Anthony Andreas de Meijier Art

North African Orientalist Scene (Horseman and Nomadic Traders) Giulio Rosati, Italian (1857–1917) Date: circa 1880 Watercolor on Paper, signed lower righ...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

Step into the serene charm of southern France with this captivating watercolor landscape artwork by François Pascal (France, 19th century–1948). Expertly painted on paper, this work ...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

English Mansion by the Cemetery - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Cooper (British, 1853-1929). A large home is shown on the left, with a red r...

Conditions : Very good original conditions including a beautiful frame. This Framed under glass with a Length of 90 x 68 cm , this rare composition for sale is an exceptionnel piece...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

gouache with pen and ink signed "Seymour Thomas" at lower right

Sir William Russell Flint (British, 1880 – 1969) Winter sports in the Engadine, possibly St. Moritz watercolour on paper signed ‘W RUSSELL FLINT’ (lower right) 12.1/2 x 19.3/8 in. (3...

Watercolor on Arches paper 640g Sold with a silver frame without glass Total size with the passe-partout and the frame 65x78 cm René Zwahlen was a Swiss watercolor artist and pai...

signed "Emile Noirot 1893" at lower right overall dimensions, including frame, are 19 3/4 x 23 5/8 inches