identifying style of his production: the sacrificial decoration is done by hand and the use of metallic oxides before enameling brings to the background the cloudy or stony effect. This visual and recognizable style of all makes the success of Jacques Blin. Jacques Blin vase - Jean Rustin design Jacques Blin exhibition - 2020 Artrium Gallery Thomas Fritsch...