Andy Nelson Furniture

Original Mid Century Modern Abstract Painting, unsigned, artist unknown, probably American, circa 1960s. It measures an impressive 28“w x 22.25“h and retains its original gilt frame.

Modern abstract painting. Dated 1962 and signed illegibly on verso. Retains original gilt and painted wood frame and linen mounting. Size noted below i...

Alain Le Yaouanc (1931-2012) was a French painter and printmaker associated with the abstraction movement of the mid-twentieth century. He was known for his...

Large Scale Abstract Painting by Elizabeth Blumenthal, American, circa 1971. It measures an impressive 50" height x 50" width. Signed, dated, and titled "Docking" on the verso.

captivating vintage abstract painting, a beautiful example of mid-century modern artistry. This original piece boasts incredible texture and a soothing palette of blues, whites, and ...

Triptych of large-scale paintings, highly patterned and evocative of Memphis-style 1980s design. Each painting is 52.5" square. They make quite an impressive display when hung togeth...

Large scale mid century figural painting on paper by Ezio Martinelli (American, 1913-1980). It has been professionally framed in a clean lined black lacquer wood gallery frame under ...

Large scale colorful abstract painting in the style of Wassily Kandinsky, circa 1980s. Unsigned. It measures an impressive 66"H x 66"W.

Large Scale Abstract Painting by Elizabeth Blumenthal, American, circa 1970. It measures an impressive 58" height x 54" width. Signed, dated, and titled "Space" on the verso.

Original Modern Abstract Painting by Shannon Weir. An Acrylic on Panel in antique gold frame, a one of a kind! 19w x 3d x 21.25h SKU 6-1137 157 #0433

Large Scale Abstract Painting by Elizabeth Blumenthal, American, circa 1970s. It measures an impressive 66" height x 66" width. Signed on the verso.

Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his painting practice, when not analyzing the smallest, most detailed creatures of the...

Postmodern geometric mixed-media painting with a neutral grid pattern background and applied paint and paper in graphics. 1990s

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...

Large Original Black & White Abstract Painting in an Antique Frame Acrylic on Panel by Shannon Weir 28w x 3d x 34h SKU 6-1024 157