Andrew Pinkham Art

Magnus Gjoen, DELFT KNUCKLE DUSTER, 2016 Gorgeous Giclee print of Gjoen's DELFT KNUCKLE DUSTER, printed on 308 gsm cotton rag archival paper. Part of an edition of 200. 40 x 40 cm

Artist: Danielle Orchard (American, 1985-) Title: "An End in Sight" *Signed by Orchard in pencil lower right Year: 2023 Medium: Original Archival Pigment Print on unbranded heavy white wove paper Limited edition: 33/50, (there were also 5 artist's proofs) Printer: Unknown, New York? NY Publisher: Art for Change, New York, NY Sheet size: 20.57" x 24.69" Image size: 18.57" x 22.69" Condition: In mint condition Notes: Provenance: acquired directly from the publisher Art For Change, New York, NY. Numbered by Orchard in pencil lower left. The image featured on this print is Orchard's 2022, 84" x 103", oil painting on linen "An End in Sight". This painting was exhibited at her first New York solo exhibition "You Are a Serpent Who’ll Return to the Ocean" at Perrotin Gallery, New York, NY from April 26 - June 10, 2023. Comes with its original Certificate of Authenticity issued directly from the publisher Art for Change, New York, NY which is also signed and numbered by the artist Orchard herself in ink. Depicting two primary characters enjoying an outdoor picnic on a grassy field situated in front of a beach, An End In Sight draws on Orchard’s memories from a summer spent in Bordeaux, which coincided with the large-scale wildfires that swept across France in 2022. In her painting, one figure pours into a cup surrounded by various food items strewn across a white blanket, while the other peers presumably towards a distant character walking across the sand as well as the sea that lies beyond. Orchard’s work is distinguished by a warm orange haze, which lends a surrealistic, otherworldly feeling to an otherwise ordinary summer scene. As the artist recalls, “To me, this painting exudes a sense of heat and stillness that I did not want to lose. In lieu of any dramatic changes to the image, I chose to incorporate small, subtle still life elements, like additional cone flowers or spilled Solo cups of wine. My aim was to explore potential new narratives and spatial arrangements, with as few tweaks as possible.” - Danielle Orchard Biography: Danielle Orchard (born December 2, 1985) is a painter living and working in Brooklyn, New York. Orchard grew up in Fort Wayne, Indiana. She received her Bachelor of Fine Arts from Indiana University in 2009 and studied in Florence, Italy. She earned a Master of Fine Arts degree from CUNY Hunter College in 2013. Orchard is represented by Perrotin gallery in New York, NY. Nodding to the great painters of the modern era including Picasso and Matisse, Orchard’s paintings...

Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lord Fre...

Richard Berner x Magnus Gjoen, We Desire Above All, That Which Will Destroy Us (Signed) Giclee print 35 x 70 cm (13.78 x 27.56 in) Signed by both artists Edition of 50

Silkscreen in 7 colors with diamond dust 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. F...

Meschac Gaba (Benin, 1961- ) Artist with American Inspiration: 4 World Financial Center, 2004, Meschac Gaba, pigmented inkjet print, Hand signed, dated and inscribed '15 des 30 Artiste d'inspiration Americaine' verso. Dimensions: approximately 17 1/2 x 42 1/2 in. (sheet), 19 x 44 in. (frame) Meshac Gaba employs an intervention on an American dollar bill in Artist with American Inspiration: 4 World Financial Center, swapping out our stately eagle for his smiling face portrait. One of Gaba’s sculptures appears on the left as well. Meschac Gaba (born 1961) is a Beninese conceptual artist based in Rotterdam and Cotonou. His installations of everyday objects whimsically juxtapose African and Western cultural identities and commerce. He is best known for The Museum of Contemporary African Art 1997–2002, an autobiographical 12-room installation acquired and displayed by the Tate Modern in 2013. He has also exhibited at the Studio Museum in Harlem and at the 2003 Venice Biennale. Meshac Gaba was born in Cotonou, Benin, in 1961. He had drifted from his training as a painter until a bag of decommissioned money cut into confetti led him to make paintings with the material. 1981-1985 He was a student at the artist studio of Zossou Gratien, Cotonou, Benin. Gaba became known for his installations of everyday objects that whimsically juxtapose African and Western cultural identities and commerce. He held a residency at the Amsterdam Rijksakademie in 1996 for two years. In the absence of opportunities to display his work in the city, he set out over the next five years to make his own museum. This piece became his seminal The Museum of Contemporary African Art 1997–2002, which consists of 12 rooms (some based on museum function and others personal) filled with objects made by Gaba. Throughout the exhibition ran a vein of confessional narrative about the artist's art travails between Africa and Europe The wedding room, which he made while in love, holds mementos as museum artifacts from Gaba's wedding to the Dutch curator Alexandra van Dongen in 2000 at the Amsterdam Stedelijk Museum. The Library room holds art...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Fine art inkjet print on photo rag 308 paper Limited edition of 100 Signed and numbered on the front Sold in the original packaging in mint condition, unframed Published by Kaikai Ki...

"Milla pink Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

Giclée print on cotton smooth rag Edition of 250 136 x 92 cm (53.5 x 36.2 in) Framed dimensions (136 x 92 x 3 cm /  53.5 x 36.2 x 1.2 in) Signed, numbered and dated on the front Mint...

Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: Daphne II...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...