Anthony Andreas de Meijier Art

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

"Since my early childhood, nature has had a profound affect on me in ways that I cherish. The state of mind that is instilled within me when walking through the woods, or on a seclud...

This lovely watercolor painting on Arches paper features a landscape view in Provence. This typical Mediterranean country house in the south of France has a veranda and the Saint Victoire...

View of Paris: The Hotel de Ville banks and the statue of Etienne Marcel under Snow Watercolor Signed E. Galien Laloue, circa 1910-1920 Appraisal by Mr Noé Willer. (Will figurate in...

Attributed to Felix Ziem and painted circa 1900. Bearing signature, lower right, 'F. Ziem' for Felix Francois Georges Philibert Ziem (1821-1911) Framed dimensions: 13.75 x 18 x .75 ...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

Watercolor on art paper framed and signed Total size with frame: 52x40 cm Albert Nyfeler (September 26, 1883 in Lünisberg, † June 14, 1969 in Burgdo...

signed "Emile Noirot 1893" at lower right overall dimensions, including frame, are 19 3/4 x 23 5/8 inches

Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...