André Picot Figurative Paintings

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Johannes Wilhjelm (Nakskov, 1868 – Copenhagen, 1938) Parisian Cancan Dancers at the Bal Tabarin, Montmartre, 1909 Oil on canvas Monogrammed lower right Inscribed with the location...

Otto Lindberg (1880-1955) 'The Moonlit Boathouse' ‍ Oil on canvas 60 x 95 cm, 73.5 x 108 cm framed Signed and dated 1940 There is something mesmerising about the way the moonlight...

Title: Land of Don Quixote Artist: Ignacio Gil Sala (1913-2003) Technique: Oil on canvas Dimensions: 28.7 x 36.2 in (unframed) Condition: Excellent preservation, unframed Descriptio...

Large Oil on Canvas by Fernande Horovitz-Edwards, France, 1930s - "Bathers". This large oil on canvas by Fernande Horovitz-Edwards, titled Bathers, dates from the 1930s and showcases...

Irène Lagut (1893-1994) Water horses, 1940s Oil on canvas Artwork: 13 x 18 1/8 in. l 33 x 46 cm Framed: 15 1/3 x 20 1/2 in. l 39 x 52 cm Signed lower right Irène Lagut (1893–1994) w...

Marie Lucie Nessi-Valtat Summer landscape, ca. 1950 Oil on canvas Canvas: 17 1/3 × 21 in l 44 × 53 cm Frame: 19 2/3 x 23 1/4 l 50 x 59 cm Signed lower right Marie-Lucie Nessi Valta...

Louis Valtat (French, 1869-1952) Fauvist Oil painting of a mother and child. A very large painting by Louis Valtat titled Mere et Enfant (Mother and C...

Oil on Canvas by Jean Émile Laurent (1906–1983) — Shepherd Child with Two Black Goats in an Oriental Pasture. This lyrical oil on canvas by Jean Émile Laurent—undoubtedly one of the...

Theatre de Sara Bernhart et Place de Chatelet by Edouard Cortes was painted circa 1935-40 and signed lower right. It is an oil on canvas measuring 13x18...

The artist had a lot to say. Why else spend the intense focus and time on rendering such a luminous work brought to completion literally point by point in tiny dots? Ask yourself: Ar...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...